Correct...
Trivially, there are different standards for USB connections and cables. Look at the difference between the requirements of USB 2.0 (suitable for most audio playback) and USB4, a variant of high speed Thunderbolt. Look at the power for charging that USB 3 and 4 have over 2. And yes, USB 2 cables can measure differently, as HiFi News showed over a decade ago.
The inevitable question then arises, but do they sound different? The answer lies in your "in between".
Think. When the connection breaks, it breaks. No bits, no sound. Just like a file transfer stops, or the mouse cursor doesn't move. If the cable introduces audible jitter, it's a pretty horrible sound. If the cable picks up vast amounts of noise - but what's the chance of that with a metre long USB lead? Of course, we have to allow for any buffering in the receiving audio device, but the principle is essentially the same. The buffer empties and the sound stops, or more data is buffered and it doesn't.
No way does a cable change exactly the bits to give a warmer sound or a deeper soundstage or suchlike. It might turn the bits into a garbage signal if you are unlucky, but again, no music at all.
You may as well try to produce my dream USB cable, the one that knocks out zeros just to the left of the decimal point in the payment total of a printed invoice while leaving everything else correct.