one day i really will try getting some old keilidhs, chop out the crossovers and use some sort of dsp with a suitable amp just for the lulz. I love keilidhs but most linn stuff i've seen measured measure badly. many years ago after uni i worked in a hifi store that sold linn/naim. lovely looking gear, but i only managed about a year because of the audio bullshit they enforced.
Passive keilidhs aree like a high quality 'loudness switch' - all bass and sparkle with a sucked out midrange/presence area. The mesh covered tweeter can be acidic - especially in active Kabers (and I believe it seriously takes off over 20khz too with a humongous resonance, not that we can hear it obviously, but some digital sources have noise [SA-CD I gather] and not all vinyl sources are well behaved up there either with significant tip-mass resonances to fool a phono stage with marginal headroom) and the rib covered tweeter version was better we thought. The bass mid drivers had three or four 'versions' during the speaker's life, adding extra magnets on the back early on to tighten the perceived bass and lift the mids further. Going active means pulling them half apart to extract and modify the crossovers.. So, only consider the later ones with veneered front baffles rather than the grey fronted ones under the negligée grilles
Main issue with Keilidhes is that they're too damned 'short' and the MTM arrangement has the tweeter firing too low and into your knees (heard close up) or waist (mid-field) and to me, this made the issues worse with the inevitable cancellations of this arrangement. In passive form, the impedance curve from memory was 4 ohms average in the bass and twelve ohms or so at high frequencies (I don't have the 'Choice review with measurements so working on twenty five year old memories now)
Going 'Aktiv' with them using a Linn crossover and amps transformed them into something very much better and using three amps made them pretty neutral I remember.
A FAR better Linn speaker for all this is the replacement Ninka, which is taller and placing the tweeter nearer ear height (so avoiding the MTM cancellations), it's balanced better in passive form and going active simply means changing some connector plates round on the back so no surgery required. Subjectively, the Ninka 'sounded' more like active Keilidhs in passive form (very slightly 'grubbier' from memory) but going active with them (5120 with aktiv cards inside) lifted them into what I then regarded as a really serious speaker for the early noughties. Linn then seriously began to chase the higher earners and prices for each new model began to rocket upwards, but by that time I was gone, the tweeter array offered on subsequent models offering a nice sparkle for domestic use and a clean midrange, although reviews have shown that all isn't exactly neutral up there it seems...