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- Sep 16, 2019
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Is that lateral ER DI?
Yes. You can calculate them in REW by dividing the LW by the Sidewall curve from the horizontal reflection txt file. Then apply the needed offset and voila.
Is that lateral ER DI?
Yes. You can calculate them in REW by dividing the LW by the Sidewall curve from the horizontal reflection txt file. Then apply the needed offset and voila.
Crossover frequency is 2.9 kHz or quite a bit higher than 1 kHz. Why should a dip be there?
There is not one in KEF measurements either.
View attachment 54162
So the wires go from the back to the coaxial driver, and then from the coaxial driver to the other terminals that then connect to the woofers? Can't really understand what you're saying.
My understanding is that there are 4 posts on the back. Two go to a simple crossover for the tweeter/midrange, and two go to the woofer. You can power them separately, or together, in which case the woofer is getting the same signal the coaxial does, filtered by a crossover.
Can expensive x-over components actually make a measurable difference in the sound as long as nothing is being overloaded?
1. Warm, fantastic mid to upper bass. I can't emphasize enough how much difference this makes and how it impacts my subjective reviews.
Well done!
I suggest you add a comment that explains that in your post with graphs so it is clear what you did.
Done.
Interestingly enough. If we take the Kali IN (ex Harman employees) and apply the same logic, we get a DI that's closer to the what the Harman products end up being than most other products. So perhaps not as farfetched after all.
View attachment 54213
Overlay of JBL 705p (liked), Revel M16 (liked), and Kali IN8 (liked when not broken?) directivity as calculated by Listening window over sidewall reflection average
View attachment 54214
For 3 very different speakers, very similar.
Now let's do the M16 vs the KEF R3
View attachment 54215
M16 vs Ascend Sierra2
View attachment 54216
"The second-loudest sound, after the direct sound, is the first reflected sound from the loudspeakers. In fact, Harman research has discovered that the first reflection from side walls, both from the wall adjacent as well as the opposite side wall are critically important. The acoustic output of a loudspeaker far off-axis horizontally is very significant, and should match the response of the Listening Window as much as possible. This goal is technically challenging, but is essential for optimum timbre, as well as to provide a sense of seamless coherency"
Kevin Voecks:
Kevin Voecks:
"The second-loudest sound, after the direct sound, is the first reflected sound from the loudspeakers. In fact, Harman research has discovered that the first reflection from side walls, both from the wall adjacent as well as the opposite side wall are critically important. The acoustic output of a loudspeaker far off-axis horizontally is very significant, and should match the response of the Listening Window as much as possible. This goal is technically challenging, but is essential for optimum timbre, as well as to provide a sense of seamless coherency"
Interesting that the Kali IN-8 is more similar there to the oval waveguide Harman loudspeakers than to the also 5" coaxial KEF, maybe the price to be paid for the smoother on axis behaviour and dispersion in the higher frequencies of the KEF tangerine waveguide?Overlay of JBL 705p (liked), Revel M16 (liked), and Kali IN8 (liked when not broken?) directivity as calculated by Listening window over sidewall reflection average
View attachment 54214
For 3 very different speakers, very similar.
Now let's do the M16 vs the KEF R3
View attachment 54215
M16 vs Ascend Sierra2
View attachment 54216
Interesting.. better than I expected. Harbeth is obviouly spreading horizontal reflections wide and, barring that peak 2400Hz, in a pretty uniform way.
Maybe it would actually perform well in accordance to it's score in a listening test.
.. maybe the price to be paid for the smoother on axis behaviour and dispersion in the higher frequencies of the KEF tangerine waveguide?
The same reason that it doesn't reflect problems in the on-axis and directivity smoothness but just considers the smoothness of the listening window, due to the relatively small loudspeaker sample and regression model only 4 parameters could be chosen to avoid underfitting and possibly not the best ones.One has to ask a question why that finding is not reflected in a scoring system.