Ken Newton
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- Mar 29, 2016
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There's an article in the May edition of Gramophone magazine regarding the resurgence of vinyl and decline of CD. The article touches on several differeing causes for this turn of events, among which are the notion that digital sound simply is subjectively unsatisfying. Of course, this is an old and familiar debate among us audiophiles. While audiophiles may have the equipment to hear any such subjective differences (if they exist), I very much doubt the majority of the public driving the increase in vinyl sales has equipment of the necessary transparency and fidelity. One intriguing possible objective explanation for the subjective preference for vinyl that has recently been put forth is that the low frequency groove noise of vinyl is intrepted by the ear as natural ambient sound. Sort of an unintentional surround sound effect. Digital, lacking groove noise, may often seem less natural or real sounding by comparison. See link below for an discussion about this effect, and the associated notion that adding artifical low frequency noise to digital playback may make it sound as satisfying as vinyl to those of the feeling it doesn't currently.
http://www.diyaudio.com/forums/anal...hesis-why-some-prefer-vinyl-douglas-self.html
The Gramophone article also identifies 'hipsters' as a significant force driving this market dynamic. This I have long suspected. I usually shake my head when I see the portable all-in-one turntables (picture, the close-and-play units of your childhood marketed toward adults) often sold alongside vinyl L.P.s in retail locations. This definitly wipes out the notion of superior playback being a large driving factor, to my mind. At least, with regards to hipsters, I suspect the new vinyl revolution is a transitory social phenomena primarily intended to demonstrate the hipster's, uh, discerning artistic and cultural sensibilities. In short, vinyl is currently cool. I think the rest of us, however, simply want to enjoy listening to satisfying music reproduction in the convenience of our homes.
http://www.diyaudio.com/forums/anal...hesis-why-some-prefer-vinyl-douglas-self.html
The Gramophone article also identifies 'hipsters' as a significant force driving this market dynamic. This I have long suspected. I usually shake my head when I see the portable all-in-one turntables (picture, the close-and-play units of your childhood marketed toward adults) often sold alongside vinyl L.P.s in retail locations. This definitly wipes out the notion of superior playback being a large driving factor, to my mind. At least, with regards to hipsters, I suspect the new vinyl revolution is a transitory social phenomena primarily intended to demonstrate the hipster's, uh, discerning artistic and cultural sensibilities. In short, vinyl is currently cool. I think the rest of us, however, simply want to enjoy listening to satisfying music reproduction in the convenience of our homes.