Guermantes
Senior Member
I mostly agree with your points, but these would be my responses.There are a few reasons it is possible for the vinyl version of an older recording to be preferred to digital by some.
1. Vinyl "mastering" is more than just making adjustments for summed mono and the like. Some "famous" mastering engineers like RVG, Robert Ludwig, and others made EQ and level changes "on the fly" when the records where being cut. Often times these changes are only on the original pressing with the dead wax signed by the engineer with later pressings mastered by "junior" engineers. While there is a lot of folklore, in some cases I do find original pressings to be preferred to later ones and to the CD. The original AB mastering of Steely Dan Aja is one that really does seem to live up to the hype. "Chasing mastering's" can be fun.
2. Sometimes the original master tapes were damaged or lost during the decades from original vinyl to the digital age and sometimes the backups tapes are so bad that the vinyl sounds better. There are a lot of CD's of older music that are "needle drops" because no tapes sources exist.
3. Unlike "master engineers" that created the original vinyl masters many CD's were mastered by hacks that made poor EQ choices or later "loudness wars" compression. I find a fair number of these where I prefer the original vinyl mastering despite all the other issues with it.
1. These are fairly exclusive examples and can't really be generalised into a "vinyl sounds better than CD" or master tape argument. Those mastering changes would have been made based on working with the limitations of the format and understanding how to massage the recording to sound good -- a fine art in itself and much respect to Bob Ludwig and others who had the expertise. But in the end I think this is about preference based less on sound quality of the format than on nostalgia for a certain type of sound experience. I know I have "chased masterings" of albums that were a significant part of my youth, but I think much of that is an attempt to recreate what was ultimately an experience of listening based on the psychological profile of a younger self.
2. Yes, but this is an archival issue. We have to work with the best version that exists or that we have access to. I've had to bake a few tapes myself to get them to state where they can be playable for digitisation.
3. Querelle des Anciens et des Modernes. I suspect there were hacks in the heyday of vinyl mastering, too. That said, I despise the abuse of brickwall limiting in much digital mastering and I'm often horrified when a remaster of an iconic album resorts to this.