I'm following asr quite a while and like it very much! The best hardware is for sure this one, which doesn't add anything throughout the whole path strait from the beginning until the end.
But the hardware as such doesn't make any fun without appropriate "software". Challenging music should contain amongst (at least for me):
Therefore, if you like orchestral / symphonic organ music, I think you should give Jonathan Scott and his brother Tom a try (or another example).
I'm enjoying big churches with large reverb (which gives great acoustics), very deep basses, sharp trumpets and reed stops - all at the same time! If this is stable reproduced even on very high volume (like a concert or more) without dropping of any clearness and transparency, you're surely on the right track. It always should sound completely easy as if you would be part of the concert in one of those big churches. You can feel the 32'' stops and enjoy the sharpness of the trumps! I'm regularly getting goosebumps!
Have fun!
Chris
But the hardware as such doesn't make any fun without appropriate "software". Challenging music should contain amongst (at least for me):
- high dynamics
- high frequency range
- extremely good playing
- great clang color
- high recording quality
Therefore, if you like orchestral / symphonic organ music, I think you should give Jonathan Scott and his brother Tom a try (or another example).
I'm enjoying big churches with large reverb (which gives great acoustics), very deep basses, sharp trumpets and reed stops - all at the same time! If this is stable reproduced even on very high volume (like a concert or more) without dropping of any clearness and transparency, you're surely on the right track. It always should sound completely easy as if you would be part of the concert in one of those big churches. You can feel the 32'' stops and enjoy the sharpness of the trumps! I'm regularly getting goosebumps!
Have fun!
Chris
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