AllenW
Member
- Joined
- Jul 6, 2021
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- 37
My vinyl is pristine. I Clean it with a Vpi record Clean before and after I play it. I Even go as far as only buying vintage vinyl from Japan because they take such good care of their records.
My vinyl is pristine. I Clean it with a Vpi record Clean before and after I play it. I Even go as far as only buying vintage vinyl from Japan because they take such good care of their records.
My vinyl is pristine. I Clean it with a Vpi record Clean before and after I play it. I Even go as far as only buying vintage vinyl from Japan because they take such good care of their records.
Really? How many Japanese records do you own? Mine sound excellent. The only difference I've noticed is they have nearly zero wear on them.That's really funny as well since Japanese records often had deep frequencies removed so the neighbors in a house wouldn't be bothered so much.
Thats way U.S. releases where so popular in Japan.
Don't own any records at all. You don't seem to understand that you like distortion or that you prefer the limitations of a medium. There is nothing wrong with that.Really? How many Japanese records do you own? Mine sound excellent. The only difference I've noticed is they have nearly zero wear on them.
In fact the only records I've heard that are as good from a sonic standpoint are London records.That's really funny as well since Japanese records often had deep frequencies removed so the neighbors in a house wouldn't be bothered so much.
Thats way U.S. releases where so popular in Japan.
Don't own any records at all. You don't seem to understand that you like distortion or that you prefer the limitations of a medium. There is nothing wrong with that.
I guess if realistic = distortion then yes I Prefer distortion.Don't own any records at all. You don't seem to understand that you like distortion or that you prefer the limitations of a medium. There is nothing wrong with that.
you contradict yourself, please stop. You are saying you hear Denafrips is different from absolutely flat Topping. What you like (and hear) is distortion. And now you are saying you can't hear it. Which one is it?I guess if there is distortion it's below what I can hear. I'm not saying there isn't any but if I Can't hear it does it matter?
Maybe you should get a Denafrips and listen to it then maybe you could argue from an informed perspective. Otherwise you're just trolling.you contradict yourself, please stop. You are saying you hear Denafrips is different from absolutely flat Topping. What you like (and hear) is distortion. And now you are saying you can't hear it. Which one is it?
Also, it's not realistic cause it's not there, in the original sound produced by musicians/engineers. If they wanted more of it, they would add it in the studio.
Maybe you should get a Denafrips and listen to it then maybe you could argue from an informed perspective. Otherwise you're just trolling.
I have one, I second everything zeppie saysMaybe you should get a Denafrips and listen to it then maybe you could argue from an informed perspective. Otherwise you're just trolling.
I Think my journey has ended other than maybe going up higher in the Denafrips line of dacs or maybe halo.Clearly we ran out of arguments. Good luck to you on your journey.
The old Sony chips offer >96dB resolution and they measure surprisingly well, really. Isn't it you that's clueless?Go put a Sony CDP-101 on a test bench and then tell me it’s no different from an Ares. Geezus, some here are absolutely clueless.
I suspect what people are trying to suggest is that what you enjoy about the Ares is less "coloration" (there shouldnt be any) and more the mythology and hype that surrounds the DAC and the tech underpinning it. But I agree, proper controlled testing is the answer. Take the D90 and the Ares as test subjects. For the hell of it throw in the latest Topping/ SMSL sub $200 chart topper . Voltage match them, apply whichever filters behave the closest on each, cover them up and put a switching box in front of the amp and lets see firstly who can reliably pick A, from B from C and then lets work out which is preferred.I appreciate both objectivity and subjectivity. I don’t understand why there can’t be room for both here. I wouldn’t have bought an Ares if not for the mostly good measurements it produced for Amir and Stereophile. Same can be said for the D90 I owned. My initial reservations in trying an Ares was the likelihood it would have major flaws given the design choices. This forum helped put those concerns to rest.
Subjectively speaking, I enjoy it more than the D90, and by a landslide. It’s not as though I strain to hear the improvement, as was the case in my comparison of the Pro-Ject PreBox and Chord Qutest. I have no problem confessing that I may be enjoying a form of “coloration” the Ares is producing. But so what? I can’t share here that I actually prefer it to the D90? Maybe the large number of those who prefer this R2R DAC to a good delta-sigma suggests there are further experiments we should conduct on listener preferences, at least where DACs are concerned — that maybe someone should setup a large ABX trial between such DACs. Seems to me there are more questions that need answered when it comes to listener preferences in audio playback. After all, part of science is determining whether we’re asking the right questions, and continuing to ask questions.
the vast majority wont be able to discern the difference
Genuine question. What properties of a dac might lead to that?Given the large number of reports of the Ares II sounding less forward than some of the cleaner measuring DACs I tend to think there’s something to it. At the same time I don’t think it’s worth the expense as you can get much of the same effect and better results with mild EQ in front of say a Topping D10s at a fraction of the cost.