That's what I thought he was going to do!!! I suspect there are laws against it though....Cool idea! Bringing it along for my next political debate.
Sounds like you are correct. Probably why he used volunteers and offered a prize to anyone who could defeat the interference. He describes how tight the beaming is and that made me think of possible applications for improved sound positioning and simulated movement of the sound. Thinking reproducing Celing surround sound by direct reflection of the sound off the Celing and walls with one or two beaming speakers with automated gimbal movement capabilities similar to his example of reproducing the sound of a helicopter flying across the sky overhead by moving the speakers beam. Thus reducing the number of height speakers needed and eliminating their physical placement in the Celing. Technically would something like this be possible? On the surface it sounds like it could make moving height speaker surround sound more realistic and less complicated with regards to installations purposes while minimizing the WAF and not having to cut holes in your ceiling.That's what I thought he was going to do!!! I suspect there are laws against it though....
True, rarely it happens even at mobile phone calls (especially through hands-free car kits) and is really annoying.In the early days of video conferencing at work we got a lot of the delayed feedback. When it happened it was close to impossible to speak.
Beam forming is very common technology and is used for both microphones and speakers. We see a crude version of it in MTM speakers where the two mid-woofers create narrow directivity. The problem is narrow frequency response as changing the frequencies also changes the nature of beam forming.Technically would something like this be possible?
i thought this also. I imagine this tech would be much better than the upward firing atmos speakers I have at bouncing sound off the ceilingThinking reproducing Celing surround sound by direct reflection of the sound off the Celing and walls with one or two beaming speakers with automated gimbal movement capabilities similar to his example of reproducing the sound of a helicopter flying across the sky overhead by moving the speakers beam.
Would this mean one moving beam transducer for each overhead atmos sound object?of a helicopter flying across the sky overhead by moving the speakers beam.
We will have a chance to find out how well the latest tech in wavefield synthesis works when the Sphere in Las Vegas opens this week (with U2).If I understand correctly, part of the tech is beam forming using a number of ultrasonic sound sources so that the formed beam is in the audible range. I remember maybe a decade or two ago some company marketing their "personalized sound system" for public venues such as restaurants amd cinemas with the premise that every table in a restaurant for example can listen to the music of their own chosing, without being disturbed by, or disturbing the people around them; and every seat in the cinema was in the sonic sweet spot and so on. I thought it was an amazing idea, but it never came to frution to the best of my knowledge so I thought it either did not work as intended, or the tech was not advanced enough to make it work.
Thanks for the link, very interesting.We will have a chance to find out how well the latest tech in wavefield synthesis works when the Sphere in Las Vegas opens this week (with U2).
AudioXpress article:
Sphere Entertainment Unveils the Most Advanced Concert-Grade Audio System in the World, Powered by Holoplot
Sphere Entertainment is finally unveiling details about its Sphere Immersive Sound, powered by Holoplot, the world’s most advanced concert-grade audio system, which provides optimized sound to every seat in Sphere, a next generation entertainment medium opening in Las Vegas in fall 2023. Sphere...audioxpress.com
Each coverage mode automatically adjusts and compensates for changes in atmospheric conditions such as temperature and humidity, allowing the venue to provide a consistent sound quality regardless of the current environmental conditions. The venue’s specially designed acoustics absorb as much sound as possible, allowing Sphere Immersive Sound to create acoustical conditions from cavernous to intimate depending on the creative intent of a specific performance.
Thinking reproducing Celing surround sound by direct reflection of the sound off the Celing