• WANTED: Happy members who like to discuss audio and other topics related to our interest. Desire to learn and share knowledge of science required. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

Dynaudio Heritage Special

OP
watchnerd

watchnerd

Grand Contributor
Joined
Dec 8, 2016
Messages
12,449
Likes
10,418
Location
Seattle Area, USA
Lol... last 10 minutes or so.

That's an interesting claim, that RFI gets into tweeters in some way that doesn't show up in ordinary tests.

It doesn't seem to match the test results of class D amps here at ASR.

Or at Stereophile.

At least not that I've seen.

But, I thought you were talking about the Heritage Special woofer, in this case, not the tweeter? :)

In fact, he says they're good for subwoofers.
 

PLB

Member
Joined
Jan 6, 2020
Messages
71
Likes
46
Maybe you should watch again, he specifically said the claimed distortion level of class D amps is exaggerated.
 
OP
watchnerd

watchnerd

Grand Contributor
Joined
Dec 8, 2016
Messages
12,449
Likes
10,418
Location
Seattle Area, USA
Maybe you should watch again, he specifically said the claimed distortion level of class D amps is exaggerated.

Give me the exact time stamp, man.

And, again, he said they're good for subs....and you're talking about a bass driver issue.
 

MrPeabody

Addicted to Fun and Learning
Joined
Dec 19, 2020
Messages
657
Likes
946
Location
USA
Something that sort of came to light a short while back when Amir gave the Elac UniFi 2.0 the run through is that with digital formats (and possibly depending on the music server program) the files (whether locally stored or web-streamed) can contain strong DC or near-DC (infrasonic) components, and that if you play such a file using an amplifier that passes DC ("dc-coupled") that the signal you send to the speaker will have a DC component, possibly a strong DC component.

Asking other people if they have the same problem with the same file is only likely to cause confusion, as has occurred in this thread. The other person playing the same file may be using an amplifier that blocks infrasonic frequencies. Or this may be done in the music server software they are using, or at some layer in the audio infrastructure on the computer, or possibly the DAC, etc. Even if another person says they see what seems to be the same as what you see, what do you then conclude? And if they say that they don't see it, what do you conclude?

What needs to happen is first some thought needs to be given to the unexplained motion of the speaker cone, specifically with respect to whether is seems to correspond to infrasonic content or even DC. If the hypothesis is that this is what is going on, then the file needs to be examined using some kind of spectrum analyzer, to see whether it does in fact have infrasonic or DC content. If it does, then you have your answer but still need to decide what you should do about it. If the spectrum analyzer does not confirm the presence of infrasonic or DC content but this is what your eyes tell you as you watch the cone, then you've got a mystery on your hands.
 

MakeMineVinyl

Major Contributor
Joined
Jun 5, 2020
Messages
3,558
Likes
5,878
Location
Santa Fe, NM
Maybe you should watch again, he specifically said the claimed distortion level of class D amps is exaggerated.
From measuring hundreds of class D modules, the specs are true. Note that an AES-17 filter is required to filter the ultrasonic crud.
 

PLB

Member
Joined
Jan 6, 2020
Messages
71
Likes
46
I’ll take the word of one of the greatest audio engineers over any of one’s you listed.
 
OP
watchnerd

watchnerd

Grand Contributor
Joined
Dec 8, 2016
Messages
12,449
Likes
10,418
Location
Seattle Area, USA
I’ll take the word of one of the greatest audio engineers over any of one’s you listed.

I'm trying to follow your logic train here...

So if, hypothetically, my hybrid class A/D amp has more distortion than your class A/B amp....and I'm not seeing excessive woofer movement, and you are, because....?

Help me out, because I'm not mentally connecting the dots.
 
Last edited:

PLB

Member
Joined
Jan 6, 2020
Messages
71
Likes
46
Something that sort of came to light a short while back when Amir gave the Elac UniFi 2.0 the run through is that with digital formats (and possibly depending on the music server program) the files (whether locally stored or web-streamed) can contain strong DC or near-DC (infrasonic) components, and that if you play such a file using an amplifier that passes DC ("dc-coupled") that the signal you send to the speaker will have a DC component, possibly a strong DC component.

Asking other people if they have the same problem with the same file is only likely to cause confusion, as has occurred in this thread. The other person playing the same file may be using an amplifier that blocks infrasonic frequencies. Or this may be done in the music server software they are using, or at some layer in the audio infrastructure on the computer, or possibly the DAC, etc. Even if another person says they see what seems to be the same as what you see, what do you then conclude? And if they say that they don't see it, what do you conclude?

What needs to happen is first some thought needs to be given to the unexplained motion of the speaker cone, specifically with respect to whether is seems to correspond to infrasonic content or even DC. If the hypothesis is that this is what is going on, then the file needs to be examined using some kind of spectrum analyzer, to see whether it does in fact have infrasonic or DC content. If it does, then you have your answer but still need to decide what you should do about it. If the spectrum analyzer does not confirm the presence of infrasonic or DC content but this is what your eyes tell you as you watch the cone, then you've got a mystery on your hands.
Well I’m fairly certain when I played this track on my other system with the same results it is the track that’s the culprit.
 
OP
watchnerd

watchnerd

Grand Contributor
Joined
Dec 8, 2016
Messages
12,449
Likes
10,418
Location
Seattle Area, USA
Well I’m fairly certain when I played this track on my other system with the same results it is the track that’s the culprit.

So not the speakers.....

Then why did you think you had defective speakers?
 

MrPeabody

Addicted to Fun and Learning
Joined
Dec 19, 2020
Messages
657
Likes
946
Location
USA
Well I’m fairly certain when I played this track on my other system with the same results it is the track that’s the culprit.

I wouldn't think of it this way, looking for "the culprit" per se. There is little doubt that it is something specific to this file, because this is the only file where you observed the speaker cone doing this, right? But knowing that it is something specific to this file does not give you a complete understanding of what is going on. If you run the file through a spectrum analyzer and you see infrasonic content or DC, you will then have a fairly complete understanding of what is going on, and will even gain the knowledge that the rest of the gear in the chain, the amplifier in particular, does not block infrasonic or DC content. If you don't have the means to analyze the spectral makeup of the file, there will be someone else on this forum who will have that ability and who will probably do it for you, but I don't know who it would be or how to get their attention. Maybe a new thread with the title: "Anyone got a software spectrum analyzer for analyzing a file I've got?" Something like that.
 
OP
watchnerd

watchnerd

Grand Contributor
Joined
Dec 8, 2016
Messages
12,449
Likes
10,418
Location
Seattle Area, USA
I wouldn't think of it this way, looking for "the culprit" per se. There is little doubt that it is something specific to this file, because this is the only file where you observed the speaker cone doing this, right? But knowing that it is something specific to this file does not give you a complete understanding of what is going on. If you run the file through a spectrum analyzer and you see infrasonic content or DC, you will then have a fairly complete understanding of what is going on, and will even gain the knowledge that the rest of the gear in the chain, the amplifier in particular, does not block infrasonic or DC content. If you don't have the means to analyze the spectral makeup of the file, there will be someone else on this forum who will have that ability and who will probably do it for you, but I don't know who it would be or how to get their attention. Maybe a new thread with the title: "Anyone got a software spectrum analyzer for analyzing a file I've got?" Something like that.

If it's a Tidal track, what's the procedure for analyzing a streaming file without RTA?
 
Top Bottom