Look at those deep notches in the ML treble. Panel break up?
Amir, where did you get these charts? Are the lower traces DI/Power response?
Amir, where did you get these charts? Are the lower traces DI/Power response?
They don't measure well in anechoic measurements with 70 points:
The addition of Anthem Room Correction should improve the low frequency scores compared to above but the rest of the issues remain.
Re: the discussion of F208Be vs Salon 2, if there is any department in which the Salon is likely to be audibly superior, I'd say it's in the 1.5-2KHz region, where the F208 (and presumably the F208Be, which to my knowledge uses the same cone midrange) exhibits a 2-3dB dip on-axis, which is there to compensate for the driver's off-axis peak in the same frequency range. Not a huge flaw, but one that may be audible IMO.
Ok, I’m not arguing they are exceptional speakers, but the idea that they don’t measure them at all in the anechoic chamber they have access to would be surprising to me.
Do you know which speaker that is btw? Most of their speakers don’t measure so poorly.
Anyway, of course we’re just speculating here. I have no idea what their design process is.
They are the DI and DI for different weighted measurements (early and late reflections). They are part of Sean Olive's numerous papers and powerpoints. Usually he just puts "M" or some other code in there but I post that version because it has the actual brands. That specific graph is from this online article: http://www.acousticfrontiers.com/20...nse-psychoacoustic-and-subjective-importance/Amir, where did you get these charts? Are the lower traces DI/Power response?
It is the Martin Logan Vista. Here is the rest from the AES paper:Do you know which speaker that is btw? Most of their speakers don’t measure so poorly.
Anyway, of course we’re just speculating here. I have no idea what their design process is.
I am thinking that maybe engineers who designed ML dipols were actually counting on reflections from the wall behind the speakers. What do you think, does that make sense or.. ?
If that is the case it would maybe make more sense to measure such speakers in their typical working environment rather than in the anechoic chamber.
The measurements Harman use are based on correlation between what set of measurements determine listener preference. They measure 70 points around the speaker and then compose them as direct, early and late reflection. A weighted average of these with more bias put on direct and early reflections is what is presented in their graphs.If that is the case it would maybe make more sense to measure such speakers in their typical working environment rather than in the anechoic chamber.
It is the Martin Logan Vista. Here is the rest from the AES paper:
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Here is a picture I took while taking the same test (but with other speakers in the mix):
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The measurements Harman use are based on correlation between what set of measurements determine listener preference. They measure 70 points around the speaker and then compose them as direct, early and late reflection. A weighted average of these with more bias put on direct and early reflections is what is presented in their graphs.
Maybe. If I were taking this approach I would measure them in an anechoic chamber (or quasi-anechoically if that were my only option) and then calculate the effects of intended working environments, since (1) the particular room I had couldn’t possibly stand in for all possible environments the speakers will be asked to work in and (2) trying to extricate the effects of the room from those of the speaker using only in-room measurements is much harder than using anechoic/quasi-anechoic measurements to predict how the speaker will perform in a room.
Mind your behavior. Obnoxiousness is not going to carry points in this forum.As I remember you stated that Dirac Live correction cannot be re-checked as it was made based on measurements in 5 points I suggest you stick with DAC measurements.
Besides, what Harman states about measuring other speakers is irrelevant for this thread as it cannot be considered objective.
Not to mention that my post you qouted wasn't adressed to you.
Mind your behavior. Obnoxiousness is not going to carry points in this forum.
The rest of your points are nonsense. Harman tests are the similar to what was performed at NRC while both Dr. Toole and Olive conducted research there. They are peer reviewed and highly valued in research and industry. So take caution in making random accusations without spending the time to understand the points being made.
Note: my company is a dealer for Harman products and I am friends with some of the principles there.
Sad, that I have never heard any ML or Revel speakers, or even seen them "live". I don't sell anything either, so this is just speculation and discussion.
There is no such rule in this forum. Even if there were, you were responding to my comments.I once asked you not to address me and I'm doing it again.
Do the curved ML have different dispersion front and rear? That's the point of the curved panel isn't it.Many dipole are not perfect dipoles through passband, and variations is dispersion may or may not be balanced by rearside-reflected sound.
The rules for other dealers is that they can freely post in any topic as long as they are not offering anything for sale. Those go in desperate dealers forum. Their contributions elsewhere as designers and knowledgeable industry people is always appreciated.One more thing: as this topic is a kind of head to head between Revel Performa3 F208 and ML Electromotion ESL and as you clearly stated in above post that your company is Harman dealer I kindly ask you to obey the same rules that are valid for other dealers. As it would not be accceptible if a ML dealer would start to post in this topic data about Harman speakers in favor of his own products obviously the same rule should apply to Harman dealers, so I kindly ask you to post your further impressions in the dealers section.
As I recall from earlier threads, these relatively well performing Infinity speakers seem to be a bargain. It makes me think that speaker brands would want to compete with these, as this research (and more) seems to be favorable of smooth on- and off-axis response and correlates to percievable audio quality.It is the Martin Logan Vista. Here is the rest from the AES paper:
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Here is a picture I took while taking the same test (but with other speakers in the mix):
All of this said, yes, out of abundance of care I did not initially comment in this thread until it got to a point where I had personal data that I could share that otherwise would not exist.