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Hi All, I couldn't find anything on ASR on the explanation of gain matching. If it exist, can someone link me and then I will delete this post. Or link me to any resources on the internet.
...You do need to "level match" or "volume match" for A/B listening or ABX listening tests to eliminate volume differences as a variable. That's normally done with test tones and a multimeter. (Or with an SPL meter if comparing speakers.)
Louder often "sounds better" and people might say things like "it's more dynamic", etc., and with ABX you are simply trying to hear if there's ANY difference and different loudness is a dead-givaway.
...You do need to "level match" or "volume match" for A/B listening or ABX listening tests to eliminate volume differences as a variable. That's normally done with test tones and a multimeter. (Or with an SPL meter if comparing speakers.)
Louder often "sounds better" and people might say things like "it's more dynamic", etc., and with ABX you are simply trying to hear if there's ANY difference and different loudness is a dead-givaway.
Hi All, I couldn't find anything on ASR on the explanation of gain matching. If it exist, can someone link me and then I will delete this post. Or link me to any resources on the internet.
This article is to explore how noise and distortion change through our system, and how different components can influence the final output. A common question is “If I have DAC A, preamp B, and amp C, where should I set the volume and gain controls for the best performance?” Usually this...
www.audiosciencereview.com
If all you want to do is to match signal levels that is an easier task.
This article is to explore how noise and distortion change through our system, and how different components can influence the final output. A common question is “If I have DAC A, preamp B, and amp C, where should I set the volume and gain controls for the best performance?” Usually this...
www.audiosciencereview.com
If all you want to do is to match signal levels that is an easier task.
There are lots of pictures... And again, if all you want to do is to match signal levels to avoid overdriving (or significantly under driving) the components, that does not require all the noise and distortion analysis in that thread.
This article is to explore how noise and distortion change through our system, and how different components can influence the final output. A common question is “If I have DAC A, preamp B, and amp C, where should I set the volume and gain controls for the best performance?” Usually this...
www.audiosciencereview.com
If all you want to do is to match signal levels that is an easier task.
The preamp simply needs a hot-enough signal to drive the power amp to full-power. That's usually not a problem, except that some pro power amps want a higher "pro" line level signal. Most of the time preamps are attenuating,* rather than amplifying, and most line-level signals are attenuated before going to the power amp or power amp stage.
* That's not the case for mic preamps or phono preamps, which are true preamps.