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What are we listening to right now..

Rick63

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JohnnyAudio

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Eric Victor Burdon & Rhodes right up front.

Please Send Me Someone To Love" The Animals (1977) on vinyl LP​

 
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AnalogSteph

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:D

OK, let's put on something a bit more chill... staying in Australia if only by coincidence, here's the singer with the unique gravelly voice again:

EDIT - One more for good measure, different continent this time:
(A bit of 'House of the Rising Sun' guitar never hurt anyone, right?)
 
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maty

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Gulda & Harnoncourt, Concertgebouw Orchestra - Mozart – Klavierkonzerte · Piano Concertos · Kv 488 & 537 Krönungskonzert · Coronation (1984) Vinyl, Teldec, Germany

front - Mozart - Piano Concerti KV 488 and 537 - Gulda, Harnoncourt.jpg


DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.56 dB -19.75 dB 15:16 A1 Piano Concerto No. 26 In D Major K. 537 - Allegro
DR14 -4.79 dB -23.85 dB 6:31 A2 Piano Concerto No. 26 In D Major K. 537 - Larghetto
DR15 -0.57 dB -19.44 dB 11:25 A3 Piano Concerto No. 26 In D Major K. 537 - Allegretto
DR13 -0.49 dB -18.33 dB 11:45 B1 Piano Concerto No. 23 In A Major K. 488 - Allegro
DR12 -3.85 dB -21.21 dB 6:26 B2 Piano Concerto No. 23 In A Major K. 488 - Adagio
DR12 -0.97 dB -16.82 dB 8:05 B3 Piano Concerto No. 23 In A Major K. 488 - Allegro Assai
--------------------------------------------------------------------------------

Number of tracks: 6
Official DR value: DR13



4K video (AAC 192 kbps). From 24/192 FLAC vinyl rip.

Gulda & Harnoncourt, Concertgebouw O - Mozart - Piano Concertos · Kv 488 & 537 (1984)

 

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srkbear

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Niko’s “Chelsea Girl” and this new Atmos mix of ABC’s “The Lexicon of Love”. The latter is a master class in production values, and is convincing me that Spatial Audio has finally evolved beyond the gimmicky/stoned phase into the way we’ll all arguably be experiencing music in the future. When Atmos is mixed properly, with the right equipment, the music doesn’t sound any different than what I’ve been long accustomed to. There‘s no disembodied guitar or vocal yapping at you from the left surround speaker—the mix sounds as it always has, just bigger and more immersive.

I’m finding it thrilling, and the first true major sea change in the music listening experience since the CD came out when I was in high school, except even more transformative.
 
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