What are you talking about? For the third time, I made the same measurement you made, with a real amp at the source and real speaker as the sink:I did not use a digital scope for measurements of FR of the real cables loaded with real speakers, sorry. My measurements of speaker cables are at least as good as yours and on contrary they show real life situations. Measurements of a speaker cable FR loaded with 200k input impedance of the AP is useless. Same applies to attempts to measure “cable distortion”.
Reflections on a speaker cable? Are you for real?And yes, if we need to measure cable reflections, the AP is close to useless and the digital scope with rise time in ns is a perfect tool. This is a different story and different tools are needed than in case of audio band frequency response.
Sure, but what product from a large company tests badly these days?
Who said you should use any old cable and you are good to go? I wrote an entire article on differences between 12 gauge wires showing that they are different. It starts with this: https://www.audiosciencereview.com/forum/index.php?threads/when-12-gauge-wire-is-not-12-gauge.3/Exactly. And when folks obsess over differences in -115dB vs. -120dB SINAD on DACS and dismiss the fact that speaker cables can introduce +/- 0.5dB deviations across the audio spectrum, it seems rather inconsistent to me.
Introduction
Why test 12 gauge (AWG) wire? 12 AWG speaker wire is a “safe bet” from performance point of view because anything thinner may interact with the low impedance of your speakers and cause the frequency response to vary beyond threshold of hearing (-0.5 dB). That change can “color” the sound.
Oh yeh? You have proof of these reflections a) being there in real audio systems and b) being audible?that explains the cable reflections and shows many oscilloscope measurements of reflections due to load impedance mismatch. Yes audio frequencies cannot create such reflections in a speaker cable, but EMI induced high frequency signals or spikes due to SMPS or digital circuits action may initiate such reflections.
10 ns rise time translates to 35 Mhz bandwidth. Not Kilohertz, but Megahertz. Of course a speaker cable is not designed for use in RF frequencies. You can show all kinds of differences at such wide bandwidths. None has any usability or application to audio.This is a 5m zipcord cable driven from 50 ohm source (impulse generator with rise time <10ns) and unloaded (open) at the end of the cable. Please compare with measurements in TI app note that show impedance mismatch.
Exactly. And when folks obsess over differences in -115dB vs. -120dB SINAD on DACS and dismiss the fact that speaker cables can introduce +/- 0.5dB deviations across the audio spectrum, it seems rather inconsistent to me.
Yes and I'd like to add two things:
1) The type of people who have the background to understand that +/- 0.5dB is unlikely to be audible are also the same people who are unlikely to be scammed by the "large audible differences" myth.
2) There IS evidence that longer stretches of cables that are not unheard of (20ft, 30 ft) in a domestic setting, particularly when coupled with relatively smaller gauge cable (i.e. 16GA), and particularly if using exotic geometrics that do not prioritize low inductance, CAN result in FR deviations that most people here would agree are audible (i.e. 1-2dB or more over wide frequency ranges).
Who said you should use any old cable and you are good to go? I wrote an entire article on differences between 12 gauge wires showing that they are different. It starts with this: https://www.audiosciencereview.com/forum/index.php?threads/when-12-gauge-wire-is-not-12-gauge.3/
Whether the difference is audible or not is not just dependent on the variation but how broad it is. That requires knowing the impedance graph of the speaker. But per above, once you get to proper 12 gauge wire, such differences become moot.
As to bit of roll off at the top end, your speaker is not ruler flat anyway, nor is your audibility great so it is not something that merits attention. If you want to know the threshold of detection, Clark has done some coarse work there and came up with this: "High-Resolution Subjective Testing Using a Double-Blind Comparator:"
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As you see, highest sensitivity is in 1 to 5 kHz, not at either extreme.
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I like @pma's detailed technical knowledge, but would have liked him to present his facts in a less "sensationalistic" manner.
The first few posts set up a bit of a straw man argument, namely that "It is impossible to say that cables make no difference". Nobody claims that "cables make no difference" at all.
What are you talking about? For the third time, I made the same measurement you made, with a real amp at the source and real speaker as the sink:
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I showed not only this measurement, but tiny, 0.006 dB difference between two cables:
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Your scope lacks the resolution and accuracy to show the above measurement. Yes, it can spit out numbers but there is no reliability in them.
Reflections on a speaker cable? Are you for real?
... the frequency response effect of the speaker cable driven from power amplifier and loaded with a real speaker. We were measuring the frequency response by means of REW software and a soundcard with a balanced input, in 24-bit resolution, at the amplifier output before the cable (point B) and at the speaker terminals behind the cable (point A). Then we made A/B plot (in REW software) to show the cable effect in isolation.
0.5 dB is definitely audible. Just simulate this in EQ and switch on and off.Hi Amir. Yes, there are definitely differences in LCR parameters across 12 GA speaker cables, as your article demonstrates. I'm not sure who is disagreeing with that.
This is good info, I hadn't seen this. Interestingly, I did run across some FR simulations for a simulated loudspeaker load driven by a 12 GA "zip cord" at ~13 ft (4m) length) here.
They are reporting 0.5dB or so peaks or valleys with >4 octave bandwidth based on LCR calcs.
According to your chart above, this would be "potentially" audible.
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One thing that puzzles me about all this is why it is believed important to focus on the end-to-end voltage for the cable rather than the voltage at the speaker. This suggests the belief that the end-to-end voltage drop across the cable reveals the effect of the cable per se. This makes no more sense than it would make to think that voltage across the speaker is a property of the speaker per se, i.e., that speaker voltage isn’t affected by the impedance of the cable.
The voltage at the speaker is the voltage that ultimately matters. This is obvious, and it is equally obvious that the sum of these two voltages does not vary except for accommodating variation in the voltage held back by the amplifier.
That's exactly how I see it. So, in order to measure the "effect" of a loudspeaker cable on FR, the FR measurement should be taken at the speaker terminals ONLY, and under two conditions: a) WITH a speaker cable wired between the amp and the speaker and b) NO speaker cable wired between the amp and the speaker (in other words, the amp is wired directly to the speaker with extremely short bus bars, or equivalent). An alternative approach would be to take FR measurements at the speaker terminals with various speaker cables inserted in order to compare FR curves. I'm not clear why we would need/want to take a FR measurement at the amplifier terminals in order to answer the question of what effect does speaker cable have on FR under real life conditions.
This is very equivalent to measuring the voltage drop accross the cable. Assuming symmetrically constructed cable, one side will do. The side grounded at the amp would apply and then this can be trivially be measured with a soundcard, may not even need balanced input.That's exactly how I see it. So, in order to measure the "effect" of a loudspeaker cable on FR, the FR measurement should be taken at the speaker terminals ONLY, and under two conditions: a) WITH a speaker cable wired between the amp and the speaker and b) NO speaker cable wired between the amp and the speaker (in other words, the amp is wired directly to the speaker with extremely short bus bars, or equivalent).