I'm not sure I agree that it's not a product for immersive music enthusiasts, it just depends on your approach and budget. The balanced outputs, DSD and unified volume control with remote make it very attractive IMO, especially at this price point.Thanks for the explanation. It appears to be more of a product for computer hobbyists than for home theater or immersive music enthusiasts.
Never mind when I worked selling home audio gear to new Chinese immigrants and visitors they wanted the prices to be 8's. Like $888.88 or $988.88 instead of $999.99 I never argued I just wrote the number down on paper to make sure we understood and passed it to them so they could say OK.
Digital Model, the seventh, which Topping is releasing this week.I am not sure I understand the model numbering though. DM7?
Nope. No AVR has the capability to drive USB DACs. It would also involve another batch of ASRCs to cross to the USB clock domain. That's a lot of added complexity.Forgive me if this is a dumb question, but could you hook this up to an AVR to get the benefits of the host machine, but with a good DAC?
DM7 doesn't have any of the features you mentioned.I'm struggling to understand how this device can be used in a multichannel surround system. Can it do anything that can or cannot be done by an AVR or surround processor? Is there software that allows it to be used as a DSP incorporating high-pass and low-pass filters, PEQ, channel levels, phase and delay so that it acts like a miniDSP or Dayton Audio DSP-408 but with digital input? How do I get a Dolby Digital 7.1 stream into it? Can it decode that? (Obviously it doesn't support Dolby Atmos in any way, as far as I can see.)
I get that, and that's great for anyone with the patience, but it strikes me as a rather kludgy approach. It reminds me of the early 2000s when we broadcasters had to put together an over-the-air digital TV infrastructure to meet FCC deadlines for getting something on the air tout suite. We had to deal with many multiple vendors to cobble together something that would work. It was far from a turnkey project. What the world needs is a "popular priced" 7.1.4 AV switcher/processor with DAC performance that approaches this box and that supports Dolby Atmos. I've been limping along with the pre-outs of a dodgy Pioneer AVR for that for too long.I'm not sure I agree that it's not a product for immersive music enthusiasts, it just depends on your approach and budget. The balanced outputs, DSD and unified volume control with remote make it very attractive IMO, especially at this price point.
If you use digital crossover then you have "morechannel" for simple stereoPlease excuse my ignorance but what or how would an 8 channel DAC be used?
Problem is none of them support IR remote control. They are made for use where you can reach the knobs.
But for us sitting 10+ feet back on a couch, need IR remote control for volume. Critical.
Like Okto DAC8 Pro has. And now this.
1) Add a miniDSP Flex digital output upstream of a pro audio interface with SPDIF input. Now you have source selection, IR control and display. Can easily do DSP using software between the SPDIF input of the pro audio interface and any of the output channels (digital and analog).
2) Build the DIY raspberry pi / CamillaDSP option linked in my signature. Now you have IR control and display that can be used with any USB DAC and has other very nice features like web based control.
It all depends on what you need, I think a pro audio interface provides more bang for the buck but the Topping seems priced well as a more consumer friendly simple option.
Agree Michael, but even for a camilladsp setup this topping dac is the perfect component for dac tasks (provided it works with linux).While I agree that the Topping having IR control is nice there are two rather simple ways to add IR control / display to a pro audio interface.
1) Add a miniDSP Flex digital output upstream of a pro audio interface with SPDIF input. Now you have source selection, IR control and display. Can easily do DSP using software between the SPDIF input of the pro audio interface and any of the output channels (digital and analog).
2) Build the DIY raspberry pi / CamillaDSP option linked in my signature. Now you have IR control and display that can be used with any USB DAC and has other very nice features like web based control.
It all depends on what you need, I think a pro audio interface provides more bang for the buck but the Topping seems priced well as a more consumer friendly simple option.
Michael
7 for Topping usually means there may be a superior 9 version. Though that is far from definite. There was never a DX9. Or an A70I get that. It is the number 7 that I don't get.
Thanks for a 12v trigger and build-in power supply! But with only a USB input, will this even work with a MiniDSP Flex Digital? That would be a perfect stack if you ask me!
Sidenote for @amirm : The jitter graph seems broken. There is nothing recorded in the 100-140dB band, no skirt around the signal... It looks like your overpriced measuring equipment was testing an internal loop.