sorry,
if i make an artificial wall.the corner (see the diagram on the left).
Does it provide a symmetrical acoustics in the room?
and does that make some things easier?
like this??
Ah thanks, I see. Yeh, it probably would be a good idea. If you do this, the artificial wall should be reasonably solid if possible. Or perhaps you could turn that corner into a cupboard/storage space with a solid door on it?
Anyway, I'm just thinking this through again now, and I realise that I didn't properly take into account that sloped ceiling, which is very low on the balcony side of the room.
I've now got a different idea about how I'd do it. I know this would be a bit awkward with a lot of the stuff near the door, but if this is a dedicated mixing room then I guess that's not such a big problem.
This idea is based on the following principles:
- Any asymmetry in the room should be back-front (rather than left-right), which will be less harmful to imaging.
- The room is small and you're going to be mixing in it, so first reflections should be as late as possible, and generally absorbed, to optimise clarity.
- As @Eetu mentioned, you should not be dead-centre of the room.
So here's what I suggest. The grey boxes are broadband absorption (thick rockwool panels would work well):
That would catch all your first reflections other than the desk bounce (which I'd try to deal with anyway, no matter how you set up the room).
The most important absorber would be the one behind the mixing desk. You really don't want sound bouncing off the wall behind the speakers and reflecting back, interfering with the direct sound. That should be a heavy absorber (how heavy depends on the distance between the speakers and the wall behind).
The other absorbers are more optional, although a good idea IMHO. You could put the sidewall absorbers on wheels so that you can play with placement (for example, you might not want to absorb the sidewall reflections if listening for enjoyment, in which case you could move the absorbers out of the way).
You could also consider putting bass traps in wherever they fit, especially those two corners to the left of the listening position, although I'd set the system up and measure at the listening position before deciding whether/how to deal with the bass.
I realise this would be a pretty epic setup, but I guess if I was going all out turning this into a mixing studio, that's how I'd do it. It might be overkill for your needs and/or budget
And someone else may have different/better ideas ofc...