DonR
Major Contributor
Back in my tube phase I bought a Grant Fidelity tube buffer and had it connected between my AVR LR and my Samson Servo 600 amp. (the picture is not mine)
You have that room treatment positioned on the wall wrong (but it is curvaceous and fancy).Fancy curvaceous room treatment from Artnovion - I don't know if it actually works but it looks good (although the seams do detract from the effect) and I got it as a background for my studio when livestreaming
The improvement was not subtle!A long time ago, on a planet far away...
Mpingo discs
Added depth, wider sound stage and extended Fx response to 40 kHz - easy to hear!!
Non-curvy diffusors usually orient vertically, why do you think this one is different?You have that room treatment positioned on the wall wrong (but it is curvaceous and fancy).
You should hear everything bass-ackwards and out-of-phase.
They probably make a 'phasor-correction' module for it.
It's a mono adapter!I had bought this 3.5mm (TRS) to 2 RCAs (L/R) cable about 6 months ago because it looked "robust" for a 1 meter run (~$25).
This one was a replacement for a Monoprice cable which was void of L/R markings on either RCA end.
I had promptly returned the cable with a promise to myself that I will not do business w/MonoPrice ever again.
Being 'once burned, twice shy', I was forced me to measure (Ohm-out) the new cable's RCA ends (which were also NOT identified...)
View attachment 191657
It turns out both RCAs are connected to the Left channel of the RCA and the RIGHT channel has become MIA, somehow!
Hmmmmm...
I think I've been pawned...
Man toys chart.
Audiophoolery has bad ROI, except for cats.
Do you have to keep polishing all the gorgeous aluminum?Since people are posting photos of their audiophool stuff:
CORRECTION: It appears to be a "Left" leaning adapter...It's a mono adapter!
Do you have to keep polishing all the gorgeous aluminum?
Open-reel tapes were the best high-fidelity available, as the only way to get rid of the hiss was to roll off the signal at high frequencies. (In the days before dolby, the only reason that there was no hiss on most records was because they rolled off the frequency response in the mastering. ) I had two machines an a lot of 7 1/2 ips commercial tapes, but I got rid of them after the digital revolution and have never regretted it.Lots and lots of magical subjective audiphool language used in your post, sorry to say. I also noted earlier that my grandfather was a symphony lover and so yes I heard plenty of symphonic music on his R2R equipment. It all had quite a bit of the characteristic hiss as a noise floor, something that R2R lovers sometimes don't like to acknowledge. The hiss is there, especially in quiet symphonic passages, so I'm surprised to hear someone argue about the fidelity of R2R, compared to quality digital, in 2020. It's not even close, not in the same ballpark.
The R2R lover who loves the gadgetry aspect, I get that 100%. But to argue that R2R can compare to quality digital? Nope.