It is not odd if you look at it in reverse in how I eq the speaker:
There is peaking in the output from 250 Hz to about 900 kHz. Take that out and the bass response is would then be in-line with the rest of the response (more or less for this speaker). This is why I applied this eq:
See how I pulled down that peaking? Once there, the problem is lack of output which I compensated by shifting all other frequencies higher. Once there, the response was far superior. So no question that the peaking is the problem.
Now that fix doesn't do a lot for the lower bass drop so it still lacks dynamics.
You need to read the reviews and understand them before commenting. The test conditions have nothing to do with the picture. That setup is for listening only. And are perfectly fine for a speaker to be located.If the initial photo was representative of the test conditions, the "tests" are worthless.
No, the "apparent answer" is that people are not critical listeners and don't know how to properly evaluate a speaker. They fall in love with a "flat" speaker and spacious imaging (whether in the music they bought or not) and buy them.Why are measurements so poor for a design that has been celebrated for decades as one of the best sounding speakers in the world? The apparent answer would seem to be that the speakers are fine - the measurements are wrong.
This specific review on purpose was written for experienced readers of this forum, not newbies just joining us. Normally I would be including this preface in the review to eliminate the misunderstandings you have:If the LRS measurements are so misleading, what veracity should be placed on all the OTHER measurements of the "Audio Science Review" website?
What room modes? The spinorama measurements are always anechoic with zero room effects.Are you saying the peaking is a characteristic of the speaker (and not some room mode)?
They don't.
Never make the mistake of listening with your eyes! And remember that the LRS is a much smaller/less expensive speaker than the 1.7i.
No. The effect is the same whether you increase the response on the two sides of the peak, or grab the peak and pull it down. Computing the inversion for the peak is much easier than to compute the two other filters.What you have done would be the wrong way to EQ it.
Which color is which? Black is more uneven.Dipole vs conventional:
Here's a MartinLogan dipole vs JBL LSR 308, adjacent to each other in my room.
This is a "no EQ" sweep for both types, left and right speakers playing, 1/48 smoothing, within the range of the dipole, at the listening position.
View attachment 83850
Bass not shown since it isn't dipole - sealed 12" - so not pertinent at this time.
I'm sorry I don't have an LRS to flog for you.
That's because as I explained in the review, the frequency response changes radically with height. You basically can get any mid to high frequencies you want depending on where you put the microphone or your ear. The in-room response was also at the first acoustic center than the second one. So they don't match in that regard.Looking at Klippel predicted in-room response and amirm's measured one (even, if I understood it right -of a lsr elevated 5ft of the floor?)
What room modes? The spinorama measurements are always anechoic with zero room effects.
The peaking is above modal region anyway so the speaker produces it and is in control.
No. The effect is the same whether you increase the response on the two sides of the peak, or grab the peak and pull it down. Computing the inversion for the peak is much easier than to compute the two other filters.
Alright, but in PIR the balance is completely wrongThat's because as I explained in the review, the frequency response changes radically with height. You basically can get any mid to high frequencies you want depending on where you put the microphone or your ear. The in-room response was also at the first acoustic center than the second one. So they don't match in that regard.
Which color is which? Black is more uneven.
Now I regret paying $2390 with tax for my 1.7i. The Kef R3 cost less and probably sound better.
No. Quasianechoic measurements produce incorrect results in bass. The speaker appears to have an infinite baffle.I mean - you're doing all this complicated measurements on this ultra expensive Klippel machine to be able to objectively "see" the louspeaker's audio performace and from there predict it's performance in real room (disregarding modes of course). But in this case I see it as complete flop.
"Simple" quasianechoic measurement would much closer predict real room behavior of this loudspeaker.
Going above and beyond . Results line up with most reviews when reading between the lines. I suspect a lot of the problems emanate from the mid and tweeter sharing the same membrane. Issues kinda shared by coax dynamic drivers.
No offence, but I find your listening tests as biased as anyone else's.No. Quasianechoic measurements produce incorrect results in bass. The speaker appears to have an infinite baffle.
If you mean in-room measurements, a single microphone at one point cannot show you the total response of the speaker. Only 3-D spherical measurements can properly describe the soundfield of the speaker.
Tell me how you would find out the directivity of the speaker like this:
We have true insight into this speaker which you would not remotely have without it. You also have confirmation of the results based on my listening tests.
We have been through this many times. Your opinion of my listening tests has no foundation because my testing methodology doesn't match others. It follows research protocols which others do not (training, mono listening, etc.). You can dismiss them but don't give me that reason as it doesn't hold water.No offence, but I find your listening tests as biased as anyone else's.