Thanks, didn't realize so much flexibility on matching active speaker/sub sets out there for pro gear.Anything from 50 to 120Hz usually.
80 and 100Hz are most common.
Depends on the budget.
Most studio subs have high-passed Line outs for the Mains, even super inexpensive ones like the ESI 10S.
It is rather rare on HT subs though.
A notable exception are the original SB-1000 and PB-1000.
You'd need to make approrpriate comparisons for power/sensitiviity which you don't seen to be bothering with as far as your general assumption goes. Percentage isn't a very good metric, particularly if the volume control is logarithmic as many are now. What are the particulars of your dad's speakers?Granted, I know the Gjallarhorn is limited, but frankly, even my $75 set of Altec-Lansing 2.1 computer speakers go way, way louder than I will ever be able to play them, just running off the 3mm jack out of the computer. Actual bookshelf speakers running off an actual amp will be more than loud enough, regardless of the strength of the amp, or the sensitivity of the speakers. I doubt I'd ever turn my speakers up past 20% volume, considering my current little ones never get turned up past about 25%.
Now, whether the Gjallarhorn is better than something cheaper like the Fosi is another matter entirely, but frankly, I'm okay with the price, simply for the matched aesthetics of the schiit stack.
The only question is whether a Gjallarhorn + my dad's passive bookshelf speakers and whatever sub i can find would be better than taking that money and just buying an active set for $300.
Percent is a rather meaningless value as the power the amp outputs depends in the gain of the amp and the input voltage, which both are unknown.Granted, I know the Gjallarhorn is limited, but frankly, even my $75 set of Altec-Lansing 2.1 computer speakers go way, way louder than I will ever be able to play them, just running off the 3mm jack out of the computer. Actual bookshelf speakers running off an actual amp will be more than loud enough, regardless of the strength of the amp, or the sensitivity of the speakers. I doubt I'd ever turn my speakers up past 20% volume, considering my current little ones never get turned up past about 25%.
If the speakers are decent then go for a decent amp. There are lots of them tested here. The amp should output at least the amount of wattage the speaker is claimed to handle. This way you can be sure that it never clips (helps to protect the tweeter against thermal overload when clipping).Now, whether the Gjallarhorn is better than something cheaper like the Fosi is another matter entirely, but frankly, I'm okay with the price, simply for the matched aesthetics of the schiit stack.
The only question is whether a Gjallarhorn + my dad's passive bookshelf speakers and whatever sub i can find would be better than taking that money and just buying an active set for $300.
Is there a "high-fidelity" way to properly split the signal to speakers, tweeters, and subwoofers? Is it some other kind of device, like a preamp, or is it just better-quality crossfading hardware in the subwoofer or speakers themselves?
An active speaker whose amp dies, is a dead speaker, separates allow change. A good set of passive speakers should last years.
Or you can keep the speakers you have and get a stereo amplifier for around $100-150...I'm better off just spending $300 on some active speakers.
Got any recommendations for ones that are approximately the same size and design language as a Jotunheim and Modius? I.e. little black boxes?Or you can keep the speakers you have and get a stereo amplifier for around $100-150...
You're not the one getting things wrong, when it comes to minutiae of DAC colorations, which are usually nonexistent, vs. the importance of other things in the chain.So surprising that it makes me think I'm just getting something wrong, and don't understand how it actually works.
I'd say get one of the Fosi amps (they're little and black) or Aiyima. Throw $80-150 at that and use your dad's polks... should be decent enough for 1 hour per month. The Gjallhorns are going to distort if you listen to the polks even kinda loud. 10w is really not enough to work with when it comes to peaks.Got any recommendations for ones that are approximately the same size and design language as a Jotunheim and Modius? I.e. little black boxes?
No, the "minimum" wattage is simply a guess at 20wpc as to what you might find a suitable power range, but it could work for lower power requirements (nearfield, low volume).My dad has two sets of speakers:
Polk audio RTI4
And some ESS amt5
The ESS are way too big to use as desktop speakers, so it's just the Polks.
Nominal impedance: 8 ohms.
Voltage sensitivity: 89dB/W/m.
Recommended amplification: 20-125W.
Well, I guess that answers that. There's no way I could run these off the gjallarhorn.
So rather than buying a $300 gjallarhorn amp and then another few hundred on passive speakers that are sensitive enough to run off it, I'm better off just spending $300 on some active speakers.
You're not the one getting things wrong, when it comes to minutiae of DAC colorations, which are usually nonexistent, vs. the importance of other things in the chain.
If you mostly listen to headphones, I'm assuming you use a PC or Mac for most of your listening.
In that case, you don't even need to worry about the sub crossover, you can just use EQ to integrate the speakers and sub.
Also, I definitely recommend using EQ on your headphones. It's a cheap / free way to upgrade the sound considerably. While you can find people who are afraid of DSP as if it had some poisonous effect on sound quality, it simply doesn't. Case in point: pretty much every album you listen to uses DSP and digital EQ in particular for mastering.
I'd say get one of the Fosi amps (they're little and black) or Aiyima. Throw $80-150 at that and use your dad's polks... should be decent enough for 1 hour per month. The Gjallhorns are going to distort if you listen to the polks even kinda loud. 10w is really not enough to work with when it comes to peaks.
Are you kidding, that's SPL for ear bleeding...a peak spl of 110db