Hello everyone,
I'm new to the forum as a member, but have read threads in this forum many times before with great interest!
I can see, that the guys here are WAY above my level, so I hope you will forgive me for sounding like the amateur, I am
My question below is about MQA quality.
If you don't want the background, skip the pretext
Pretext
:
My audio equipment took an unexpected turn the last few months.
I was planning to finish my tube preamp DIY project and use it with a home-upgraded NAD power amp (changed all op-amps to Burr Brown, better PSU and all capacitors in the signal path changed to Polypropylene)... But... The PA died, and we bought a temporary solution: An NAD D3045 on sale.
So I decided to start experimenting with a more digital experience.
My equipment:
Raspberry PI with HiFiBerry Digi+ Pro I2S card (Running Volumio including Tidal)
TosLink to amp
Amp: NAD D3045 (capable of doing both first and second unfold of MQA files)
Loudspeakers: DIY
Audio sources:
1: FLAC files ripped from CD using dbPowerAmp
2: MQA from Tidal Hifi using Masters tracks.
My experience:
I have been comparing FLAC files from ripped CDs with the same MQA track from Tidal.
So far, I'd say the "results" have been mixed.
Sometimes I found the FLAC to give the best result, and sometimes actually the MQA.
And most of the time, I could find reasonable explanations for the differences.
What really confused me was listening to Rickie Lee Jones' Easy Money (1979).
Both the FLAC file and the MQA track are 44.1/16
But to me it seems, that the MQA track from Tidal is superior.
I found that it was more transparent and dynamic, high notes were more defined, and both voice and instruments were more "present".
THE QUESTION:
Why would a compressed, basically lossy MQA format sound better with a 1979 recording than the FLAC file ripped from the CD?
In my mind, I can come up with different possible explanations:
I'm new to the forum as a member, but have read threads in this forum many times before with great interest!
I can see, that the guys here are WAY above my level, so I hope you will forgive me for sounding like the amateur, I am
My question below is about MQA quality.
If you don't want the background, skip the pretext
Pretext
My audio equipment took an unexpected turn the last few months.
I was planning to finish my tube preamp DIY project and use it with a home-upgraded NAD power amp (changed all op-amps to Burr Brown, better PSU and all capacitors in the signal path changed to Polypropylene)... But... The PA died, and we bought a temporary solution: An NAD D3045 on sale.
So I decided to start experimenting with a more digital experience.
My equipment:
Raspberry PI with HiFiBerry Digi+ Pro I2S card (Running Volumio including Tidal)
TosLink to amp
Amp: NAD D3045 (capable of doing both first and second unfold of MQA files)
Loudspeakers: DIY
Audio sources:
1: FLAC files ripped from CD using dbPowerAmp
2: MQA from Tidal Hifi using Masters tracks.
My experience:
I have been comparing FLAC files from ripped CDs with the same MQA track from Tidal.
So far, I'd say the "results" have been mixed.
Sometimes I found the FLAC to give the best result, and sometimes actually the MQA.
And most of the time, I could find reasonable explanations for the differences.
What really confused me was listening to Rickie Lee Jones' Easy Money (1979).
Both the FLAC file and the MQA track are 44.1/16
But to me it seems, that the MQA track from Tidal is superior.
I found that it was more transparent and dynamic, high notes were more defined, and both voice and instruments were more "present".
THE QUESTION:
Why would a compressed, basically lossy MQA format sound better with a 1979 recording than the FLAC file ripped from the CD?
In my mind, I can come up with different possible explanations:
- It's all in my head?
- Tidal has gotten their hands on a better master, than what was used for the CD?
- The NAD D3045 DAC handles MQA better than "pure" PCM?
- MQA itself does actually offer something beneficial?