Jean.Francois
Active Member
- Joined
- May 31, 2022
- Messages
- 140
- Likes
- 495
Hello,
The release of Trio Mediaeval’s album “YULE” gives me the opportunity to introduce you to sound engineer Morten Lindberg. Morten Lindberg’s aim is to convey the emotion of the music by literally plunging us into the heart of it.
To achieve this, Morten Lindberg works in a special way, recording in 7.1.4 with a system of 12 microphones placed at the heart of the musicians, singers or orchestra. The microphone array is really a copy of the speaker configuration in the immersive playback systems.
The release of Trio Mediaeval’s album “YULE” gives me the opportunity to introduce you to sound engineer Morten Lindberg. Morten Lindberg’s aim is to convey the emotion of the music by literally plunging us into the heart of it.
To achieve this, Morten Lindberg works in a special way, recording in 7.1.4 with a system of 12 microphones placed at the heart of the musicians, singers or orchestra. The microphone array is really a copy of the speaker configuration in the immersive playback systems.
Morten Lindberg doesn’t hesitate to use the DXD format for a 7.1.4 recording with 24-bit 352 kHz sampling frequencies.
Morten Lindberg and his label 2l.no also think in terms of offering maximum quality and formats to satisfy the most demanding of listeners. This album features “YULE”:
No problem with loudness war for this album, as the waveform below shows.
Morten Lindberg succeeds in conveying all the emotion of the “YULE” album, plunging us right into the heart of the music. Everything is done to bring out the best in the technical side of things, with the use of the DXD format in 7.1.4 and a recording without mixing or effects, but all this technical mastery is forgotten as we immerse ourselves in the music with a naturalness (whether on vocals or instruments) and a realism that’s astounding, really immersing us in the place where the recording took place. If you can listen to version 7.1.4, it will bring you the most complete immersion, but it should also be noted that the downmixes are also very successful and respect the original recording. An experience worth discovering.
You can find samples of the different media from stereo to Dolby Atmos to discover the work carried out, as well as the full analysis (waveform, spectrogram, Dynamc Range, spatialization...) HERE.
Enjoy listening,
Jean-François
The release of Trio Mediaeval’s album “YULE” gives me the opportunity to introduce you to sound engineer Morten Lindberg. Morten Lindberg’s aim is to convey the emotion of the music by literally plunging us into the heart of it.
To achieve this, Morten Lindberg works in a special way, recording in 7.1.4 with a system of 12 microphones placed at the heart of the musicians, singers or orchestra. The microphone array is really a copy of the speaker configuration in the immersive playback systems.
The release of Trio Mediaeval’s album “YULE” gives me the opportunity to introduce you to sound engineer Morten Lindberg. Morten Lindberg’s aim is to convey the emotion of the music by literally plunging us into the heart of it.
To achieve this, Morten Lindberg works in a special way, recording in 7.1.4 with a system of 12 microphones placed at the heart of the musicians, singers or orchestra. The microphone array is really a copy of the speaker configuration in the immersive playback systems.
Morten Lindberg doesn’t hesitate to use the DXD format for a 7.1.4 recording with 24-bit 352 kHz sampling frequencies.
Morten Lindberg and his label 2l.no also think in terms of offering maximum quality and formats to satisfy the most demanding of listeners. This album features “YULE”:
- The blu-ray and SACD combo:
- SACD stereo and 5.1
- Blu-ray :
- 5.1 DTS-HD MA 24/192kHz
- 7.1.4 Dolby Atmos 48kHz
- 2.0 LPCM 24/192kHz
- 7.1.4 Auro-3D 96kHz
- BDROM version in stereo FLAC 24/196.4kHz, MQA FLAC 24 bits 44.1 kHz (352.8 kHz in MQA), MP3
- The vinyl record
No problem with loudness war for this album, as the waveform below shows.
Morten Lindberg succeeds in conveying all the emotion of the “YULE” album, plunging us right into the heart of the music. Everything is done to bring out the best in the technical side of things, with the use of the DXD format in 7.1.4 and a recording without mixing or effects, but all this technical mastery is forgotten as we immerse ourselves in the music with a naturalness (whether on vocals or instruments) and a realism that’s astounding, really immersing us in the place where the recording took place. If you can listen to version 7.1.4, it will bring you the most complete immersion, but it should also be noted that the downmixes are also very successful and respect the original recording. An experience worth discovering.
You can find samples of the different media from stereo to Dolby Atmos to discover the work carried out, as well as the full analysis (waveform, spectrogram, Dynamc Range, spatialization...) HERE.
Enjoy listening,
Jean-François