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What might a "sensible" vinyl playback setup look like?

Got to add that these days, vinyl systems are anything BUT sensible :D

There is a lot of music that didn't make it onto CD, let alone streaming.

The mastering for digital simply isn't the same.

Used vinyl can be very cheap if you know where to look.

I love lossless streaming on Apple Music, etc., but vinyl still has its place in my world.
 
Can I just have your SL95B to add to my Garrard collection please? :D

If you can figure out how to get it to run at the correct speed, I guess I would have to give it to you :)

It runs fast at ~33.9 with a retreaded idler and slow at ~32.9 with one of those new "aviation quality" aluminun + thin band of rubber idlers. Interestingly, my restored SL72B loves the Canadian idler and runs nicely at ~ 33.46. And in general the SL72B is much less of a PITA. I put it down to having that lighter, one piece platter. In contrast, the 95B has what I call a "grandpa platter" since its humungous two-piece monstrosity is so cranky with every idler. The 72's tonearm action during the auto cycle is also much smoother, which I again put down to its having the lighter platter so it doesn't have to herky jerk so much like the 95B. BUT THE SL95B STILL WINS BECAUSE IT LOOKS S0 BEAUTIFUL.

Sorry for my running up against the limits of off-topicness. I must've gotten lost on my way to AK.
 
There is a lot of music that didn't make it onto CD, let alone streaming.

The mastering for digital simply isn't the same.

Used vinyl can be very cheap if you know where to look.

I love lossless streaming on Apple Music, etc., but vinyl still has its place in my world.
I love lossless streaming of ripped CDs. Used CDs are often very cheap indeed. I recently bought a bundle of 9 CDs for £8 + postage. Even new CDs are usually cheaper than downloads, which makes no sense to me at all!
 
If you can figure out how to get it to run at the correct speed, I guess I would have to give it to you :)

It runs fast at ~33.9 with a retreaded idler and slow at ~32.9 with one of those new "aviation quality" aluminun + thin band of rubber idlers. Interestingly, my restored SL72B loves the Canadian idler and runs nicely at ~ 33.46. And in general the SL72B is much less of a PITA. I put it down to having that lighter, one piece platter. In contrast, the 95B has what I call a "grandpa platter" since its humungous two-piece monstrosity is so cranky with every idler. The 72's tonearm action during the auto cycle is also much smoother, which I again put down to its having the lighter platter so it doesn't have to herky jerk so much like the 95B. BUT THE SL95B STILL WINS BECAUSE IT LOOKS S0 BEAUTIFUL.

Sorry for my running up against the limits of off-topicness. I must've gotten lost on my way to AK.
Maybe best for a PM, but I've typed chapter and verse, along with BBen on VE, on how to check and smooth the mechs on these.

Actually and this IS on topic I think, Old turntables whether manual, auto, direct drive, belt or idler, ALL need remedial work done. I was presented with a late 60's Thorens 150, the owner wanting a tonearm change. Totally oblivious that the main bearing was worn out and that this DOES affect noise and in my subjective opinion, sound quality too - the suspension had been got at as well - grrr :( So, it's darned good that one can get decent performing decks (if carefully sited and pickup'd) for a very few hundred quid or dollars.
 
Most my used CDs run between $2-$3/ea and the vinyl runs between $5-$15/ea, usually titles that are hard to find

I've bought collections for less than 50 cents/record. Some of those $0.50 records I see for sale for $50.00 at the vinyl boutiques (old very clean reggae pressings etc), which means I could sell them for $20-25 on consignment or discogs.

I find $1 bargain bin used vinyl at local shops with music that simply isn't available in any other format. I think long and hard before spending more than $3 on a record for sure. I enjoy digging, however.

Your market might not be as favorable as it is here in the San Diego area.
 
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