Yes, the old MSSLA doesn't have Klippel accuracy. GEICO.Their old technique/software(forgot the name) was definitely a lot worse than the Klippel
Yes, the old MSSLA doesn't have Klippel accuracy. GEICO.
I guess I'm wondering how the "a lot worse" old-school plots always seemed to turn out near ruler flat?
Because the speakers are tuned to it? Most speakers aren't tuned by ear and the designer has to target something.I guess I'm wondering how the "a lot worse" old-school plots always seemed to turn out near ruler flat?
MLSSA is in this case just recording pressure via a microphone, like it's successors REW, EASERA, ARTA, CLIO etc . I hope for that Klippel that it does exactly the same thing .Their old technique/software(forgot the name) was definitely a lot worse than the Klippel, and the much improved measurements of their post-Klippel acquisition designs show that pretty clearly as well.
I mean that Klippel has functions MLSSA, or maybe even Monkey Forest don't have but the basics, like measuring the impulse response of a device under test and extracting stuff like frequency response, waterfall and name it, are not outdated and for sure will not differ between all that software.Theory and practice are the same in theory, but different in practice? Is that what you're saying?
They not only should be, but they are. Don't mistake MLSSA for something silly, it was a break trough and was considered the industry standard and is still used. Audiophile Magazine or whatever it is named uses it, as a bunch of other magazines and I know a leading speaker manufacturer that uses my old MLSSA board for R&D. They had some finished systems measured by a Klippel system but they immediately saw that didn't work out right. That Klippel robot is very clever but I would like to see what it can do that absolutely cannot be done with a large room and software like ARTA, REW, Monkey Forest or ..... MLSSA .So, the FR plots should be close to the same between the lesser (older) SW and the newer more advanced SW?
but I would like to see what it can do that absolutely cannot be done with a large room and software like ARTA, REW, Monkey Forest or ..... MLSSA .
They not only should be, but they are. Don't mistake MLSSA for something silly, it was a break trough and was considered the industry standard and is still used. Audiophile Magazine or whatever it is named uses it, as a bunch of other magazines and I know a leading speaker manufacturer that uses my ols MLSSA board for R&D. They had some finished systems measured by a Klippel system but they immediately saw that didn't work out right. That Klippel robot is very clever but I would like to see what it can do that absolutely cannot be done with a large room and software like ARTA, REW, Monkey Forest or ..... MLSSA .So, the FR plots should be close to the same between the lesser (older) SW and the newer more advanced SW?
Of course it is, you silly boy . Why wouldn't it be?So, you look at the two above plots and your immediate reaction is "same thing"?
I know what MLSSA is. But, for example, is it accurate below 200-300HZ? Hint: no.
All this software is doing nothing but record data from a microphone. It wouldn't be very scientific when Klippel differed from all the other, simple, pressure differences recording software, would it?The literal measurements you're looking at are inaccurate in the bass and midrange compared to the Klippel so not sure what kinda point you're trying to make. The Klippel has already proved that it produces much more accurate measurements in that region than REW or MLSSA.
Simple pressure difference recording software doesn't produce accurate measurements of a speaker by itself, especially not in a room, so no. You should really stop posting and do some reading.All this software is doing nothing but record data from a microphone. It wouldn't be very scientific when Klippel differed from all the other, simple, pressure differences recording software, would it?
I'll stop posting. But maybe you should try to understand that is not the devine holy Klippel, but the way you measure that makes the difference. It doesn't make any difference whether you measure using Klippel or any other software, as long as you use the correct method. The Klippel robot definitely has it's advantages, but it's just another approach, it's in the end totally not doing anything different from what very smart engineers do for decades. My problem is that your little jihad is putting nice newbees who want to measure a speaker or a room in the assumption they have to buy a 100.000 dollar system to do it right. And that's pathetic.Simple pressure difference recording software doesn't produce accurate measurements of a speaker by itself, especially not in a room, so no. You should really stop posting and do some reading.
Understanding How the Klippel NFS Works
Questions regarding how the Klippel NFS works are raised in many of Amir's speaker reviews. Thomas has suggested starting a thread on this topics and here I am. I am starting this thread with a brief description of the basic principles behind the NFS. You can find much further details on the...www.audiosciencereview.com
I think what we are seeing is a deficiency in the microphone or space and not the MLSSA software. If you feed MLSSA (or REW or anything) proper measurements it will show proper graphs. It's not inaccurate at certain frequencies, the data it was being fed was.I know what MLSSA is. But, for example, is it accurate below 200-300HZ? Hint: no.