More caffeine. Fixing the OP.I'm just getting confused with reading all the pluses & minuses here, could you re-phrase this to make it less ambiguous. (There's a lot of conflicting + & - signs).
More caffeine. Fixing the OP.I'm just getting confused with reading all the pluses & minuses here, could you re-phrase this to make it less ambiguous. (There's a lot of conflicting + & - signs).
Pretty sure they are all reductions, no gains.I'm just getting confused with reading all the pluses & minuses here, could you re-phrase this to make it less ambiguous. (There's a lot of conflicting + & - signs).
I had put in some "+" as a very unclear shortcut to "frequencies greater than..." My editor is going to fire me.Pretty sure they are all reductions, no gains.
I had put in some "+" as a very unclear shortcut to "frequencies greater than..." My editor is going to fire me
Cool, that's a lot better now, easy to read! (Do you want to put a minus sign in front of the 2dB though for the Black Felt).I had put in some "+" as a very unclear shortcut to "frequencies greater than..." My editor is going to fire me.
EDIT: In general the reductions are strongest for the peaks and troughs and less in between.
No, it's simply that they will absord a degree of reflected energy as well as the initial wave and thereby reduce the effect of standing waves, so the effect on reflections is magnified relative to the initial signal.Does it mean that these Felt filters have a small dynamic (compressor) effect? In others words, they cannot be simulated exactly with a simple EQ?
I can, that's why I chose efficient headphonesI'm not sure why you can't plug your preferred headphones into whatever source you need:
Hardware-wise, I can do that with just a carefully-chosen dongle and a couple of adapters, even with my current-demanding DCA headphones (and it's even a balanced connection). I haven't used it personally, but if you need portable flexibility with multiple streaming signal sources, I read that the Qdelix 5k dongle does that pretty well, and also makes installing an EQ for particular models of headphone pretty easy if you don't want to have to build an EQ from the ground up. And by using the Qdelix dongle, it means you've got standard endpoint EQ for most possible source devices.
Indeed sound quality is very important to me, that's the first priority, along with confort.With regard to having to EQ headphones vs. buying a headphone with an acceptable EQ off-the-shelf, I guess most of the world finds buying off-the-shelf good enough. But it raises the question: are you buying headphones as a general electronics consumer (based on a blend of various convenience and interface features), or as an audiophile (based first priority on sound quality)?
I don't really get your point, A good sounding headphone should sound good for any music preference. Yes it's about what sounds good to you and it's totally OK to use EQ to fit your "own HRTF", I use EQ myself but I don't have one for all my sources.I think I agree with you that it is hard to find a headphone that is FR-wise a jack-of-all-trades. But as a result, I find the idea, um, threatening to lose or forego the ability to fine-tune things after the purchase. I mean, I'm kind of amateur on the electronics-side of being an audiophile, but the whole thing of careful listening, and perfecting playback as I get better at the listening, is the REASON I am an audiophile. I think that having to buy headphones based on my preferences for comfort, dynamic range, sensitivity, affordability, etc. AND ALSO with the exact FR curve I need to fit my own HTF and music preferences would be an impossible game of 3D chess that I wouldn't enjoy. It would be lightning-strike-lucky if I it worked. I'm much happier getting something with vaguely Harman-compliant FR curve and EQing it later, as long as the other comfort, interface, SQ and cost features meet my need.
In other words, as primarily an audiophile consumer, the ability to EQ makes things simpler for me, not more complex. And I can adapt as I go along.
My short answer is that I've never heard a headphone or IEM that I was satisfied with out of the box. Maybe I misunderstood you, but on my first reading, I thought you were hoping (1) for a headphone you didn't have to EQ, and (2) if you DO have to EQ, you want a headphone you could hook up to almost anything with a common EQ profile. Maybe that wasn't your point, but if it was, then I think (1) kind of depends on the listener, and (2) is pretty much possible one way or another.I can, that's why I chose efficient headphones
Yes I could buy a Qdelix, I doubt it would power these Noire properly but I can be wrong. I use a decently powerful "dongle" A Bluewave Get. Sounds great
Indeed sound quality is very important to me, that's the first priority, along with confort.
I don't really get your point, A good sounding headphone should sound good for any music preference. Yes it's about what sounds good to you and it's totally OK to use EQ to fit your "own HRTF", I use EQ myself but I don't have one for all my sources.
OK, I get your point. Some of these headphones designers do put a lot of effort and ressources in tuning their product to a certain tonality that they think would please the buyer. If you make something that absolutely need your customer to purchase an other device to enjoy it, well all these efforts are a failure. On this specific, Yes I did see some find it satisfactory with some dongles, but Amir said the ADI-2 is barely enough. The sensitivity numbers are what they are despite what some could say. My own experience is that sound quality takes a massive hit when trying to drive such a low sensitivity and low impedance with something that have anemic power, I feel that some think that since it's loud enough, it's good, but bass punch and dynamics gets heavily impacted if the Voltage output allows for loud level but the device can't supply the current. I didn't try the Qdelix but I did try similarly powered dongles with difficult to drive Planars. No EQ will save insufficient power.My short answer is that I've never heard a headphone or IEM that I was satisfied with out of the box. Maybe I misunderstood you, but on my first reading, I thought you were hoping (1) for a headphone you didn't have to EQ, and (2) if you DO have to EQ, you want a headphone you could hook up to almost anything with a common EQ profile. Maybe that wasn't your point, but if it was, then I think (1) kind of depends on the listener, and (2) is pretty much possible one way or another.
Lest it go unsaid, if you were aiming at a universal EQ engine -- ie (2) --, I agree! If I didn't do all my headphone listening out of my laptops, I'd probably have that Qdelix. (I have read several posts on ASR saying that the Q will handle DCA phones ok, but I haven't tried it myself.)
I'm fairly convinced that having more Amp headroom does not increase sound quality in any way.I agree with PeteL, "loud enough" does not tell how the amp performs.
I'm not talking about headroom as in simply unused power. Most small amps I've tried just clip horribly and you have loud because of that. Volume and dynamics should scale smoothly and every dB will require a lot more than the previous one.
Your example tells about two amps that can handle their job. One barely, the other very well. That does not tell us anything.
Indeed Amir do not measure that, and I do not know what math give you that if you are at 90% you have enough headroom. 90% is what you set the output voltage to, and it gives you the "level" or perceived loudness. But do you at least agree with the basic principle that if you have peaks 20 dB louder than the average level in your music, your amp will need to developp 100X more Watts momentarily compared to what is needed to have the same perceived loudness level of a continuous 1k tone (where sensitivity is specced), If it can't you will have transient clipping or dynamic compression? Do you also agree that bass notes also need many times more power for the same perceived volume because they are way louder in the mix due to Fletcher munson? Do you also agree that no matter where you set the voltage level (that's what a volume control do), that if an amp cannot momentarily supply the current, that voltage will drop momentarily according to Ohm's law?I'm fairly convinced that having more Amp headroom does not increase sound quality in any way.
In my experience, a weak Amp playing at 90% will sound identical to an overkill Amp playing at 10%, if you do proper level matching.
Though should you have measurements showing otherwise, then I'd love to see them!
The obvious diferences in "authority, dynamics, slam, impact, ..." that people claim to hear when they upgrade their Amp should be child's play to measure.
I said it was just enough, not barely enough. The former says you are good with the ADI.but Amir said the ADI-2 is barely enough.
OK, sorry for the misquote. I think enough is the keyword here I did not fully expected a major semantic difference between "just" and "barely" english is my second language. Anyway, yes no doubt the ADI is enough, we where talking about dongles.I said it was just enough, not barely enough. The former says you are good with the ADI.