Don Hills
Addicted to Fun and Learning
... staggered releases could keep some albums in the charts longer as well, without needing to gouge the customer.
I don't think they'll pass up the opportunity to gouge the customer.
... staggered releases could keep some albums in the charts longer as well, without needing to gouge the customer.
Yes, I may be looking for problems that aren't there...
However, it's evident that digital data engineers didn't consider XLR when they made connector standards. Why is that? Are their choices relevant for analog applications as well?
Sorry for asking stupid questions. It's a bad habit of mine
Have you tried a Devialet with your 4367's?
High bandwidth, super low-distortion integrated amp plus wide dynamic range, low distortion speakers sounds appealing to me.
There is no room compensation software available from Devialet. It is a much requested feature for a future update, but so far no response.I'd love to. I talked to Nyal and he offered to let me demo. Alas, the DSP capabilities inside Devialet are only IIR; no FIR. I'm not a believer in IIR when trying to use opposing wall subs to cancel modes because of the crossover. It probably wouldn't work as well as FIR. I'm sure there's limited CPU power inside the Devialet.
My Metric Halo recorder ULN2 can be used like this, the RIAA curve is one of the supplied plug ins, but there is no ability to adjust input loading and it is firewire/Mac. Given that they make this available maybe other ADC/DAC suppliers do too???Is there something akin to a preamp version of the Devialet made by anybody?
In other words, a software defined DSP based RIAA stage with full config customization and digital out?
Is there something akin to a preamp version of the Devialet made by anybody?
In other words, a software defined DSP based RIAA stage with full config customization and digital out?
Slightly similar styling, completely different design and engineering. Up/Down push buttons for volume on the remote would rule it out for meThe look-a-like Micromega M One 150 does have room eq, though.
AFAIK one attraction Devialet felt to a digital RIAA input was it did not need amplifying before ADC, just loading correctly.I haven't seen such a one-in-all package.
The problem with phono signals is the extremely low voltage and impedance. So what you'd need, is a preamp that magnifies the incoming signal to a level that off-the shelf analog to digital converters handle.
There are some flat amplifiers for use with the tiny phono signals, for example Channel D and the aforementioned Violectric PPA V600. The flat signal can be manipulated after AD conversion.
I think this is the ideal chain:
Cartridge => flat preamp => AD converter => digital RIAA and DSP => DAC
This electric chain should, I guess, be of low noise in order for the DSP to be specifically targeted at correcting noise from the vinyl disc instead of trying to correct chain induced noise.
http://www.psaudio.com/nuwave-phono-converter/ ?Is there something akin to a preamp version of the Devialet made by anybody?
In other words, a software defined DSP based RIAA stage with full config customization and digital out?
I'm not quite sure what you're saying, but the line stage has adjustable gain, before the ADC.AFAIK one attraction Devialet felt to a digital RIAA input was it did not need amplifying before ADC, just loading correctly.
Not sure why a flat preamp into an ADC is better than one that performs RIAA compensation... The RIAA curve is what, about 40 dB gain difference from low to high frequencies? So you have to have 40 dB (a little over six bits) of dynamic range in the ADC just to handle the compensation. I'd have to analyze the gain structure for noise and distortion, given the parameters of the preamp and ADC, to see which "wins" for optimum dynamic range in a particular test case. But, not worth it to me, TT's in storage and not inclined to dig it out.
AFAIK one attraction Devialet felt to a digital RIAA input was it did not need amplifying before ADC, just loading correctly.
I guess the answer to "why digital phono curve correction" is flexibility and accuracy. RIAA is just one of many phono correction curves. It's cleaner to do as much conversion and processing in the digital domain. And lastly: It's possibly easier to amplify an uncorrcted curve than a corrected curve?
Flexibility, accuracy, stability, etc. are all benefits of digital filtering, all true. As for easier to amplify without including EQ in the preamp, there are a lot of factors that go into that. Without including EQ you need a lot more dynamic range in the preamp so it is not clear to me it is always a win for dynamic range (SFDR, SNR, THD, IMD, all that jazz).
As for multiple curves; yes, there are many, but many of them are fairly similar, and how many folk really need them let alone have access to such a plethora of non-RIAA recordings? Collectors, libraries and museums, but how many common folk? Perhaps I am just too common... Before dumping most of my collection of 3000+ records I had only a few that employed other than RIAA emphasis, and most of those were older recordings given to me by my grandparents. Had to get a 78 rpm player for many of them, but there were some gems. My cheapo ARC SP3a1a only had RIAA so I tweaked the tone controls as needed.
I need to stay out of this one, there's never much point in trying to win a religious debate.
My Metric Halo recorder ULN2 can be used like this, the RIAA curve is one of the supplied plug ins, but there is no ability to adjust input loading and it is firewire/Mac. Given that they make this available maybe other ADC/DAC suppliers do too???