This is quite an insult, especially from a new member. We all care about music. In my flat you will find ~1000 CDs, ~1300 LPs and ~1 TB of music files (mp3, flac, ...). My main system uses very good 3-way active studio monitors with an active studio sub and room EQ - the same gear and settings you'll find in those studios which create the recordings you are listening to in the first place. I regularly visit live concerts of all kind (classical, opera, ballet, rock, jazz, ...). Do not tell me I don't care about music or its sound!The only measurements made on this site are stuff that audio equipment makers are already listing specs on there spec charts, they arent anything speciallyh or any "new" audio science. Don't you people care about like how something acgtually sounds?
What did Bill Gates get his degree in? Oh that's right... Does that mean he doesn't have the ability to speak as en expert on...Anything?
I wonder how often he'd get dismissed by his staff as unqualified when he would question their results or issues, because probably 99% had more 'formal' education than he did?
Education isn't a precondition for expertise but merely a short cut to it. Anyone of average intelligence can develop an expertise in most things, provided they focus on it. If posts by our resident Poly-Sci major suggest anything it is that a lack of understanding of the fundamentals, reinforced by poor critical thinking skills, disqualifies him/her from legitimately claiming to be an expert on sound.
Don't confuse a question from a wise man as an example of expertise.
Bill didn't become one of the richest people in the world by being the best software writer in the world. He became one of the richest people in the world recruiting, organizing, and managing people who were among the best software writers in the world. It is this organizational skill that is having the greatest impact in the work of his foundation... since Bill Gates likely isn't the world's best epidemiologist either.
I've refrained so far from getting involved with this thread, as it had turned into something much like every cable thread I''ve ever seen.Don't you people care about like how something acgtually sounds?
This is what I try to explain each time some one asks about the audio quality increase each generation of product. If we say it's getting 15% better each year we could clearly tell the difference. 2% even. 1%. So in a blind test can they tell the difference between something today vs 20 years ago?If you were to look at the subjective reviews of DAC's and CD players over the last 40 some years and put together each time a reviewer claimed the "huge" increase in SQ over the ones reviewed last (month, year, whatever) in a linear line then go back and compare one from the 80s-90s to today's you would expect the older ones to sound like an Edison cylinder. Not the case, any differences is mostly so minor as to be near inaudible.
Different metals don't conduct electricity in the same way.
Conductance does matter when low load impedances are in play.
Impedances have different resistance and phase characteristics for different frequencies.
Cables can have very different resistances and capacitances and somewhat differing inductances.
Some cables can easily pick up HF or audio frequency electric and magnetic fields and radiate them as well.
These differences exist due to geometry and used materials.
Cables do conduct signals differently with a 100% measurable certainty.
Science depends on this, even audio science depends on this.
One would have to ask the following questions.
When you say... cables sound different are you talking about
A: cables loading electro-mechanical sensors like microphones (of all kinds), MM or MC cartridge, Ceramic cartridge, magnetic pickups.
What is the source impedance of those 'sensors'... what is the frequency range they encompass ... what load impedance/resistance do they require to stay within specifications.
There are loads of different types of cables for those type of sensors.
B: Interlinks that conduct line-level signals.
What is the source resistance/impedance, in what type of environment are they used (heavy electro/magnetic screening required or not).
What is the length of the cable.
What is the load at the end of the cable (pure resistive.. with a capacitance or input transformer).
What type of connection is used (2 or 3 wire)
Is the ground connected
What screening is used
How high is the capacitance.
What is the desired upper frequency range (and specify how many attenuation at that frequency)
C: Digital cables
What type of connection is used. (SPDIF is not the same as the various USB options)
Which frequency range should it have to avoid to severe timing errors due to HF roll-off
What is the length of the cable
What is the source and load impedance as well as that of the cable.
D: Power cables
What current can they handle.
Are they used on a device that emits high levels of HF signals (due to poorly filtered SMPS for instance)
What is the length of the cable
Are there decent fitting connectors on it.
Are they fuse protected or not.
What currents actually pass through the cable
E: Speaker cables.
What is its length of the cable.
What is its resistance (round trip so 2 connectors added)
What is the load resistance
What is the power level that has to pass through the cable
What is the maximum frequency range you require
What is its capacitance
F: headphone cables.
What is the load impedance
What is its resistance
Is the cable a 3 or 4 wire connection.
Is the signal balanced or single ended and in case of the latter is the common resistance low
What is the length
Those are the aspects that matter (probably not all aspects are written down).
This means some cable are better suited for specific tasks than others and one cannot use the same cables for all circumstances.
What specific cables and sound qualitiy changes/properties are you talking about ?
This is quite an insult, especially from a new member. We all care about music. In my flat you will find ~1000 CDs, ~1300 LPs and ~1 TB of music files (mp3, flac, ...). My main system uses very good 3-way active studio monitors with an active studio sub and room EQ - the same gear and settings you'll find in those studios which create the recordings you are listening to in the first place. I regularly visit live concerts of all kind (classical, opera, ballet, rock, jazz, ...). Do not tell me I don't care about music or its sound!
I don't doubt your experience but this is physically impossible. Your CD player does not play faster when the amplifier gets a stronger power cable.Wow thanks to all good folks who had the patience to answer my questions! I didn't really have much experience with hearing much difference in different cables but one experience always stood out is that I changed the power cable of my entry level amp to an aftermarket thickish cable. I wasn't expecting anything and didn't know anything about special cable but I just liked the look of said thickish cable (it wan't expensive!) so I bought it lol. I heard my usual piece (forgot what that was) and the rhythm got faster.
I fear you fell victim to expectation bias. We all do, that's how we are made. Scientists found this out long ago and therefore listening reports are only valid when performed blind.It was the first song and very noticeable right at the beginning. Sound quality wise I didn't notice anything different but I like fast tempo so that's a yes to me. In another instance I noticed a broader freq response (more mids and highs comparing to previous darkish tone) on my iems with a pcocc cable it wasn't night and day difference but it was also noticeable right at the beginning. The rest of the cable swapping weren't really noticeable to me I just keep them for their look!
Yep.So I gather that if I use cables made within specs as required by my equipment and am mindful of the length of the connection it shouldn't sound any differently (as someone mentioned the difference would be below noise floor)?
This is getting boring. You guys are running in circles around a problem that cannot be solved. ... And that is why we are not making any progress. I mean, given the circumstances, how could we..?!?
Uh huh.
So many words just to say "I don't want to prove my golden ears in a DBT".
Actually, no. The Paradigm PW testing showed a case where things not exposed by the testing was a factor in some people unable to use that device from what they heard. That is a practical demonstration. If you say only the effects of things that are measured are of interest in audibility and nothing else, then it is a tautology by circular definition that does not address the argument by the “can hear a difference” crowd.So whilst I don't dispute what you write, it is only relevant on a philosophical level. For an individual listening to music recordings it is easily dealt with by the individual, and a budget and short list suitably assembled.
An insinuation for which no evidence is presented despite the preciseness of the argument because it negates your thesis. This is what the difference between an echo chamber and a science debate. I don’t think people here should be going around as if they have science behind them while not subjecting themselves to its rigors. Otherwise, it is just science as a religion or at the minimum hypocrisy.Especially if it is being twisted to support hand waving.
The above is actually a very good example of imprecise hand waving. This part is already covered in the first post and the second shows why this is an imprecise statement where null hypothesis does not apply.No need to go there. Let's start with the easy part - "demonstrated audible difference". Just you thinking you can hear an audible difference doesn't make it demonstrated. The burden of proof is still on you - to demonstrate there is an audible difference.
If you were to look at the subjective reviews of DAC's and CD players over the last 40 some years and put together each time a reviewer claimed the "huge" increase in SQ over the ones reviewed last (month, year, whatever) in a linear line then go back and compare one from the 80s-90s to today's you would expect the older ones to sound like an Edison cylinder. Not the case, any differences is mostly so minor as to be near inaudible.
I didn't really have much experience with hearing much difference in different cables but one experience always stood out is that I changed the power cable of my entry level amp to an aftermarket thickish cable. I wasn't expecting anything and didn't know anything about special cable but I just liked the look of said thickish cable (it wan't expensive!) so I bought it lol. I heard my usual piece (forgot what that was) and the rhythm got faster. It was the first song and very noticeable right at the beginning.
In another instance I noticed a broader freq response (more mids and highs comparing to previous darkish tone) on my iems with a pcocc cable it wasn't night and day difference but it was also noticeable right at the beginning. The rest of the cable swapping weren't really noticeable to me I just keep them for their look!
I
So I gather that if I use cables made within specs as required by my equipment and am mindful of the length of the connection it shouldn't sound any differently (as someone mentioned the difference would be below noise floor)?
Ok, the trolling part is still very obvious. But you seem to be putting in a little more effort. Maybe 5 % improvement. But don't be satisfied too easily. Keep working on it. Like anything, the more you do it, the better you'll get at it. But it does behoove one to sometimes stop and ask if what they are trying to be makes the world a better place or not.
That was indeed my conclusion in the first post but then someone tried to introduce an incorrect science argument and also demonstrated that voting for a view that confirms one’s bias with likes isn’t science. It isn’t a democracy.
I guess you didn’t read it to come to that conclusion since I have taken no position on golden ears of anybody nor claimed to have one. It just set the limitations of the arguments on both sides and why such debates are futile.
Actually, no. The Paradigm PW testing showed a case where things not exposed by the testing was a factor in some people unable to use that device from what they heard. That is a practical demonstration. If you say only the effects of things that are measured are of interest in audibility and nothing else, then it is a tautology by circular definition that does not address the argument by the “can hear a difference” crowd.
An insinuation for which no evidence is presented despite the preciseness of the argument because it negates your thesis. This is what the difference between an echo chamber and a science debate. I don’t think people here should be going around as if they have science behind them while not subjecting themselves to its rigors. Otherwise, it is just science as a religion or at the minimum hypocrisy.
The above is actually a very good example of imprecise hand waving. This part is already covered in the first post and the second shows why this is an imprecise statement where null hypothesis does not apply.
You made the statement equivalent to the form “there are no unicorns in the universe” as a null hypothesis that puts the burden on the observer to disprove. I showed why the above is a not a valid null hypothesis while “there is no unicorn on earth” could be. So, now you have gone back to the latter which was already addressed in the first post as valid but not sufficient to settle the debate.
Like I concluded in the first post, the “science” in ASR is often just used to throw stones at an opposing group which would be no different than the opposing “golden ears” group throwing stones at the “measurement heads” for their limitations. This is a good demonstration of that.
In an echo chamber, you can get away with pseudo-science to cast stones and collect votes in support. But it is not search for truth any more or any less than empiricists.
There are people here who can't even discern the rather ample difference between the resplendent imaging of the Schiit stack vs the stark, stripped down aesthetic of the RME ADI-2.
Now here is a brillint man. Reminds me of all the rigorous statistics, propability theory,and predicate calculus I took during my rigorous educaiton in the political and economic science. logical conswequence relations are only semi-decidable, and thus there is doubt injected into any model so it isn't actually in the nature of science which is only grounded in science and math and logic to prove, so that is using science as religious dogma. At the end of the day, gravity might not suck an object into the earth just because of the a posterioroi limits of reasoning tomorrow the sun might not raise.
There are people here who can't even discern the rather ample difference between the resplendent imaging of the Schiit stack vs the stark, stripped down aesthetic of the RME ADI-2.
There are people here who can't even discern the rather ample difference between the resplendent imaging of the Schiit stack vs the stark, stripped down aesthetic of the RME ADI-2.
At the end of the day the person who raises a claim against 80 years of collected scientific knowledge has to proof its claim. The proof has to be according to well known scientific standards (DBT). Otherwise the proof is worthless like all other sighted opinions.Now here is a brillint man. Reminds me of all the rigorous statistics, propability theory,and predicate calculus I took during my rigorous educaiton in the political and economic science. logical conswequence relations are only semi-decidable, and thus there is doubt injected into any model so it isn't actually in the nature of science which is only grounded in science and math and logic to prove, so that is using science as religious dogma. At the end of the day, gravity might not suck an object into the earth just because of the a posterioroi limits of reasoning tomorrow the sun might not raise.
Let’s see... 9... 7... 8.... 7.... 7. The judges give you a 7.6. Well done.
I gotta say I have never encountered this perspective before. Thanks for sharing. I suppose this is where it has to go ultimately if you rely solely on measurements/accuracy. I just never thought of it that far.I've refrained so far from getting involved with this thread, as it had turned into something much like every cable thread I''ve ever seen.
However, that question made me want to reply. No, I really don't care what anything sounds like to me, all I care about is that it should measure well, and therefore be transparent, just rendering as close a facsimile of the recording as possible.
Then I know that whatever I might think it sounds like is my problem/fault/whatever, not that of the equipment. The only thing then left is my room, which I have done the best I can with, and with the recording, which I can't do anything about.
I never ever want to change the equipment to make it sound "better" if in order to do that it doesn't measure as well. That's just a tone control by another name, and I have those already.
S.
The poetry starts.