I think everyone in here would agree with you if you were making an analogy to music.
But audio reproduction is a bit different. You can either aim for a system that's "wire with gain" or one that's "a musical instrument of its own".
The former can be measured. It's not a mystery. The latter might be "musical" but it's not unpredictable. No matter how pleasing the audio system is to your personal taste, it's still not intelligent and it has zero artistic intention. It's just an effect. The elements that make it pleasing to you can be measured easily.
Yes; over and over again, we have to make the point that creation and playback are different things with different objectives.
I've seen Instagram accounts where people have their favorite "filters" to put on photos. As tiresome as those can become, they still reflect the intention of the person putting them up, for better or worse.
But supposing I decided that there are some images put up on Instagram that would look better with
my filter. I think that I could improve quite a lot of the images I see with some adjustments. The result will be an unplanned (by the "artist") collaboration between the artist and the viewer. Artists will be divided on the value of this collaboration. Of course, we recognize that enhancing the displayed image is working at a disadvantage--the image has already been downsampled and compressed for online display, so the viewer adjustments don't have the resolution and bit depth of the original to work with.
Now, let's add an uninvited party to that collaboration. Let's say that the smartphone manufacturer has decided that warmer tones (meaning: white balance with a lower Kelvin temperature rating) just "look better". Or, let's say they just like green. (I'm describing Apple, of course.) Now, neither the artist nor the viewer are part of that collaboration, beyond just choosing the device. Whatever the photographer did may or may not be compatible with being warmer or greener. I've made photos that looked perfect on a calibrated monitor (and I'm currently using an Eizo monitor with hardware calibration) but leaned to an ugly cyan on an iphone. So, am I supposed adjust my photos with a touch of magenta in them to counteract the green tint of an iphone? Or nudge the white balance to be a bit less warm, in the hopes that it won't be too blue (or purple in combination with the magenta) on a calibrated display but acceptable on an iphone? That's just nonsense, and a moving target.
But there are those who will insist (including people at Apple) that its automatic color-balance correction is "better". In some cases, it sure might be. I suspect creators will be divided on it.
Now, how is this different from a amplifier providing a coloration? John Atkinson at a Rocky Mountain event once said, of the cuff, that the secret to a successful amp was a healthy dose of second-order harmonic distortion. It provides an audible doubling of octaves which maybe enriches the sound, but it only works for some kinds of music and is antithetical to other kinds of music. But the problem isn't that an amp has a healthy dose of second-order harmonic distortion. The problem is that its purveyor claims that it is truly transparent, and for the first time, the
music is being served. Consequently, any measurements that would reveal the effect are considered irrelevant, which is good for those who make amps that don't measurably accomplish the things their designers say they accomplish.
Rick "all this has been said before, of course" Denney