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Classical ♫ Music only | Some you listen now or recently, some you love...

Seeing as I already have the Naxos transfers of Artur Schnabel's groundbreaking complete cycle of Beethoven's piano sonatas on disc, buying this recent (2016) remastering from Warner Brothers classics (they used to be EMI) is a bit excessive. However I wanted to see what advances in transfer work have been achieved in the 14 years between Mark Obert-Thorn's work for Naxos and this most recent attempt. EMI's previous attempt in the 1990s was widely and justifiably dismissed as excessively filtered. There's plenty of surface noise audible on the Naxos transfers, though not as much as the Pearl transfers. I've also owned multiple LP editions including the Seraphim set and the German EMI pressings, also individual discs of Angel's and RCA's. I've read differing opinions of the Warner Brothers transfers, some saying these are the best, others complaining that these are too filtered. Interesting, but a number claiming the Warner Brothers transfers are too filtered preferred the Pearl discs, which I found far too noisy. The surface noise of the Warner Brothers transfers is as low as any I've heard (the old RCA LP transfers also have low levels of surface noise, FWIW) but, unlike the earlier EMI transfers, there's no lack of treble energy in the Warner Brothers transfers. They also seem to have the greatest dynamics I've heard in these recordings so far. Every now and then one can hear some surface noise peeking through the music but for the most part there are few distractions.

The music making, of course, is about as good as it gets. Schnabel captured the impetuous energy of Beethoven, sometimes pushing tempos but always with a clear idea of how this music moves. I'd have a hard time letting go of the Naxos discs, but when I want to hear these performances, I'm most likely to reach for the Warner Brothers transfers.


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Anton Bruckner: Smyphony No. 5
Saarbrücken Radio Symphony Orchestra conducted by Stanisław Skrowaczewski

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I'm listening to a recording of Bach's Goldberg Variations - Pieter-Jan Belder, Brilliant Classics 99362/10-11. Back cover says the harpsichord is modeled after Ruckers and built by Cornelis Bom in 1999. The recording was made in April of 1999. Sound quality is excellent, as is the playing. This, at 77:28, is one of the longer performances, seeing as it includes all repeats. It may be hard to find but is highly recommended. The YouTube sound quality is not bad, but the sound of my CD is a bit better:

 

Oh, and also that mistakenly attributed gypsy romance:
But, it suits him well... I mean - as a "Russian Chopin", having this one in your repertoire is a must, LOL
 
What do you guys think about this enchanting performance:
My favorite philosopher simply called N. Harnoncourt a god. :)

Least interesting part of Passions would be the Chorales, - polyphonized via contrapunct old church melodies. One interesting fact though - Albert Schweitzer points out that protestant church did "borrow" a lot of melodies from secular songs all around the West.

When you think about Bach-as-a-compilator, it becomes clear that one couldn't achieve such a massive amount of works simply creating EVERYTHING from scratch.

But passions as a Whole truly amazes me. This concept of religious opera was rather groundbreaking for its times.

P.S. https://www.bach-cantatas.com/Texts/BWV245-Eng10.htm
 
I'm reading A. Schweitzers "Bach" right now. Unimaginable work! It just helps so much to understand nuances of his music, but there is one problem: there is still almost 300 years of music history (including predcessors from Renaissance) which needs to be interpreted in the same way...

I already know abou J. Keates "Handel" book, but can you please recommend me anything else? Im mostly interested in Renaissance, Rococo, and post-romantism/modernism (Prokofief-Shostakovich-Schnittke).
 
Gustav Mahler: Kindertotenlieder, Lieder eines fahrenden Gesellen, Rückert-Lieder
Katarina Karnéus (mezzo-soprano)
Gothenburg Symphony Orchestra, Susanna Mälkki

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I'm reading A. Schweitzers "Bach" right now. Unimaginable work! It just helps so much to understand nuances of his music, but there is one problem: there is still almost 300 years of music history (including predcessors from Renaissance) which needs to be interpreted in the same way...

I already know abou J. Keates "Handel" book, but can you please recommend me anything else? Im mostly interested in Renaissance, Rococo, and post-romantism/modernism (Prokofief-Shostakovich-Schnittke).
Perhaps you will find some interesting books here https://www.goodreads.com/search?q=composers&ref=nav_sb_noss_l
 
And perhaps someone who already gone this path could guide me through :p

With books its like with music - you could go on reading whatever you find, or you could find some recommendations, based on your particular taste (as with the book which I named for the reference).

I think it was one of the Harnoncourt's books or interviews where he quoted Schewitzer, why I, actually, found his work.
 
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Two top flight recordings of these works among this evening’s listening selections (both on period instruments) - -

Felix Mendelssohn: Piano Concerto No. 2 in D minor, Op. 40

  • Kristian Bezuidenhout (fortepiano)
  • Freiburger Barockorchester
  • Pablo Heras-Casado
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Johannes Brahms: Clarinet Quintet in B minor, Op. 115

  • Eric Hoeprich, clarinet
  • London Haydn Quartet
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Johann Joachim Quantz: Flute Concertos
Greg Dikmans, flute
Elysium Ensemble

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Easily a ⭐⭐⭐⭐⭐ rating - -

Nicolas CLÉRAMBAULT (1676-1749): Chamber Music from the Brossard Collection
The Bach Players - - Nicolette Moonen (violin), Oliver Webber (violin), Reiko Ichise (viola da gamba), Silas Wollston (harpsichord)
rec. 2018, St. Michael’s Church, Highgate, London, England

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