the demo showroom where they use new serie it was with rn2000 yamaha and rose , need wattAny word on how the Q Concertos perform at low output levels? This is an observation I've noticed with the Q350's is they just don't have a lot of liveliness unless pushed a bit.
there is physic law , with same q gen 12 speeker the concerto will be better have 2 year to do better , at minima near the same as R3Already available for order in Italy.
Interesting price, the finishes are only "Matte" surely to reduce the cost.
We hope to hear them play soon, they are certainly a valid alternative to the R3 Meta, I wonder between LS50 Meta and these new Q Meta (having the same price) which would be the best.
Link to the distributor with the characteristics: https://hifight.it/prodotto/kef-q-concerto-meta-coppia-di-diffusori-da-scaffale/
See you soon.
its will be a r3 little , only to respect the level class and 1000 buck , the real question will be the difference justify the 1000 dollarsQ Concerto and R3 Meta out for delivery today, curious how they compare. My expectations are a bit more tempered. I’m expecting that they are exactly what KEF says they are, a 3-way stand mount in an improved Q series. So not an R3-Lite. We’ll see. I also have Q150s here so can compare them all in-room.
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So they are about the same size, I thought the R3 was a bit larger for some reason. Concerto is a bit shorter and wider. Same depth, R3 posts just stick out vs being recessed.
Just had a quick listen. Got a little fatigue from the Concerto so guessing there is both a midrange and high freq bump that needs some eq. But overall it sounds quite good. Plenty of mid bass support to integrate a subwoofer, some tolerable distortion in that range. They seem like a good value proposition. Need to touch them up with a little eq later and spend some time with them to form a real opinion.
I consider the R3 meta a very high quality speaker; you possibly also pay for the luxury to have speakers that, without eq, deliver music, voices, very beautifully: very natural, detailed, uncoloured - just pleasant. For me they are 'keepers'. I know I repeat myself, having bought them recently but hope it's to he point here. Also very interesting to hear from you what eq does with the Concerto sound (and possibly the R3) and how close you can get the Concerto's to the R3's. Good luck!its will be a r3 little , only to respect the level class and 1000 buck , the real question will be the difference justify the 1000 dollars
with your ear , your experience , your home and source : like wine 99% see no difference for them between 20£ and 200£ bottleI consider the R3 meta a very high quality speaker; you possibly also pay for the luxury to have speakers that, without eq, deliver music, voices, very beautifully: very natural, detailed, uncoloured - just pleasant. For me they are 'keepers'. I know I repeat myself, having bought them recently but hope it's to he point here. Also very interesting to hear from you what eq does with the Concerto sound (and possibly the R3) and how close you can get the Concerto's to the R3's. Good luck!
Yes (among other things) and I would be very interested to hear what you know about that.with your ear , your experience , your home and source
I know a few very nice wines for less than €7 (or$, £ probably) and there probably are plenty of very good speakers for around 1000 $,etc/pair, although not allways everywhere (very) easy to get (like Revel or Ascend Acoustics). And of course (studio) active monitors, with for example smaller Genelecs or Neumanns (w. sub.) I guess you can build a very good but not very expensive setup.like wine 99% see no difference for them between 20£ and 200£ bottle
Those highs can probably be reduced just by using less toe in.
So maybe even 'toe outwards'. Anyhow, By toeing out you also get more sidewall reflections, which could be extra beneficial with narrow(er) directivity speakers, allthough, I guess, the 'sweet area' will suffer more at/beyond the point where one of the speakers points towards the listener, the other one pointing more away.Negative for me. That roll off for the R3 is from considerable toe out. Concertos were set up the same and still really hot.
Ok, final update. So no fatigue with the Concertos after rolling off the highs, much better.
I’m keeping the R3s and returning the Concertos though. The R3 is enough of an upgrade for me to justify the $900. Better dynamics and clarity top to bottom. Big surprise there at a 70% higher price. The kicker for me is the mid bass, I listen to a lot of bass heavy music. Crossed over at 80hz I rarely pick up any bass distortion in the R3 at my listening levels, and it’s there quite often in the Concertos. Probably not an issue at lower volumes.
That being said, if the R3 was not in my budget right now I’d be a happy Concerto owner. My $.02, they seem like a good value for the price, and I enjoyed them after tamping down the highs.
Someone asked about the Concertos at low volume and they sounded good to me. The R3 gets a bit funky at low volume, but the Concerto scaled well to my ears.
Hi and welcome here. For the objectively best sound, I think the R3 m or R7 m option would be best, and with 4 subs this probably won't make very much difference, so I would chose the R3 m. But maybe you would be happier saving money and having towers with the Q7 m.I have 4 subwoofers in each corner of this room. I prefer how towers look but bookshelfs on stands is ok with me too. tia