Bleib
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100% RCA is more than enoughHi every one. If I connect the d6s's xlr to L30II's rca, can I get the 129dB Dynamic range?
100% RCA is more than enoughHi every one. If I connect the d6s's xlr to L30II's rca, can I get the 129dB Dynamic range?
I'v updated the schematic:Schematic:
The muting is performed by the well known SG3710. This chip seems to have a charge-pump for the internal negative supply such that it can handle +/-11V signal voltage range with just +11V supply.
AVCC generation:
EDIT: AVCC buffer U2 might be supplied by +5V / Gnd. I have to check next time I have the unit open.
If I remember correctly, the SMG is supplied with 4.2V power from the IC A6163Y step downI'v updated the schematic:
- The AVCC buffer OpAmp is supplied by +11V / Gnd. (using the +5V is indeed not possible due to input common-mode range of OPA1612A)
- The SGM3710 is supplied by +12V / Gnd. It has an internal charge pump delivering -12V.
It would work, but a 10-20dB boost in THD+N is a likely consequence:Do you think that using one leg of the XLR output would be good enough to connect a subwoofer RCA inputs ?



Thanks a lot @staticV3, that's confirming my suspect. And these effects were below what I can measure straightforward.It would work, but a 10-20dB boost in THD+N is a likely consequence:
The measurements are @nagster's:Thanks a lot @staticV3, that's confirming my suspect. And these effects were below what I can measure straightforward.
Topping D10B: Looks like AVCC is properly filtered (at least same filter for AVCC and for Vref of the I/V-stage), so only distortion rises
Topping Pre90: That's actually weird. I would not expect this for a preamp, where there's no need to substract substantial DC anywhere.
An RCA- splitter is the safe way to go, I agree.
Your measurements are perfectly clean - this is an Audio-Precision, right?
www.audiosciencereview.com
www.audiosciencereview.com
Hi Hafnix,Hi, I am using the D-6S together with a Sabaj A20h Amp and I'm very pleased with this combo. Can't imagine anything better in this price range. I have also tested the SMSL DL200 and the Topping DX 3 Pro+ and can compare with my Presonus Studio 1810c. Wouldn't say that there are huge differences in soundquality between the mentioned devices. Maybe there are, but I don't hear them... But the D-6S is looking nice and does the job very well, so it stopped me looking for alternatives any further.
For cables I can highly recommend the Sommer Galileo 238. I use them for ages for everything XLR (Microphones, Studio-Monitors, D-6S to A20h). They are very well built and have sturdy Neutrik Plugs, absolutely nothing to complain about.
It does not, although volume at '99' works exactly the same as a 'bypass' mode, although for your use case this isn't very helpful. I'm struggling to think of any DACs that do this tbh.Does this DAC have a DAC only mode, where the volume knob is bypassed?
I would love to have the RCA’s connected to a headphone amp (in 2.5v DAC only mode - D6s volume know bypassed) and have the XLR’s connected to my powered monitors in pre amp mode so I can use the volume control on the D6s for the monitors. Would this be easy to do?
Thanks
None of these allow fixed output to the RCAs and variable output to the XLRs at the same time. The E30 doesn't even have XLRs.My original Topping E30 has a selectable dac/pre mode, though it doesn't have a knob.
The manuals for the SMSL SU-9n and SU-10 shows the user can select either fixed/variable output volume. I'd think that anything "higher" in the product line would also have that, too.
Sorry, I completely misread the previous post. Will delete my previous reply.None of these allow fixed output to the RCAs and variable output to the XLRs at the same time. The E30 doesn't even have XLRs.