I like some ambient but ambient and vinyl crackles don't get along very well.
Managed to start my adventures in Pro Audio preparing digital [Betamax] tapes of collections of Classical music for Music From the Hearts of Space. When I think of all the things I "knew" back then that I had to unlearn . . .
Anyway, back in 1988 I transcribed LPs to [initially] a Tascam 32 Reel to Reel 1/2 track tape recorder, then dubbed the results to a Sony PCM converter that worked with Betamax tapes. The best sounding element in the chain was probably the Thorens 'table, [digital gear wasn't nearly as advanced back then, so the sound of ADCs and DACs distorting wasn't all that rare, the Tascam 32 is easily the worst sounding R to R recorder I've worked with, the CD player was a low-cost Magnavox with a blurry presentation] but already I noticed the difference with CD sourced material in the end result because of the speed stability. I'm hearing most of the distortions I associate with LPs in this recording. The wow and flutter wouldn't be as noticeable here as with other Ambient music, like Harold Budd or Brian Eno, as this is loaded with quick, microtonal sounds. It's no accident that "New Age" music became a big thing around the time CDs became a big thing. That constancy of speed [possibly the best thing about digital recording] was best demonstrated with steady pitched sounds.
This is a favorite example of what Stephen Hill---the host of "Music From the Hearts of Space"---would call "Spacemusic", probably his favorite subgenre of the "New Age" music he's been producing and distributing since the 1970's: