He posted THD and IMD measurements (scroll back a couple of pages) so I'd assume yesWill you also measure THD, or something else other than FR for the different headphones?
He posted THD and IMD measurements (scroll back a couple of pages) so I'd assume yesWill you also measure THD, or something else other than FR for the different headphones?
You (@crinacle ) should post here more... good to see you around here
I am going to sleep.
People should be aware of that, especially with the in-ear target, the Harman target may not be your personal target. To check, you can EQ based off the Harman compensated measurement and use this perceptual sine sweep file from AudioCheck (check out the rest of his site too), if any frequency band sounds louder/softer, that means you still need to fiddle with the EQ as your personal target isn’t an exact match (and/or unit-to-unit variance).
Looks like we can get some insights from IMD tests:
View attachment 78396
Seems like acquisition mic is doing a fine job of being transparent relative to IMD tests. Even noise is inconsequential.
AKG's high IMD confirms the distortion tests. And in reverse the HD650.
The surprise is the Ether CX which has the least distortion.
The combination of Audio Precision closed loop measurements and the HATS is producing unique measurements like this.
You should! I've noticed an increased amount of spelling errors.
IMO 41k is too much.
Especially, if we consider this fact:
People should be aware of that, especially with the in-ear target, the Harman target may not be your personal target. To check, you can EQ based off the Harman compensated measurement and use this perceptual sine sweep file from AudioCheck (check out the rest of his site too), if any frequency band sounds louder/softer, that means you still need to fiddle with the EQ as your personal target isn’t an exact match (and/or unit-to-unit variance).
Maybe a more affordable system can also deliver the most important values for a review site?
In the end, you're not going to develop ASR headphones, are you?
Be careful with jokes like that. I made one crack about that in 2017, and to this day people accuse me of romancing my 4128Oh and no sneaking off with it to cuddle in the camper van ! They definitely won't want it back after that.
...so what we hear is not exactly what we see...
Oh and no sneaking off with it to cuddle in the camper van ! They definitely won't want it back after that.
Looks like we can get some insights from IMD tests:
View attachment 78396
Seems like acquisition mic is doing a fine job of being transparent relative to IMD tests. Even noise is inconsequential.
AKG's high IMD confirms the distortion tests. And in reverse the HD650.
The surprise is the Ether CX which has the least distortion.
The combination of Audio Precision closed loop measurements and the HATS is producing unique measurements like this.
Here is the thing that keeps mulling in my head.
While research shows that there are substantial differences in HRTF which people often use to say 'we all hear differently' I don't really think that is the case.
I believe that the human brain calibrates itself continuously. This is a slow process. If one gets sudden hearing loss we hear it as such. When it is gradual (due to aging) we don't hear it as such. I still 'think' my hearing hasn't gotten much worse in the last 20 years. When looking at actual measurements of hearing I can see it is deteriorated. I mean if the difference between 30 years ago and now was 'sudden' I would be really alarmed.
snippage.........
To me it is an unsolvable engineering problem but applaud all efforts to get closer.
And yes, I am fully aware that my test rig and correction is flawed to the bone and does not comply to any standards.
Awesome to see the testing beginning! I was initially confused about your "compensated graphs", but then I realised those were just showing the deviation from the Harman Target and therefore they should look nothing like the shape of the Harman Target Frequency Response Curve. I think I've seen a few members like @Fluffy say that those compensated curves don't look right and I believe people are not understanding that the compensated graphs are just showing the deviation from the Harman Target rather than the actual Frequency Response of the EQ'd headphone.....I also initially fell into this trap. EDIT: Although me personally I don't find the compensated graphs particularly useful or intuitive, to me just seeing the Raw Measured Frequency Response overlaid on the Target Frequency Response Curve is the most intuitive & useful presentation....but indeed that graph has been included too in the measurements, but I do think the compensated graphs are confusing people.As promised, here is the HD-650 results:
View attachment 78327
The two channels as measured are in red and green. They are pretty close to each other which is good.
We have to targets to compare it to. First one is in dashed blue and that is what @Mad_Economist has computed per intro. The other is BK supplied diffused field (dashed purple).
Re-measuring the same but having the Audio Precision software equalize the measurements using inverted Harman computed one we get:
View attachment 78328
This indicates too little bass below 100 Hz or so. There is also lack of energy between 2 and 6 kHz as noted.
Inversely, there is too much around 7 to 10 kHz. Using a much earlier measurement that varied somewhat from this, I made this EQ:
View attachment 78329
I was impressed by how much improvement it made. There was bass that I had never heard from HD-650 due to those two shelving filters. At normal listening levels, and across a couple of clips, I did not detect distortion either. Boosting though may cause digital clipping and there may be problems with other content.
The other two filters made impressive difference in bringing out detail and getting rid of bit of high frequency harshness (at least this is what I remember from a couple of days ago).
This is my confirmation method by the way on whether 5128 measurements are correct. If we act on them with equalization and the sound improves, then they must represent the truth.
Lots more experimentation is needed to determine the above but thought I share what I have for discussion. No, I have not tried Oratory EQ. Just no time. In general i am not a fan of many filters for equalization which he seems to be using. Real filter implementations have ringing and other artifacts that keep them from working as good as it seems on paper.
Anyway, the mission begins!
I don't exactly get what you are asking.I do not understand why we need to compensate to the harman target curve?
I do take your word for it, but I have to say that I am surprised that shelving up the bass would have made that great of a difference, without adding distortion. Good to know. That would suggest that the Roll off is caused by the electrical characteristic of the driver ratter than a physical limitation? Pardon my ignorance here, I'll admit my knowledge on this is limited and maybe I don't make sense, Is it common across the board to be able to fix the commonly seen bass roll of on open/dynamic cans by simply EQing those subs/lower bass back in? That would be great if you do dive in headphone measurments, to show post EQ measurments, Presently in my current rig I don't use digital attenuation (not because of a particular technical beliefs/principles) So yes in my case Digital clipping could be a concern, and my headphones have deeper extension than 650s, so never really went that route, but I have the curiosity.As promised, here is the HD-650 results:
View attachment 78327
The two channels as measured are in red and green. They are pretty close to each other which is good.
We have to targets to compare it to. First one is in dashed blue and that is what @Mad_Economist has computed per intro. The other is BK supplied diffused field (dashed purple).
Re-measuring the same but having the Audio Precision software equalize the measurements using inverted Harman computed one we get:
View attachment 78328
This indicates too little bass below 100 Hz or so. There is also lack of energy between 2 and 6 kHz as noted.
Inversely, there is too much around 7 to 10 kHz. Using a much earlier measurement that varied somewhat from this, I made this EQ:
View attachment 78329
I was impressed by how much improvement it made. There was bass that I had never heard from HD-650 due to those two shelving filters. At normal listening levels, and across a couple of clips, I did not detect distortion either. Boosting though may cause digital clipping and there may be problems with other content.
The other two filters made impressive difference in bringing out detail and getting rid of bit of high frequency harshness (at least this is what I remember from a couple of days ago).
This is my confirmation method by the way on whether 5128 measurements are correct. If we act on them with equalization and the sound improves, then they must represent the truth.
Lots more experimentation is needed to determine the above but thought I share what I have for discussion. No, I have not tried Oratory EQ. Just no time. In general i am not a fan of many filters for equalization which he seems to be using. Real filter implementations have ringing and other artifacts that keep them from working as good as it seems on paper.
Anyway, the mission begins!