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Can anyone explain the vinyl renaissance?

You are right when you say it doesn't sound any different, but you can feel the difference as it does have a noticeable effect the brain. The gear doesn't need to be flat to 100khz or for gamelan music to be used to feel an effect. It can be felt with conventional headphones.
I haven't got the citations available to me right now, but some of the follow-up studies reported that the gamelan effect could be measured: but required the frequencies to be applied directly to a fairly large area of the body to show an effect. Based on that, I doubt that headphones would necessarily work. If you have a study saying it does, I'd be interested to see it.

I'm not sure that there is a study of the effect of a live gamelan performance. That should really be a prerequisite to studying the effects of recorded gamelan. This may simply be a side effect of microphone techniques and artificial application of the frequencies concerned, rather than reproducing an effect that a listener gains from a live performance.

I'd add from studies of the development of western musical instruments, though, that there could be an empirical reason why some types of gamelan may have maintained generating those higher frequencies: most Western instruments have developed sonically by reducing output at ultrasonic frequencies, and even as low as 10kHz in some cases. That development makes sense because the main driver for development of instruments over the last couple of hundred years was the need to be heard in larger halls.
 
People are familiar with a softer and more distorted sound.

I think it weird how older folks are so bass-adverse. That is, other than a Bozak, none of these old farts ever heard a sound system with bass. So when they eventually do, they find the bass intrusive and unnerving.

Slightly off the orig topic, but we're discussing sound perception and vintage equipment.
 
I think it weird how older folks are so bass-adverse. That is, other than a Bozak, none of these old farts ever heard a sound system with bass. So when they eventually do, they find the bass intrusive and unnerving.

Slightly off the orig topic, but we're discussing sound perception and vintage equipment.
Not me, always loved the stuff. My first "real" speakers were Acoustic Research model 3's. Miss them.
 
I think it weird how older folks are so bass-adverse. That is, other than a Bozak, none of these old farts ever heard a sound system with bass. So when they eventually do, they find the bass intrusive and unnerving.

Slightly off the orig topic, but we're discussing sound perception and vintage equipment.
You must not have been around back then. And somehow lots of older folks have learned to really bring it we need subwoofer or three. To really dig deep one did need to be aware of what could happen to your TT back in the day. Firstly there was nothing way down deep on the old LPs, and you might cause more trouble if you tried. But there was bass enough I don't think bass-adverse is an accurate description at all.
 
Hi Galliardist, thanks for your reply.






I’m afraid that is literally the opposite of what I was saying in my post, and what I have argued through this whole thread.

In that very post, you can see that I addressed some of the concerns you brought up:

“Again, nobody’s in a position to tell anybody else what to do to be fully into the music.

My choice is no better than yours, and yours no better than mine.”


And:

“(None of that means that the same amount of satisfaction can’t be gotten from digital, of course to anybody who dedicates their listening to digital! The point is we have to look at how people are actually listening and how that affects the experience).”

The thread started with someone talking about how Reddit audiophiles were posting pictures of their turntables, and puzzling at this phenomenon, as well as the vinyl Renaissance in general. Since I’m a member of the Reddit audiophile forum myself and got back heavily into vinyl, and have followed with interest the vinyl revival, i’ve been giving my perspective on that question.

My stance has never ever been that vinyl is better or that anybody else “should” be playing records. Per the question starting this thread: I’ve explained the reasons why I do it, what I get out of it, as well as referencing the views of others who have gotten into vinyl. And when I reference the views of others, for instance, pointing out certain themes seen among vinyl enthusiasts, I have provided plenty of references for this in the form of articles on the vinyl revival, threads from vinyl enthusiast sites discussing the issue, etc. so that nobody has to just take my word for what others are saying.

You point to the subjective nature of my assessment of vinyl, and I agree because that very point has been my theme all along: we can talk about technical differences between digital and vinyl, and the audible consequences or not, but when it comes to the significance of those sonic differences, that’s where things get subjective. One person may hone in on some vinyl artefact and be so bothered by it that they find it utterly discrediting of the format. Where another person may not notice it at all or notice it and not care and enjoy all the other facets that he or she enjoys.

And as I keep emphasizing: how one person reacts to vinyl is going to be entirely individual. One person’s “enriching ritual”
is another person’s useless distraction and hassle. That has obviously played out many times in this very thread.

So I hope that makes clear that a no way am I arguing that anyone else here should be enjoying vinyl instead of using a digital source, nor am I arguing that someone can’t have just as deep a connection to music listening to digital as to vinyl. How one gets into the music is entirely individual, which is why I push back on suggestions (such as Newmans) about which format one would choose “ if they were all about the music .” I switch between both sources and I have deep connections when listening to tons of my digital music library!!

Cheers.
So, I've been thinking about this post and what I said. I do believe I've misread you in part, because my post isolated your response to Newman rather than considering your argument across posts.

However, dealing with the quotes you pulled out:
I'm not going to accept that vinyl is superior or a correct choice because some people listen in different ways to music. Believe it or not, among the vast majority of people who listen to digital, there will be way more people "listening to entire albums" than the entire number of people listening regularly to vinyl.

I'm not going to accept that because you can ignore the problems in vinyl playback, everybody else can or should. The simple fact that some of us argue hard against you on that matter tells me that is not the case.
These are the full sentences that you pulled the phrases from.
Dealing with the first, you make the specific claim that you had problems with listening with digital/streaming, that were resolved by switching to vinyl. I'm simply disputing that that is necessary. Also, in your case, both before and after your turntable purchase, you have been recommending longform music videos and entire albums that you didn't yet own. Clearly, then, you could listen to those! I can pull out the quotes if you wish. I also believe that most people making these types of claims are either using this to rationalise their decision to go to vinyl, or adopting their ideas from others who have post-rationalised.

I'll accept that people use some of these reasons to continue using vinyl: that's a different case. Nor am I claiming that you say that everybody should use vinyl or anything like that: I'm essentially disagreeing with a specific reason that you give to support people that do use vinyl, including yourself. I also believe you may be naive in believing everything said by the posters on Reddit at face value.

On the matter under discussion here, why not just leave your remote next to your turntable after starting to play an album, and walk over to your seat to listen? You have to do exactly the same, then, to stop listening....

The second point is self-evident. You have argued with more than one person on this point. As it happens, I tend to your side of that argument with a well setup system: it takes a hell of a lot to destroy actual musical content - serious wow and flutter to kill timing, or something like 80kb/sec AAC processing with the incorrect spectral replication applied (hello, ABC Classic FM on DAB+ in Sydney!) to truly destroy tonality.

Your system with a well treated room and good speakers (that ticks off the two main points repeatedly put forward as the main drivers of sound quality here) will, I believe, sound excellent with decent vinyl playback, noise notwithstanding. I think we forget, because your subjectivism is more on show here than others', how far into ASR territory you actually are on the most important things. While I disagree with you on some matters, I certainly don't mean to disrespect you.
 
People are familiar with a softer and more distorted sound.
Actually it's a dichotomy. People are more familiar with the sound of the real world. Hence controlled preference tends towards more accurate electronics and speakers with a broadly flat anechoic response. But we all to some extent seem to interpret the sound differently when presented with more normal, sighted listening to a system, and some of us expect a different sound from a playback system.

When we have a rigorous study of sighted preference, if one ever happens, then we can seriously discuss this proposition. Until then, you and I can't guarantee that anyone ever does more than perceive a "softer and more distorted sound" to prefer it when listening sighted.
 
You are right when you say it doesn't sound any different, but you can feel the difference as it does have a noticeable effect the brain.
Empirical evidence does not support your assertions.
 
Out of interest - what is the mechanism by which these ultrasonics are added with your switch?
Ancient Chinese secret Mr Lee, Magic! :p

Most rich kids were busy with things other than audio (things that were more flashy and that people did not have to go to their house to see [and hear]).
Metal tape didn't attract the girls, Flashy cars do :(

It appears that the rest of my post, concerning invalid experimental techniques, didn’t sink in.
Same as always Newman, they hear what they want to hear.
Like inaudible high frequencies. LOL

I think it weird how older folks are so bass-adverse. That is, other than a Bozak, none of these old farts ever heard a sound system with bass. So when they eventually do, they find the bass intrusive and unnerving.
Oh shoot, I'm 74, how old do I have to get before I become "adverse" to the bass from my dual SVS SB2000 subwoofers?

To really dig deep one did need to be aware of what could happen to your TT back in the day. Firstly there was nothing way down deep on the old LPs, and you might cause more trouble if you tried. But there was bass enough I don't think bass-adverse is an accurate description at all.
Also, I ran dual 7 feet tall HSU subs back in 1990, that's 34 years ago! That's another reason I so applaud the intro of CD, I could run bass down into the low 20hz's at extreme levels without blowing a $500 MC needle out of the grooves. :facepalm: LOL
 
Vinyl outputs a lot of ultrasonic frequencies that are missing from digital formats such as MP3 or FLAC. In scientific studies, these frequencies have been found to impact the brain in positive ways. This may be why many people prefer vinyl. I know I do. But nowadays I prefer to just add these missing frequencies back into digital music which can quite easily be done with the technology we have now.
You mean cutter ringing and tip resonances? FLAC is identical to the un-compressed signal when reconstructed, so in the case of red book, a smidge over 22kHz...

Most *conventional* cutters tended to resonate at around 15kHz I remember and got very hot and bothered if pushed over this frequency. I agree that MP3s I have roll off at 14kHz or so (so typical cassette response without the hiss) but this doesn't matter to me now sadly...
 
I try to be an objective person, as much a scientist as Robert Pollard I guess. Hell I have an engineering degree ffs, and took the CD class as an elective, but still I understand the brain can play tricks. I would love to make it a DBT but don't have the means. I would love for digital to whup dat ass on vinyl and ditch the inconvenience, but it simply doesn't. It's a close race aurally even if it isn't on paper. I'm married to my turntable at this point, it is end game and I expect it to last me the rest of my life, to offset the substantial cost. It's either/or, where both is an option and I must have both analogue and digital sources, I just got to.
May I respectfully suggest that vinyl probably won't ever sound truly 'the same' as your digital sources and that sub-consciously, your speakers have maybe been balanced to your tastes around the (unknown) vinyl source you use, so 'digital' maybe sounds a bit charmless or relentless (I'm not judging, baiting or anything else here I swear!).

I have the opposite scene currently and it's going to be costly for me in the short term.. Since my beloved ATC days, when the fridge-sized active monitors had a 'big-hearted' kind of sound (I think I can say that without upsetting the fanboys here like me) which with a good digital source, could emulate live sounds very well, I found that my then good vinyl player sounded similar but slightly 'smaller.' The deck i changed to, sounded a little smaller again but, it was all in the right proportion. Increasingly back then, I'd start a vinyl session and quickly adapt to the sounds I was getting, but, as soon as a CD went in the player, the turntable was switched off.

Fast forwards to now, thirty years on, All my once well received pickups 'sound' too dull/laid back to me now (turning the 'treble' up to compensate doesn't work so well) and the upper-mid level pickups I aspire to with a bit more 'sparkle,' are going to set me back three hundred or so quid, to play maybe one record a week at current rates. My remaining trade contact doesn't sell what I aspire to now and I'm damned if I'm going to even *look* at a Rega ND model until I've seen proper third party tests done to see how 'improved' they are over the awfully dull (to me and measurements) Exact and Elys 2 models.
 
You must not have been around back then. And somehow lots of older folks have learned to really bring it we need subwoofer or three. To really dig deep one did need to be aware of what could happen to your TT back in the day. Firstly there was nothing way down deep on the old LPs, and you might cause more trouble if you tried. But there was bass enough I don't think bass-adverse is an accurate description at all.
I have been using at least one sub-woofer (all of mine have been passive ported 12" [but with their own separate amplifier in my system since 1977] {and the smallest woofer in my main speakers where/are 8" mid-woofer's}).
I graduated to dual 12" (each with dual 4 OHM voice coils) that are passive ported and each have their own amps in 1990.
Maybe because the local independent stereo store (Read Brother's) started promoting this idea around 1975/76.
I certainly was not the first doing it and was definitely NOT the only one!
But (as you mention) it did require consideration of where to mount the TT and the stability of how it was mounted.
Of course, like many of us, that was solved by having a high quality cassette recording deck, such as the late in the game 1995) but exquisite PIONEER CT-95, recording the FIRST play (after a great cleaning) onto metal tape.
And then, mostly using the tape playback, rather than the turn table
 
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You must not have been around back then. And somehow lots of older folks have learned to really bring it we need subwoofer or three. To really dig deep one did need to be aware of what could happen to your TT back in the day. Firstly there was nothing way down deep on the old LPs, and you might cause more trouble if you tried. But there was bass enough I don't think bass-adverse is an accurate description at all.

No, I'm actually 100% correct. (edit: 99% correct)
 
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Bloody millennials - always think they're the first to have ever figured something out. :p
 
I have been using at least one sub-woofer (all of mine have been passive ported 12" [but with their own separate amplifier in my system since 1977] {and the smallest woofer in my main speakers where/are 8" mid-woofer's}).
I graduated to dual 12" (each with dual 4 OHM voice coils) that are passive ported and each have their own amps in 1990.
Maybe because the local independent stereo store (Read Brother's) started promoting this idea around 1975/76.
I certainly was not the first doing it and was definitely NOT the only one!

If you survey American households c.1970s what percentage do you think had subwoofers...? I'll leave the question open to everyone. If the number is 1% I'd be surprised.

It makes me think about platter feedback and dancing people making the record skip. Clearly a superior format.... :facepalm:
 
This may be why some people prefer to listen to vinyl.
It always has. BUT not every pressing is that way. 10% maybe If I remember correctly. The ones cut not pressed can range from 15hz to well over 30khz
The problem isn't the record, or an analog phono preamp, (I'm not sure about digital like a Puffin) but the head preamp, amps, and speakers. I know most advertise
20hz to 20khz so that can limit playback. The question is, will people dig that out of their system when you can feel it at best? I know some people can hear the above
20khz, the problem is at what amplitude, 120-130db? I'm at 16.5khz and 1/16th or 1/8th of a watt (earphones).

People keep talking about how limited vinyl is and many don't even know what they are talking about. There is nothing like a great Reel-to-reel or just a decent
Vinyl playback system. I'm listening to an OLD Led Zeppelin (that was a pull) from a radio station I decommissioned in the late 80s. Mercy what a nice piece.
Very thick vinyl, the cover is extra thick and it just says LZ/RS. The pocket has a felt wiper, but that is not uncommon for the 10-12 party vinyls when playing DJ.
Sure cuts cleaning time. They used them at the stations I worked at as a kid in the late '60s-'70s. It's always nice to see a thumbprint from a fresh glaze donut on the LP
you're getting ready to play. :)

I still love my 10+-year-old Cocktail Server. I listen to it more and more just for the speed and selection I've archived from all the other formats.
Certainly convenient and has a decent phono preamp too. Coupled with the little Parks Audio Puffin it's a very nice playback system on its own
or to record from and to the HD. Sure would be nice if Parks had an RtR preamp with the whistles and bells like the Puffin.
Lots of new tapes are available for recording too.

Regards
 
some of us are old enough to have a lot of vinyl, besides, the medium is irrelevant if the sound quality is adequate, after all, people listen to audio, not media

imho, people who are dismissive are just missing these points
 
The problem is that I have a switch on my music player that adds or takes away the ultrasonics. I do not know how to modify digital files like you say, but if I figure it out i will do the experiment and show proof here of what I already know I can do.

You would additionally be required to demonstrate that that is *all* this switch does.
 
If you survey American households c.1970s what percentage do you think had subwoofers...? I'll leave the question open to everyone. If the number is 1% I'd be surprised.

It makes me think about platter feedback and dancing people making the record skip. Clearly a superior format.... :facepalm:
Obviously your house was not (still is) half built on vinyl covered slab for the den (entertainment area) and some other rooms . No matter how hard you danced, you weren't causing the record to skip (like having a stereo basement).
In my area (because we had several audio/video clubs perhaps) a number of people had (and still do have) sub-woofers.
Or at least had speakers with 12"-15" woofers.
 
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