I have never found black levels OR any off axis viewing to match my somewhat newer Panasonic Plasma.My 5yo Panasonic LED is better than the plasma (admittedly 10+yo at the time) it replaced, though when I visited my daughter who inherited the plasma, I was always surprised by how good it was.
They are also a good replacement for a radiator and a good way to up your electricity consumption. For this alone, I'm not surprised they went the way of the dodo.
Summary: This makes no sense.Moving Magnets have the quality which betters clinical CD's. Had an expensive Moving Coil with a separate RIAA, and it was too close to the infamous CD one is trying to avoid.
Summary
Moving Magnet - Yes,
Moving Coil - No.
My understanding, learned from internet forums so not sure it is correct, is that many early classic rock / pop CD's were mastered from the LP mastering tapes
and that in many cases the original master tapes were discarded and they only saved the LP mastering tape as that what was considered useful / valuable.
63 pages on I'll chime in "not for me!" Even at shows with crazy expensive vinyl systems, I almost always hear snap crackle and pop and whatever other mild crud. Wow and flutter. Noise, noise...not all the time though. When CD came in I never missed vinyl for one second. Now, are there sh!tty CDs? Oh heck yeah! Though I also remember returning 5-6 copies of some Jimi Hendrix title because the pressings just sucked.It does.
I don't get that. Bands don't make/get their own at least copies? I guess nobody every copied their own multitracks? Nobody makes backups of this stuff? Seems nuts to me.A lot of original master tapes have survived...Yet many have been lost , either simply 'gone missing' or to disasters like the warehouse fire.
Sure does, don't it?I don't get that. Bands don't make/get their own at least copies? I guess nobody every copied their own multitracks? Nobody makes backups of this stuff? Seems nuts to me.
Depending on the contract, the record company often owns the master tape, not the artists. They are not great stewards of their own art obviously. While there are often backup tapes made, before digital each tape copy lost something like 3 dB of SINAD. I would guess things are different now but who knows.I don't get that. Bands don't make/get their own at least copies? I guess nobody every copied their own multitracks? Nobody makes backups of this stuff? Seems nuts to me.
Depending on the contract, the record company often owns the master tape, not the artists. They are not great stewards of their own art obviously. While there are often backup tapes made, before digital each tape copy lost something like 3 dB of SINAD. I would guess things are different now but who knows.
Out of sheer curiosity....63 pages on I'll chime in "not for me!" Even at shows with crazy expensive vinyl systems, I almost always hear snap crackle and pop and whatever other mild crud. Wow and flutter. Noise, noise...not all the time though. When CD came in I never missed vinyl for one second. Now, are there sh!tty CDs? Oh heck yeah! Though I also remember returning 5-6 copies of some Jimi Hendrix title because the pressings just sucked.
Out of sheer curiosity....
Why did you keep buying the same title if the mastering never changed?
Also the 1970's. That's when RCA came out with "Dynaflex" records, featuring considerably less vinyl than other pressings of the time. Capitol/EMI was using regrind, warped pressings were commonplace from most US labels. The seventies were when import pressings started to appear, in large part a response to bad US pressings.He said PRESSING, not master. With vinyl, it is possible, and in the 80's when record companies were skimping on vinyl because of the oil "shortage", you could, and did, get appallingly horrid pressings.
I don't get that. Bands don't make/get their own at least copies?
Again, traditionally the record companies paid for the recording sessions and the products thereof. They own them. And it's their responsibility to take care of the tapes. Which hasn't always happened.I guess nobody every copied their own multitracks? Nobody makes backups of this stuff? Seems nuts to me.
I have both a Panasonic G60 and a new Sony oled and they are not a match in terms of brightness.Brightness was not way lower though.
In showroom they appeared not as bright, but at home, mine is plenty bright. The 4k part may be true, but most was based on LCD being far cheaper and far more profit.
Remember Plasma cost LESS than a comparable sized LCD just several years ago......
OLED still to this day, is really not mainstream or affordable to most people. I have seen some of the better LCD (LED) Tvs and they simply are not comparable to my old Plasma in all ways.
I do have an OLED, but almost regret buying it. SURE, it looks great, it does 4k, but I keep feeling like for the money is was a not much of an improvement over my 8 year old Panasonic Plasma. It cost 4 times as much. ............I have some buyers regret I guess.
I feel like I could have waited a few more years.
Yeah I used to have a HUGE record collection, given to me by an older family member. Well over 1000 records, mostly from the late 50s, 60s and 70s.He said PRESSING, not master. With vinyl, it is possible, and in the 80's when record companies were skimping on vinyl because of the oil "shortage", you could, and did, get appallingly horrid pressings.
I hope micro led & mini led kill oled. It's 2021, we shouldn't have to worry about burn in like an old crt.I have both a Panasonic G60 and a new Sony oled and they are not a match in terms of brightness.
Measurements also confirm this.
Dolby Vision/HDR on the sony is miles more immersive than my Panasonic ever was; even the black is noticeably lower and no blooming...
Though i still love the image from the panasonic plasma
The market is driven by profit; plasma was becoming a niche back then due to cos/benefit; led was way cheaper for the masses; oled took over the videophile world and will continue to advance towards mainstream.
micro led/qled oled might be the next step and a new cycle begins.
You are wrong on many levels. Its technically not lossless. By that logic, recording a CD (like a cassette tape) is "lossless".The unique sound of vinyl playback on a particular record player can be losslessly recorded as a digital file and you can throw away the vinyl.