Objectively speaking they are not even close to what was put on the disc. We can just look at the audio file (or grooves pressed into the vinyl) and see what frequencies are in there and at what level. If a speaker doesn't produces those within a reasonable offset of those values (lets say +/-3dB) then its not even close. The speaker you are talking about has offsets far in excess of that.
Except the characterization of "not even close to what was put on the disc" is your subjective assessment, and I find it to be well in to the "extreme audiophile exaggeration" territory, based on my actual experience listening to the speaker. (As audiophiles, we all tend to do this, not just you). There's your interpretation strictly of the measurements, and then there is what one will actually hear from the speaker. I do not find they map very well. When I get around to a New Speaker Hunt I'm a no-stone-left-unturned type. So I auditioned probably around 25 - 30 loudspeakers, all with a wide variety of music, including the reference tracks I've used for decades. One day I'd spend hours testing out a Revel, Magico or Kii Audio speaker, the next I'd be listening to those same tracks again on the Devores. Far from the Devores being "not even close" to presenting what was in the recordings...everything was there - all the sonic images, their familiar spatial relationships, all the teeniest details from tiniest bits of reverb, recordings I knew to have a bit of coarseness in the sibilince showed that...I heard everything on the Devores that I heard on a Revel or other speakers. So I do find your characterisation to be quite misleading in terms of the actual sonic results with music.
But then, I've actually spent a lot of time listening to the speakers, set up well; it doesn't seem the critics in this thread have.
It's one thing to say "
THIS is how we want a speaker to measure and it will sound good, so we will downgrade a speaker that does not measure well in that respect." It's another thing to answer the question from the measurements:
"Ok, but tell me from the measurements: What will that speaker sound like?"
And so far I've seen what I find to be a pretty poor job in that respect.
We've got Keith likening Devore speakers to sounding like a kazoo. We've got Sal imagining "screetching" sounding string instruments (furthest thing from how they actually sounded). We have you implying the sound will be "nothing like" what was on the recording. We've got others just dismissing them as "crap." None of this tracks with what I heard. Is it that I just have no idea, no experience from which to judge the sound? Well, I work in post production sound, paying close attention to sound for a living. I'm familiar with professional gear. I work in mixing studios costing millions of dollars set up with acousticians. I've heard a gazzillion loudspeakers, including ones that measure nutty and those that measure neutral, I've owned neutral speakers, I've had set ups with dual subs, room corrected. So, yeah, I do have a reference. I know when something is departing from neutral, but can also assess
for myself whether I'm noting pervasive artifacts or not, distracting, or if there is something I find interesting going on in the sound.
Sal thinks, from the standpoint of never having heard the speakers, that John Atkinson was being innacurate and soft peddling what he actually heard when listening to the Devores after measuring. JA wrote:
"Even though I knew about the low-treble resonance and the lively enclosure, these problems were considerably less audible than I was expecting. Only with recordings of solo acoustic piano did they get in the way of the music by producing noticeable coloration, the piano's midrange sounding uneven, with some notes obscured. But with well-recorded rock and classical vocal recordings, the measured problems seemed to step into the background, letting me appreciate the O/96's full-range, evenly balanced sound and superb clarity."
Having heard the speakers I find JA is bang on. The anomolies were occasional, but mostly not obvious and what was there was just as JA described - superb clarity, full range sound, and a generally even balance - they sounded full but not "unbalanced," which I found very impressive. In the Subjective section, Art Dudley also did an excellent job zeroing in on some of the sonic attributes of music played through these speakers (which triangulates very well with many other reviewers and owner descriptions). In the end, I find the combination of measurements AND Stereophile's willingness to not just write off a speaker, but actually try to describe how it sounds, to be more informative (and less misleading!) than what I'm seeing here from the ASR crowd, who are too dismissive to bother with such things.