If you combine L+R and only attenuate by -3 dB you are still +3 dB overall (doubling voltage results in +6 dB).
Michael
Well duh. I must have been thinking impedance while changing voltage.
If you combine L+R and only attenuate by -3 dB you are still +3 dB overall (doubling voltage results in +6 dB).
Michael
You experience that a lot?
FWIW the only sound system I have heard which, at the time, I thought sounded better than mine was the Steinway-Lyngdorf Model D which would need a complete room arrange too to accomodate (and selling everything else to help with- the cost!)
I have to agree that the Steinway-Lyngdorf Model D is the most striking and memorable system I've ever heard. I found the sound truly captivating, with a pervasive "airiness" to vocals, strings, horns, cymbals, etc. However, it did seem to cast a certain "airy-sameness" upon everything it played, suggesting a pronounced sonic signature. It was a system I very much enjoyed experiencing, but not something I lust after. I think it would be right at home in the great room of a mansion where acoustics and absolute fidelity aren't high priorities.
I read this 3 times so see if this was a parody of a purely subjective audio review.
Apparently not.
- Rich
And mine as well. I also have experiences that are difficult to align with the measurements, so I am with you there.Please do accept my most humble apologies... I didn't have my Klippel system with me when I heard the system, but you're absolutely right... I should never have admitted to actually enjoying a system on a public form--or even to myself --without measurements to validate my sensory and emotional perception of enjoyment. I realize now this was deeply inappropriate and wrong of me.
From now on I'll suppress--both publicly and privately--the experience of any subjective sensations (sin-sations?) apart from gazing upon objective measurements.
The problem is not subjective experience; that's what makes this hobby highly pleasurable (oops, apologies again... "pleasure" is subjective and perhaps I shouldn't assume others also experience pleasure?). The problem is people spouting subjective experiences as objective facts, and then asking people to spend their money based on their subjective experiences. I've done no such thing. I was merely relating to the subjective experience shared by another member in the spirit of community by sharing my own personal observations.
In all seriousness, the Model D is a dipole and designed to produce a diffuse soundfield (radiating into the room like a grand piano), so it's likely that's what I heard as 'airy'. But everything was 'airy' (diffuse?) and sounded somewhat inaccurate compared to what I've heard on objectively good measuring systems... but only to me, and me alone.
As I listened to the DPS-4.1, I found myself leaning into the moments of stillness and calm from a symphony orchestra, the measured pauses, the breaks between movements, the low-level passages, the sustain and decay of soloists, the shimmer and resonances from piano soundboards (a personal favorite), and the delicacy of a concert harp during Vaughn-Williams’ The Wasps Overture. The Furutechs added a sense of acoustic openness to all these things. They firmed up the bass and plumped up the body of the midrange, adding gravitas to the resonances of stand-up acoustic bass, imparting a bigger, wider image of the bell of a trombone.
Haha that I cannot deny!I found the prose, though well written, familiar.
- Rich