toumpouris
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Have no idea, I was wondering the same, maybe newer tech?How is it possible with a smaller woofer and a 2-way vs a 3-way?
Have no idea, I was wondering the same, maybe newer tech?How is it possible with a smaller woofer and a 2-way vs a 3-way?
Interesting issue. I have KH 310's and two pairs of KH 150's in my studio. I have not directly compared them since they are at different work stations.How is it possible with a smaller woofer and a 2-way vs a 3-way?
Better cabinet design, better waveguide, better dispersion, and DSP that helps linearize phase response.How is it possible with a smaller woofer and a 2-way vs a 3-way?
Well, it doesn't extend lower (LFX of 37 vs 30hz), but what it does is get louder in the range it does compete in.Have no idea, I was wondering the same, maybe newer tech?
Do we know the comparison was blind and levelmatched?How is it possible with a smaller woofer and a 2-way vs a 3-way?
I'm looking to use a set of these or the 150 at 2.5m -3m listening for movies. I'm concerned about headroom more than their actual sound given the dynamic range of modern films.
If I'm listening at a calibrated -20 on my processor for a "loud" session by my standards (I guess 80db on analyzer), are these going to be up to the task? I use multiple subs too and would plan to use the EQ in my Anthem processor not the EQ in the speakers.
The KH150 might be a better choice again since I'm using a sub? I'm simply not familiar with active monitors or the calcs to determine the achievable volume at my listening distance.
No real difference.Can anyone explain what the difference is between KH 310, KH 310A, KH310 ALG and KH310 ALG CCC?
With the exception of the KH 420's, all Neumann monitors are designed as nearfield monitors. They are not recommended for distances of anything beyond close midfield. I have KH 120II's, KH 310's and KH 150's. I use them all at 1 meter to 1.2 meters - never any further. When I do listen to them at midfield distances, I do not like them. They are simply not designed for that use. Some people have used them at longer listening distances and think they are fine, but they are not at their best.Are you planning to use one or more pair of the KH 310s to build a surround system for movies? I was thinking along these lines, where I would use the 310s with my Rythmik 12" sealed subs. My concern is how pleased I'd be with using near field monitors 1.) at ~ 8 to 10 feet away and 2.) how much these speakers would reveal the sonic flaws of my movies.
I may be wrong but I thought that near field speakers need to be not much more than 4 feet from the listener, otherwise their imaging accuracy and other performance aspects become degraded by the room size and/or acoustics.
The 310s may not deliver the incomparable transparency of most ATC speakers, not that I've ever heard any of those models. But while I might love what the 310s can do from the highs down to the midbass with https://www.blu-ray.com/movies/Green-Book-Blu-ray/224356/ , much older but well recorded scores https://www.blu-ray.com/movies/PJ-Blu-ray/258849/ and some decades older soundtracks https://www.blu-ray.com/movies/Bad-Day-at-Black-Rock-Blu-ray/170131/ and https://www.blu-ray.com/movies/Gilda-Blu-ray/91898/ , would listening to vintage TV shows with even more compression be at all bearable through the 310s, such as https://shoutfactory.com/products/stoney-burke-the-complete-television-series ?
Or arguably even more compressed audio from this BD release? https://www.blu-ray.com/movies/The-Outer-Limits-Season-One-Blu-ray/317882/
The same is true for almost all standmount speakers, even if they are not specifically designed or advertised as such.With the exception of the KH 420's, all Neumann monitors are designed as nearfield monitors.
Nevertheless the large majority of Hifi users use such speakers, even if they are just small 5" 2-ways (e.g. LS3/5, LS50), in the midfield and are content. Not everyone wants to listen in his living room like the pros in their mastering studio ... Me for example, I'm more than satisfied with my K&H O300D (predecessor of KH310) with a Genelec 7060b sub at a listening distance of 3.5 m in a 50 sqm room.They are not recommended for distances of anything beyond close midfield.
With the exception of the KH 420's, all Neumann monitors are designed as nearfield monitors. They are not recommended for distances of anything beyond close midfield. I have KH 120II's, KH 310's and KH 150's. I use them all at 1 meter to 1.2 meters - never any further. When I do listen to them at midfield distances, I do not like them. They are simply not designed for that use. Some people have used them at longer listening distances and think they are fine, but they are not at their best.
Totally agree!That's a bit extreme, my normal listening range for 310 can be anywhere between 1 -3 meters, and they sound just fine at 3M. Also it's not true that 310 is only meant for close distance. I think the official spec has it good up to 5 or 6 meters.
Well you seem to have almost every other model, but not the KH420.With the exception of the KH 420's, all Neumann monitors are designed as nearfield monitors.