It does have a "flat mode" but that's for a flat in-room steady state response, which few people would prefer. I'm talking about EQing the speaker flat using 1m gated measurements or the like for the high frequencies, following the philosophy Dr. Toole a bit better.I seem to recall my AVR from 10 years ago had an Audyssey calibrated "flat" mode?
But it does beg the question, do most people prefer flat?
Yup, though I don't think one needs to take it to such cost extremes. I think as Amir populates this databass, we'll find plenty of pretty expensive passive speakers leave quite a bit of room for improvement in their on-axis response that some EQ could help quite a bit.I agree though, it would be interesting to see how well DSP does at taming a "bad" speaker in these ASRM tests. Would be really good to know if DSP can make your $100 Costco speakers measure like $6000 boutique monitors. Then have a discussion about DSP room EQ preferences.
I'm still working on refining the technique but I do plan to do a full write-up in the next couple of weeks if I can make it sound easy enough the average guy with measuring equipment should be able to follow it.I would be interested in an Audyssey step-by-step correction procedure. Feel free to PM me.
In free space?
I can’t seem to find any info on what SAM is.
I have yet to see any real proof that cabinet resonance is an issue with any decent modern speaker. I strongly believe that designers would solve any such issue once they realise cabinet resonance found a way to be visible in FR. And if it is not visible than it is not a problem, no matter how much we brag about CSD graphs. Btw, I have already quoted Toole stating this, but if you are one of the privileged to know of some research papers saying otherwise please share it with us.
Yup, though I don't think one needs to take it to such cost extremes.
Ah ok fair enough. Genelec has improved their DSP since 2010. All these technologies were very much available back then too, though, hence my question.
Nice. A few questions though:Heh.. PLease check this, 2000 EUR worth floorstander playing at 100dB at 4m distance with THD of 1.65% (pls ignore the hum at 80Hz):
Nice. A few questions though:
- At 40 Hz you will have a lot of room gain (up to 9 dB), did you take this in account?
They measure impedance and distortion as well. As I understand it they modify phase, as well as frequency response. When you turn the system on and set it to 0% you get the full phase adjustment and excursion protection only. You can then increase the amplitude correction in 1% adjustments. It always sounds wrong at 100% to me, but I listened to an album at 100% over the weekend, heavy rock, the kick drum was great fun, total lack of subtly, it's at 10% normally.@Frank Dernie thanks, that's interesting. The only concrete feature I can discern from their website copy is dynamic EQ.
Do you know much else about what parameters the SAM system is measuring/modifying?
In particular, I find it hard to reconcile the following: "SAM lets your system achieve perfect temporal alignment between the recorded signal and the acoustic pressure generated by your loudspeakers" and yet, "The process is strictly causal and generates no pre-echo."
Given the woofer in most of these speakers is low-pass filtered by passive electronics and in all cases acoustically high-pass filtered by the enclosure it's in, the claim is implausible.
Not out to dis this technology BTW, like I said a few posts back, even if it's only a calibrated dynamic EQ, I think it's a worthwhile feature. Just trying to understand what else it's actually doing (which is apparently not what Devialet claims it is doing).
EDIT: also, "96000 inspection points per seconds"... um, that wouldn't happen to be the sample rate would it, lol?
App 1m from each wall in the corner. So yes, there is some corner gain there but I doubt those small boxes would be able to perform the same at that same position.
I’m talking more in terms of off-axis performance; they have FR charts and polars.
Vertical performance is worse and there are some minor issues in the horizontal off-axis as well. It’ll get a worse preference score (with subwoofer).
Processing power has become much more affordable. We need to remember that releasing a complex design like that probably means several years of R&D when it's done properly. Also SAM dsp covers whole FR range. Not just low bass which would not be technically demanding at all.
They measure impedance and distortion as well. As I understand it they modify phase, as well as frequency response. When you turn the system on and set it to 0% you get the full phase adjustment and excursion protection only. You can then increase the amplitude correction in 1% adjustments. It always sounds wrong at 100% to me, but I listened to an album at 100% over the weekend, heavy rock, the kick drum was great fun, total lack of subtly, it's at 10% normally.
8361A is simply superior to 8260A due to amplification and 3rd generation drivers. Also dsp processing has evolved a lot since 2010.
That makes more sense. It sounds like you're saying bass extension and on axis accuracy aren't going to overcome the better controlled directivity of the newer models. (I was thinking the preference score on the 8260 would be higher without a subwoofer because other speakers would need a subwoofer to extend flat down to 20hz in a room... So maybe the 8260 without a subwoofer would be more like the 8341 with a subwoofer score, plus more because it's more accurate, though from what you're saying, that small advantage doesn't outweigh the better controlled dispersion.)
Unfortunate tradeoff. Maybe they will make one with woofers on the side or a rear woofer and seal and it get all of their speakers down to 20hz. Those little dual woofers seem limiting.