staticV3
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Has been available in ESS Sabre-based DACs for a while now, though..Although, this feature seems interesting:
Has been available in ESS Sabre-based DACs for a while now, though..
“Anche l’occhio vuole la sua parte”…Italian say about the benefits of good looks. Furthermore, the great majority of humans is Topping-less, and this is a great price/quality ratio.When I try to compare it to the EX5 I bought after the ASR test
from a purely utilitarian point of view, the buyer is getting:Shenzhenaudio Topping EX5 Review (DAC and Headphone Amplifier)
This is a review and detailed measurements of the Topping EX5 produced exclusively for Shenzhenaudio. The EX5 is slated to cost US $349.99 which it is released. The sample I have is from production run but is awaiting the manual for formal shipments. It was sent to me by Shenzhenaudio. The...www.audiosciencereview.com
So, as good as this one is, I rate it as "great", but I would still buy the EX5 for half the price, if I hadn't already.
- marginally (probably inaudibly) better performance
- a fancier display
- no headphone amp (means another expense, if needed)
- for double the price
Does E70 have this?Has been available in ESS Sabre-based DACs for a while now, though..
RME does it on their ADI-2 DAC/Pro and it’s fantastic there.More features = More chances for failures.
Do it in software.
That is correct, but it misses the point entirely. Foobar requires a PC, Android or iOS device through which the music has to pass. But if you have a setup that consists only of a standalone streamer - dac - amp then your left without EQ in most cases (unless a Raspberry as a streamer with Camilla ‹freeware too›, or a DAC that has EQ built in. But there are not many of those: RME ADI 2 FS, E1DA DAC, QUDELIX - as far as I know).I've added it (as well as Meier crossfeed etc.) via foobar2000. Zero cost, works with any DAC.
Take the current top DAC chip from the shelf, find a way to implement it well, opamp output stage with as much NFB as you can cram, now copy for your entire product line.How can these guys like Topping or SMSL make such technically perfect products ?
You can add Daphile: it allows convolution using files generated by REW. It runs only on x86 (and x64), no ARM.That is correct, but it misses the point entirely. Foobar requires a PC, Android or iOS device through which the music has to pass. But if you have a setup that consists only of a standalone streamer - dac - amp then your left without EQ in most cases (unless a Raspberry as a streamer with Camilla ‹freeware too›, or a DAC that has EQ built in. But there are not many of those: RME ADI 2 FS, E1DA DAC, QUDELIX - as far as I know).
RME is known for supporting its software for a long time, for Topping it's not so certain. I suppose current Topping firmware is mostly reference code with little customization.RME does it on their ADI-2 DAC/Pro and it’s fantastic there.
Sure, I fully understand that convenience reason. At the same time, a dac for 15 dollars would do good enough If bluetooth was the main source.Sometimes convenience is worth it. I went out pulling weeds in the garden and just turned on my phone with some music next to me. Nothing "high fidelity" but being able to have some music while working was hugely valuable. Ditto for quickly pumping a youtube or some music into your desktop DAC without needing wires.
That is correct, but it misses the point entirely. Foobar requires a PC, Android or iOS device through which the music has to pass. But if you have a setup that consists only of a standalone streamer - dac - amp then your left without EQ in most cases (unless a Raspberry as a streamer with Camilla ‹freeware too›, or a DAC that has EQ built in. But there are not many of those: RME ADI 2 FS, E1DA DAC, QUDELIX - as far as I know).
Yes, the distortion at -60 dB was terrible in my Denon multibit cd-player in the late -80s. I had a test cd and the distortion was very high at that level making the music sound terrible. The newer technology working with 24 or 32/64bit internally on AD and DA has made a digital volume control much better sounding in many cases. The linearity is much better with 144 dB digital dynamic range compared to 96 dB from a 16 bit dac. And as you know, in some cases theres no need for a traditional preamp because of this.*One area I've seen massive improvements in is the low level noise performance (on the sloping distortion/noise with level plot). I remember a UK magazine (HiFi World) where the then owner/editor criticised 'digital' as having very high distortion at -60dB (maybe it was distortion rarhger than noise back then). This Topping seems a good 10dB better at this low level (lower than most audible music reverb tails I suspect unless the 'volume' is turned well up to compensate), so well done to them and other designers able to get similar improvements over 'red book' players of thirty years ago which themselves were still pretty good overall I believe.
Apologies for seeming to live in past times. I would love to see classic CD players of the late 80's and 90's reviewed occasionally just to show how far things have moved on and to put the SINAD competition into a better perspective. if Amir's too busy, then could others with similar test gear have a go perhaps?