I would guess that when a grille is located with some distance and is a flat surface it would interfere with with driver more and cause more problems, the ones without very noticeable drawbacks I would say are like the 80x0 genelecs, neumann etc which have a grille shaped roughly the same as the driver, I would guess that being equal distant to the driver surface would minimize the issue, with a flat grille, and especially you want some protection so it's of some rigidity the distance,from driver to the grille having undesired reflection and comb filtering is unavoidableI think it sucks that almost no speaker companies these days seem capable of designing grilles that don't f*** up the sound. The list of such companies is very long and includes all the ASR faves.
Energy used to make grills that where part of the front waveguide glass bead plastic front panels that where glued to the cabinets. We couldn't keep them in stock because they sold so well and decimated most other speakers in their respective price ranges. if you look at the curvature and dimensions of the front glass bead plastic panel you can see how a grill would conform to the waveguide and woofers.I think it sucks that almost no speaker companies these days seem capable of designing grilles that don't f*** up the sound. The list of such companies is very long and includes all the ASR faves.
Not in my experience. I have 3 different ma speakers currently, and the newer ones (RX6 and Silver 100 6g) use the bolt-through fixing method. I check the bolts a few times a year, and they rarely need tightening. Maybe loosening would occur at higher listening levels.Yes, this would be good if it had a metal case, the wood casing lives so the bolt always loosens.
A dab of loctite would fix that.Not in my experience. I have 3 different ma speakers currently, and the newer ones (RX6 and Silver 100 6g) use the bolt-through fixing method. I check the bolts a few times a year, and they rarely need tightening. Maybe loosening would occur at higher listening levels.
I doubt changing the DBR for these would make a meaningful difference. The NAD should be able to handle the load.I’d be interested to know people’s thoughts on these vs dbr-62 in my case (dbr’s which I already have). I am running them in a built in TV cabinet, fed from a NAD D3045 through HDMI ARC.
I am really struggling with hearing dialogue; I understand that mixing has a lot to do with it but wondering if the difficult load of the dbr at 100Hz is making it worse, and if a change of speaker may improve it with the current amp (no EQ ability). D3045 amp can’t change due to size constraints and being able to be placed vertically.
They sell the Silver 50 speakers as being able to be placed close to walls, and in the absence of front ported options these look okay. Would have the cupboard wall immediately beside them and a wall 10cm behind.
Cheers,
Andrew
Thanks for the reply @warpdrive! I am hamstrung by the position, I've got a flat shelf in a built-in cabinet that is just wide enough for a TV, vertical amp and speakers. Speakers are at ear level but not even room to toe in speakers. My wife also wants it to be minimalistic, hence the D3045 with HDMI ARC from the TV.I doubt changing the DBR for these would make a meaningful difference. The NAD should be able to handle the load.
I wonder if the way you have your speakers placed (in a cabinet) has anything to do with the sound quality. Are you sitting on-axis (toed in). Are your ears level with tweeter?
Sometimes measurements can tell you quickly if there is anything way off with your setup. It might be better to invest in measurement mic and check things out rather than blindly changing out speakers
They're the only maker I use, except for my Dali sub.Monitor Audio are making exciting speakers! Addictive listening (i.e. you want to play album after album with the 50's!)
Happy panther!
Would it be possible to "correct" that brightness if necessary using some available room correction software like Dirac etc.?Personally I never liked MA brightness in many of their speakers and always decided for other brands in (subjective) listening tests. Which I think is too bad, because they obviously have nice built quality and as shown above are able to produce a decently linear speaker. Why not just fix that brightness (high frequency hump) and all would be great, especially for that price. Do they still think they need that to impress in showrooms?
Would it be possible to "correct" that brightness if necessary using some available room correction software like Dirac etc.?
I don't find MA speakers to be too bright, and have been using them for years.Would it be possible to "correct" that brightness if necessary using some available room correction software like Dirac etc.?
The port chuffing on the Bronze bookshelves I demod was really bad, so it's probably a good thing you're using them with 80 Hz cutoffsPersonally, I’ve always loved the old big pair of Monitor Audio (early 80s) speakers my father-in-law owned.
However, I found their more modern speakers, from the silver range on upwards to the platinum, to be a little too bright and antiseptic sounding.
However, I get along quite well with the Bronze range, at least the generation that I listened to and bought from. I have several sets of Bronze stand mounted speaker speakers for various purpose purposes, but mostly I’m using some for rear and side surround channels.
They don’t sound bright and don’t measure bright. I’d say they pretty much sound like they measure here:
SoundStageNetwork.com | SoundStage.com - NRC Measurements: Monitor Audio Bronze 6 Loudspeakers
www.soundstagenetwork.com
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