There are several interesting features in B4M to fine-tune its behaviour, that i’m beginning to explore:
- mono correction settings. It seems the “center channel” is set by default at -3db. In some records dead center voices seem a bit over laid-back. I changed this setting to 0db and the presence of the singer is spectacularly changed.
- some old recods in the first years of Stereo have this “dual-mono” effect: instruments either at full right or left channel. B4M push them almost at 9 or 3 oclock. There is, though, a fader to control the amount of XTC desired.
Among other nice things There are also 30 band eq’s, a three way digital crossover, the eq settings you may play with the babyface mixer provided, and a very interesting binaural recording feature, to make your own short samples of binaural in your room using the in-ear mics. Edgar suggested me to try this, me walking and talking around my room to impress my friends with a sudden ghost of myself!
Regarding the mac issue: hard to believe this could be a reason to avoid B4M. Most of the time you install it (in fact, Edgar does it), and leave it unchanged. Almost like any appliance in your house.i do control my mac mini with a remote session in my ipad, using a google app. Just in case you want to convince yourself what you are listening is real, check it against normal stereo, and feel how your jaw drops.
B4M is an absolute game changer imho. Impossible to go back to normal stereo after listening it for a while. It would be as to go back to mono.