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Fosi Audio V3 Mono Amplifier Review

Rate this amplifier:

  • 1. Poor (headless panther)

    Votes: 13 1.8%
  • 2. Not terrible (postman panther)

    Votes: 23 3.2%
  • 3. Fine (happy panther)

    Votes: 139 19.4%
  • 4. Great (golfing panther)

    Votes: 540 75.5%

  • Total voters
    715
Driving the front LCR stage of a home theater is an ideal use for the V3 mono. I've got three coming for just that purpose. My older Denon AVR-3400 will be more than adequate for driving the four surrounds. It shouldn't even break a sweat at very loud levels.
I'd love to do this, but only have two balanced outputs on my DAC (as well as two RCA outs). How can I get balanced output into three V3 monos? Would I need a DAC with at least 3 outputs?
 
I'd love to do this, but only have two balanced outputs on my DAC (as well as two RCA outs). How can I get balanced output into three V3 monos? Would I need a DAC with at least 3 outputs?
What would be the point of the center channel?

With a 5.1 (or more) receiver you would get most dialogues on the center speaker in movies, which makes sense. However, if you just merge left and right channels into the center speaker you would just get, well, a mix of both.

Applied to music, you would likely lose stereo spatialisation to some extent.
 
What would be the point of the center channel?

With a 5.1 (or more) receiver you would get most dialogues on the center speaker in movies, which makes sense. However, if you just merge left and right channels into the center speaker you would just get, well, a mix of both.

Applied to music, you would likely lose stereo spatialisation to some extent.
You're right, the point of the center channel is that it should carry different information than the left and right (like dialogue).
I understand how to go about 5.1 via a 5.1 AVR, just quite the novice and can't figure out how you'd go about sending 5.1 info to the LCR with the V3 Mono driving those 3 channels. Maybe the best approach is using a 5.1 receiver to split the channels, and send those separate signals out to the V3 monos for amplification? The AVR would be more of a pre-amp I suppose?
 
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"more power available for" aka "headroom".

Read the passive bi amping section of the article you linked to. It explains why you won't even get more power.

From what I understand, the closer you get to an amplifier clipping, the more likely distortion (from the amplifier) will increase.
Generally distortion is fairly constant until clipping hits, and then it shoots up very quickly. This particular amp does have a distortion characteristic that gently increases from a minimum at about 20W, then it hit clipping and shoots up.

But even just before clipping the distortion is still basically inaudible.
 
You're right, the point of the center channel is that it should carry different information than the left and right (like dialogue).
I understand how to go about 5.1 via a 5.1 AVR, just quite the novice and can't figure out how you'd go about sending 5.1 info to the LCR with the V3 Mono driving those 3 channels. Maybe the best approach is using a 5.1 receiver to split the channels, and send those separate signals out to the V3 monos for amplification? The AVR would be more of a pre-amp I suppose?
Yes, if your receiver has pre-outs for each channel you could connect as many of those as you like to V3s and use them instead of their power amp sections in the receiver- so you are indeed then using the receiver as a pre-amp.

I'd guess your receiver doesn't have balanced pre-amp connections though? In which case just use RCA or, if you are dealing with intractable hum problems, convert RCA to balanced as has been discussed here quite a lot and isn't that simple to do properly.
 
How would an XLR splitter help? If I understand the requirement correctly our user needs three separate channels, left right and centre. Which output from the DAC would you split and to which pair of speakers would you route that signal?
Oh that's right, somehow I thought Kayshot was referring to bi-amping and not an LCR setup.
Different conversations in my head :facepalm:
 
Yes, if your receiver has pre-outs for each channel you could connect as many of those as you like to V3s and use them instead of their power amp sections in the receiver- so you are indeed then using the receiver as a pre-amp.

I'd guess your receiver doesn't have balanced pre-amp connections though? In which case just use RCA or, if you are dealing with intractable hum problems, convert RCA to balanced as has been discussed here quite a lot and isn't that simple to do properly.
Thank you! Pre-outs are definitely what I need to be looking for. Just didn't know the term. "Luckily" I have no AVR yet, and I'm not exactly bound to the idea of using balanced connections. Still in need of a center channel and AVR before I have 5.2 up and running.
 
Thank you! Pre-outs are definitely what I need to be looking for. Just didn't know the term. "Luckily" I have no AVR yet, and I'm not exactly bound to the idea of using balanced connections. Still in need of a center channel and AVR before I have 5.2 up and running.
Funnily Fosi put out a thread asking about possibly developing a 5.1 pre. And then it had power amps added to it with a change of use case.
Lots of people think you seem to need to go straight to 7.1 (or however many).

But there is a "use case" for a 2 channel or more balanced pre-amp that is for sure, with these monos.

Me, I'd quite like to just set up a center channel for dialogue, and not have to get a big bulky receiver for this.
 
Funnily Fosi put out a thread asking about possibly developing a 5.1 pre. And then it had power amps added to it with a change of use case.
Lots of people think you seem to need to go straight to 7.1 (or however many).

But there is a "use case" for a 2 channel or more balanced pre-amp that is for sure, with these monos.

Me, I'd quite like to just set up a center channel for dialogue, and not have to get a big bulky receiver for this.
I am planning to go 3.1 as well. I cannot be bothered with surround speakers and they are not very WAF.
Best option seems to downmix from 5.1 or else directly at the source, which for me is Kodi running on a Nvidia shield. Then, 'demultiplexing' on a USB receiver (Raspberry Pi running CamillaDSP) and add some room correction while at it for both music and movies.

I just need to sort out CamillaDSP first, find myself a decent but compact center speaker and order a third Fosi :)
 
I am planning to go 3.1 as well. I cannot be bothered with surround speakers and they are not very WAF.
Best option seems to downmix from 5.1 or else directly at the source, which for me is Kodi running on a Nvidia shield. Then, 'demultiplexing' on a USB receiver (Raspberry Pi running CamillaDSP) and add some room correction while at it for both music and movies.

I just need to sort out CamillaDSP first, find myself a decent but compact center speaker and order a third Fosi :)
Jeez! :)

I use Kodi too and adjust using their settings with a stereo set up to 'fill in' the center channel effect on the stereo.

It works pretty well, but for Fosi, that won't sell a third mono ...
The thing is that there is a center channel in the cinema n.1 mix and it is pre-mixed for dialogue. Probably (definitely) the most important for dialogue.

A good use for monoblocks.
 
I'd love to do this, but only have two balanced outputs on my DAC (as well as two RCA outs). How can I get balanced output into three V3 monos? Would I need a DAC with at least 3 outputs?
For a home theater you need a reciever with pre-outs.
I'd love to do this, but only have two balanced outputs on my DAC (as well as two RCA outs). How can I get balanced output into three V3 monos? Would I need a DAC with at least 3 outputs?
You need an avr with pre-outs. Other wise you would be running a right, mono center, left configuration. I am guessing it would sound horrible. My set up will be the avr processing all multichannel content. My dac handles teo channel, with the DAC rca outs will gong into the avr input for when I want to have 2.2 channel with bass management handled by the avr. The pre-outs are used for multi channel content. LCR pre outs will go into the rca of the three v3 monos. Additionally I will will run balanced xlr outputs from the dac straight to the l and R v3 monos to allow for strict two channel listening without subwoofers. Hope this helps.
 
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For a home theater you need a reciever with pee-outs.
You need an avr with pre-outs. Other wise you would be running a right, mono center, left configuration. I am guessing it would sound horrible. My set up will be the avr processing all multichannel content. My dac handles teo channel, with the DAC rca outs will gong into the avr input for when I want to have 2.2 channel with bass management handled by the avr. The pre-outs are used for multi channel content. LCR pre outs will go into the rca of the three v3 monos. Additionally I will will run balanced xlr outputs from the dac straight to the l and R v3 monos to allow for strict two channel listening without subwoofers. Hope this helps.
The mix for 'cinema' simply has a center channel for dialog, surely? Too many complications to make us just buy more.
 
The mix for 'cinema' simply has a center channel for dialog, surely? Too many complications to make us just buy more.
I'm not exactly sure what you are talking about. Unless you have some rare 3 channel dac with discrete outputs for left, center and right, it can't run a center channel configuration. All dacs can do the inverse of what you are suggesting, that is take a 5.1 or 7.1 digital signal and output into l And R channel with the center being mixed between the two. If you want to run 3 monoblocks in a left, center, right configuration you will need an avr with pre-outs or a dsp to decode and distribute the 3 discrete channels to the monoblocks. Hope this helps.
 
Jeez! :)

I use Kodi too and adjust using their settings with a stereo set up to 'fill in' the center channel effect on the stereo.

It works pretty well, but for Fosi, that won't sell a third mono ...
The thing is that there is a center channel in the cinema n.1 mix and it is pre-mixed for dialogue. Probably (definitely) the most important for dialogue.

A good use for monoblocks.
I would still prefer to have a dedicated speaker for - as you pointed out - dialogues mostly. That way, with the dsp in the chain, it is easy to boost the center channel a bit for quiet movie sessions when the kids are asleep.
Edit: granted, this is also possible in Kodi by boosting center channel downmix volume on a 2.x speaker system. Still, I want my center speaker :)
 
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Just received notification that all Kickstarter backers of the Fosi V3 mono who have opted for at least 2 amps will be given MUSE02 chips as a free upgrade.
 
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