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Denon AVR-X3800H sounds bass-heavy to my ears and markedly different (worse) than the subjectively flat AVR-X3600H - why?

@Veganfloyd, one Audyssey tip I can offer: your fronts are showing that characteristic 1.8kHz dip. Since you have the app, turn off Midrange Compensation (MRC).
 
Yes, it's SINAD related but I rather have 2.0V (Pre-out only) going to an external amplifier vs 1.4V (Spkr + Pre-out)!

That's the misleading part though if you don't mind, because someone could interpret that as limited to 1.4 V when choosing speaker+preout, that is clearly false. Either way you will still get the same, or almost the same output voltage limit, right up to at least 3.5 V, if not the maximum limited by the volume control IC and opamps in the pre out signal path. At closer to the limit, such as 4 V, yes SINAD will likely drop to lower than 70 dB, but clipping is generally considered as SINAD reaching about 40 dB, that is 1%.

I used the following as an example a few time, but that's long time ago so I thought I should post it for new comers to see:

The X3300W, is 3 to 4 generations older than the current X3800H, it absolutely has no preamp mode, that is only speaker+preouts, volume control, opamp, dac ICs and circuitry were all very similar to the X3400H through X3800H.


One can just read Gene's comments, if not the whole review:

Denon AVR-X3300W Preamplifier Measurements

One thing I really love about Denon receivers is they NEVER skimp on their preamp out circuits. Like past models, the AVR-X3300W had an ample amount of drive. I measured a whopping 4.5Vrms unclipped output, which is more than double the voltage needed to make virtually any amplifier reach full rated power. Yamaha please pay attention and step your game up particularly with your AV receivers in this price range that clip above 1.6Vrms. A preamp output of less than 2Vrms is unacceptable in my book.
 
That's the misleading part though if you don't mind, because someone could interpret that as limited to 1.4 V when choosing speaker+preout, that is clearly false. Either way you will still get the same, or almost the same output voltage limit, right up to at least 3.5 V, if not the maximum limited by the volume control IC and opamps in the pre out signal path. At closer to the limit, such as 4 V, yes SINAD will likely drop to lower than 70 dB, but clipping is generally considered as SINAD reaching about 40 dB, that is 1%.

I used the following as an example a few time, but that's long time ago so I thought I should post it for new comers to see:

The X3300W, is 3 to 4 generations older than the current X3800H, it absolutely has no preamp mode, that is only speaker+preouts, volume control, opamp, dac ICs and circuitry were all very similar to the X3400H through X3800H.


One can just read Gene's comments, if not the whole review:
Agreed on all points. A simple toggle gets you “free additional performance” so why not?
 
Agreed on all points. A simple toggle gets you “free additional performance” so why not?
Absolutely, for example, I have taken enough measurements to know that in any of my rooms, even 1 V will be more than enough for my power amps based on my listening habit, amp gain and speaker sensitivities, but given the choice I would definitely target devices that can do up to 4 V/8 V RCA/XLR at SINAD no less than 70 dB.

For those who don't have the luxury to ensure 4 V at high SINAD, could ease their mind by reminding themselves of the table pre out Vrms vs amp gain vs power amp output table I posted in the X6700H thread a few days ago:


For the 25.5 dB gain buckeyeamps, just 1.4 V will drive it to 174 W, 4 ohm load. Most people listen to spl with a few watts average with peaks to 100-300 W, so 1.4 V will be able to achieve such use. For me, the average power I need is less than 0.5 W 8 ohms, or 1 W 4 ohms, so even for the very high peaks in movies, it would not exceed 100 W.

Again, let me repeat, if possible I fully agree with EWL, go with preamps that can output 4 Vrms if unbalanced RCA, that way you will have tons of headroom that you hopefully never need but things will sound better psychologically because you know you have lots of reserve.:)

Gain:25.5 dB
Pre out VrmsPower amp VoutPower amp output W
1.426.37173.86
1.630.14227.08
1.833.91287.40
237.67354.81
2.241.44429.32
2.445.21510.93
2.648.97599.63
2.852.74695.43
356.51798.33
3.260.28908.32
 
Don't get offended warning (as I may be stating the obvious things you already know...): In order to understand why, you should first make sure you are comparing apples to apples and it is easier to do if you just use 2 channel in direct mode to eliminate the effects of DSP, and go from there. Then you need to compare without knowing which one you are listening to, this part is difficult to do for the obvious reasons, but if you know which one you are listening to then it doesn't matter what you think you are hearing, as very few people, if anyone, are not influenced by "knowing which one.....".

Did you compare in direct/pure direct mode with no DSP/Audyssey? As above if done sighted, it wouldn't count but if the differences were really "large", and was done in pure direct mode under the exact conditions (speakers, contents listened to, placements etc.), then I would say it is worth measure the actual frequency response with REW, the Umik-1 mic costs $79 plus shipping, you will need that if you don't have one yet.

That's generally true when no dsp functions are involved, with dsp in use, there will be audible differences, from subtle to the so called night and day kinds, it depends..

As soon as you started comparing with DSP in use, and even with Audyssey then it gets complicated and personal preference will start to dominate. For example, what you consider as bass heavy could be just fantastic for others. So on that, I would just wait and see what others have to say, as for me, once it gets into the subjective territory, there is nothing for me to say that could be helpful at all.

Thank you. The perceived differences described in my original post are apparent both pre-calibration, with Audyssey and in Direct mode. The description of the impact of different correction software choices was meant to illustrate the extent of the bass issue. Apologies for not stating the former clearly.

To clarify further with regards to advice from @palm , I do not use any dynamic EQ options.

I do have the UMIK mic, but I would need to learn how to take the measurements. I would be keen to do so, but I have never done it and might not have the time to learn in the immediate future if there is a high learning curve.
 
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I believe that I found the cause and a potential solution.

Adding a subwoofer in the speaker layout settings (without actually adding a physical subwoofer to the setup) appears to fix the issue. This is without applying any crossover, i.e. all speakers set to 'full range' before and after this change in the settings. My guess is that by default Denon AVR-X3800H forces the LFE channel or the low-pass filter content derived for the subwoofer outs into the front speakers, thus effectively doubling the low-frequencies. Ironically, there are settings available to chose whether the LFE content should be added to non-subwoofer speakers and which ones, but they are inaccessible without a subwoofer(s) present in the Speakers Layout section.

The downside of this 'fix' is that both my Audyssey and Dirac calibrations were removed. Understandably so, but in the case of Audyssey this means the necessity to have a subwoofer at hand to complete the calibration as Audyssey stops if no sound is detected, and a major waste of time to re-run everything (11 speakers + now subwoofer, 8 positions, multiple retakes needed for unexpected sounds over the several minutes needed per position). I need to investigate if I can get a make-believe subwoofer added in Dirac more easily.
 
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