Use @Maiky76 's EQ if he did one.I have Monitor Audio Silver 100 Speaker G6 that were reviewed here on ASR. I will use Amir’s FR graphs as a guide.
Use @Maiky76 's EQ if he did one.I have Monitor Audio Silver 100 Speaker G6 that were reviewed here on ASR. I will use Amir’s FR graphs as a guide.
According to these measurments audible differences should be minimal. For Bass they are roughly the same but it's a little strange that Schiit label that as 20 Hz. It seems to me that the center frequency of a Shelving should be right between the 2 knees but it's subject to interpretation. That's in the Highs that from what I see Schiit's control should be more pronounced with a Bell peeking at 8K, Bellari's peak much higher up, even tough the labeling suggest otherwise. In all cases there is no correlation in numbers, In both cases it's debatable why they chose to label these low and hi filters that way. Schiit may wanted to define where the effect is maximal, as for the mid bell curves. There is no firm convention as far as I know. Cutoff frequency is more of what has engineering meaning and is well defined at -3 dB, but labeling a "band", with a single number this is less so rigourous.The bands for Schiit Loki MINI++ are 20Hz, 400Hz, 2kHz, 8kHz while the bands of Bellari Audio EQ570 are 60Hz, 400Hz, 2kHz, 7500Hz.
Does anybody know why they are different and which is better?
Stumbled across this today -- you say you want a little box that does something to your sound, but you really don't care (or cannot clearly tell) what?
I do -- ahem -- own one of Deckert's products. I was (comparatively) young, ok?You know, that's not too far off the "flat tilt" that a few people have talked about so far. It's a heck of a lot more expensive than the loki though, and is spec'd with a much higher noise floor. (Noise at -80dB but hum at -62dB? Wat)
The price is impressively high though.
I took a look at more of their website... you've given me one heck of a resource to show people what a scam looks like in the audio world. So much liquidity.
They even dropship speakers... wonderful.
I do -- ahem -- own one of Deckert's products. I was (comparatively) young, ok?
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Decware "Zen" SE-84B: Single-ended EL84 operated as a triode for about 2 watts per channel.
His amplifiers aren't bad, actually, but his hype is over the top. They started out quite cheap (which is why, in full disclosure, I have one) but they're not even close to cheap any more
900 USD wth?Oh.
Oh.
Oh.
Stumbled across this today -- you say you want a little box that does something to your sound, but you really don't care (or cannot clearly tell) what?
Here's your chance! And it uses a 12AU7 for... something, too!
I mean, I guess it does this -- if this is something you want to do and you want to spend nigh on 900 USD doing it.
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The measurements do show 'transparency' and are representative.To me the transparency is phenomenal and non representative of the tests and measurements here
The very same.
Because this is a SCIENCE based website.I love the LMP. It does wonders for the common cans dt770 250ohm, especially at the sometimes bright 6-8 kHz area. For people who use DAPs as digi transports to a Schiit stack (in my position) it's a perfect physical little tool to tame and ignite areas that are lacking in bad album mastering and other reasons.
To me the transparency is phenomenal and non representative of the tests and measurements here but what do I know. My little desktop setup is a simple one but one that I enjoy the hell out of. Fantastic sound for $1200 all inclusive. That's my bottom line. How can so many people be steered so negatively (80% of the 171 people polled for "poor"/"not terrible"!?) towards a product without ever hearing it because of un-peer reviewed stats and measurements? A little cultish around here TBH.
A beautifully designed Baxandal circuit brings enjoyment and joy into your life.
The very same.
Still have one here... I will say two things for it. It sounds fine and it is very quiet (in terms of hum and noise).
It is very, very low powered -- right on the edge of acceptable for full range use on any loudspeakers I have (or had), which includes some pretty sensitive ones.
In the past, there was something like this on radio sets, for example, which was called a 'Tonwaage' in German, a single knob for the sound balance.All we really need is one tiller style knob that can bias towards, or away, from bright or bassy.