so this is where kef got the idea
so this is where kef got the idea
What about kef’s weird bass/port tuning a bit to low and a tad sloping . In the reference series you can choose if you want this or a more normal br tuning with port inserts ? Why not make this selectable on the R series ?
It said to compensate room gain and get a lower fs ? But not many other brands practice this tuning .
Folks must get lucky, I never been overwhelmed by to much bass in any apartment or house I lived in with any equipment ? are kef trying to solve a non problem ?
I plan to measure both horizontal and vertical.Regarding upcoming R6 measurements, will you be positioning it vertically aswell?
I sympathize with what you're saying.First of all. Thank you very much for the measurements. Great job.
I wanted to comment your conclusion above. The directivity of this speaker starts to deviate horizontally around 2000 Hz. Between 2000 Hz and upwards it's overall uniform but not super constant. When we are below 2000 Hz we see that the directivity gradually get's wider. It's not too deviant to 1.5 kHz, but below 1.5 kHz it's collapsing with major changes. At 800 Hz the directivity is around 160°, and increase of approximately 60° compared to the higher frequencies. And below this it get's wider and the distinction from the higher frequencies increases. Obviously we don't care much about what happens below the Schroeder frequency, but we should at least consider the directivity down to 250 Hz area of a speaker.
Vertically, the speaker is much better. While it changes vertically from around 100° till 120° from 4 kHz to 2.5 kHz, it's able to remain a 120° directivty down to around 600 Hz.
I would argue that while it may be beneficial to remain horizontal directivity high in frequency (and especally when the horizontal dispersion is narrow), the directivity between approximately 500 Hz and 5 kHz is much more important to keep constant. This is the most sensitive area to us and deviations in the power response here will greatly effect the sound quality in a normal room with little acoustcial treatment.
R3 Meta from this review:
RT3 from Erin's measurements:
Actually they supply a port insert but I never really used it. Dont know what it changes. Yes the reason is to get a lower fs. 40Hz is pretty low for a bookshelf Speaker. Most bookshelf speakers don't have usable output below 60Hz. I suspect that active speakers like the KH 150 also use a similar tuning to extent the fs. You just don't see it in the Fr because they EQ it to be flat in the bass. With the R series connected to a proper amp and DSP pre you can also do this.
The port insert in the R series is the block the ports completely to make a closed tuning for even less bass , if your forced to place them very close to a boundary.Actually they supply a port insert but I never really used it. Dont know what it changes. Yes the reason is to get a lower fs. 40Hz is pretty low for a bookshelf Speaker. Most bookshelf speakers don't have usable output below 60Hz. I suspect that active speakers like the KH 150 also use a similar tuning to extent the fs. You just don't see it in the Fr because they EQ it to be flat in the bass. With the R series connected to a proper amp and DSP pre you can also do this.
Any pair of speakers that can be used for proper controlling the track ...What is a control pair?
Cannot do this properly as you need a significant amount of boost in bass region. The woofers on the r3 in that cabin, cannot handle that level of extra loudness without distorting.Actually they supply a port insert but I never really used it. Dont know what it changes. Yes the reason is to get a lower fs. 40Hz is pretty low for a bookshelf Speaker. Most bookshelf speakers don't have usable output below 60Hz. I suspect that active speakers like the KH 150 also use a similar tuning to extent the fs. You just don't see it in the Fr because they EQ it to be flat in the bass. With the R series connected to a proper amp and DSP pre you can also do this.
Reference still has port plugs if m not wrong on the top of thisThe R Series have port plugs whereas the Reference Series have swappable ports: the long tube is about 4.75” long and the short tube is labout 2.75” long.
Doesn’t it also mean the overall soundstage is limited much close to the boundaries of the speakers as opposed to a speaker with wider directivity ?These are the directivity data for the Reference 1 Meta that I measured a while back.
View attachment 266528
View attachment 266527
The R3 meta shows a noticeable improvement around 15-20 kHz over its predecessor, although the Reference 1 meta still shows a more uniform and beautiful directivity.
Btw, I tend to favor narrow directivity.
I don't think I have universal tastes when it comes to speaker setups.Doesn’t it also mean the overall soundstage is limited much close to the boundaries of the speakers as opposed to a speaker with wider directivity ?
Did you buy it after seeing Erin's review on Jan 2022?I'm using an Arendal 1961 Tower, which is a fairly narrow directivity speaker.
The bolded. The horizontal polar is collapsing and is therefore poor. There's no overall uniformity here. It's the opposite.The R3 meta shows a noticeable improvement around 15-20 kHz over its predecessor, although the Reference 1 meta still shows a more uniform and beautiful directivity.
Btw, I tend to favor narrow directivity.
Are there any speakers in the same market segment as the R series that don't do this?The bolded. The horizontal polar is collapsing and is therefore poor. There's no overall uniformity here. It's the opposite.
A true uniform or constant directivity will look something like seen below.
View attachment 266571
View attachment 266572
I'm simply pointing out what a uniform directivity actually is. There seems to be misunderstanding here. These are classical collapsing polars and which is not good. Price is irrelevant when we talk about objective performance.Are there any speakers in the same market segment as the R series that don't do this?
I don't see it as a lack of understanding, more a lack of well defined terms to talk about the different patterns.I'm simply pointing out what a uniform directivity actually is. There seems to be misunderstanding here.
Is it me looking at aesthetics or speakers from Perlisten, Arendal and KEF share a lot of elements?I don't think I have universal tastes when it comes to speaker setups.
I'm a music producer (that's what I do for a living) and critical monitoring is important to me, so my taste in music has evolved accordingly.
View attachment 266569
This is my studio, my listening environment.
I'm using an Arendal 1961 Tower, which is a fairly narrow directivity speaker.