Killingbeans
Major Contributor
Was that test also blind? You didn't know what DAC you were listening to, only that one was louder than the other?
db meters are the first thing most people grab. They aren't a good choice. Did you use a test signal or music? With music it is not really workable. With a test signal absolutely precise positioning is necessary. A fraction of an inch will change the signal level read indoors.Ok. I used db meter. But this is not the point. I can purposely increase the volume of the worst unit and it doesn't help. As I said with amp comparison the better amp sounded better with a lower volume (based on db meter again). How about that?
Blind test was on volume matched. The difference was too obvious to make a mistake. After that I was trying to push up the volume to improve situation and nothing could help. Obviously at that point based on volume one could know which DAC is playing but the difference still was too obvious.Was that test also blind? You didn't know what DAC you were listening to, only that one was louder than the other?
You have my vote.Reasonably priced, modern DACs have been measured extensively, with the results published in the public domain (largely thanks to @amirm).
Even with all of this data, there is still conjecture in the audio community that a $150 Topping or SMSL DAC will not sound as good as a more expensive DAC. "Distortion measurements don't tell the whole story", etc.
So we are now at a point where I believe controlled blind comparative tests of DACs would be the best thing to help improve the audio community's understanding of DACs.
I know that performing these tests properly is resource intensive, so I appreciate why they aren't commonly conducted. I certainly don't have the knowledge or resources to volunteer to do such a test myself.
Still. I personally think that there would be more value in a single blind test comprising 5 or more popular DACs at different price points than another 50 individual DAC tests. There is merit in having measurements for as many products as possible, but at this point I think what the broader audio community really needs is a better understanding of how these measurements translate to what is actually heard.
After that I was trying to push up the volume to improve situation and nothing could help.
Obviously at that point based on volume one could know which DAC is playing but the difference still was too obvious.
I’ve been searching near and far via google and can’t find any blind abx tests done on DACs with statistically significant results favoring one DAC over another.
Does anyone know of any? If so can you please paste a link. If one DAC can significantly improve sound quality of my 2-channel system I want to find it!
I must have missed the details as I skimmed over this thread. What "fancy living" DAC and Amp outclassed the NAD and the Cary? Oh, and what loudspeakers?Blind test was on volume matched. The difference was too obvious to make a mistake. After that I was trying to push up the volume to improve situation and nothing could help. Obviously at that point based on volume one could know which DAC is playing but the difference still was too obvious.
The speakers are System Audio Explorer Master. The electronics are Eon Art Quark amp and their DAC.I must have missed the details as I skimmed over this thread. What "fancy living" DAC and Amp outclassed the NAD and the Cary? Oh, and what loudspeakers?
Interesting speakers - 70 watt minimum amp indicates they want some current to “come alive”. Looking at the Eon Art web page I get the sense of ”intense” audiophile marketing. All the check boxes are “checked”. High dollar caps - check, tube buffer - check, tube power supply for the tube buffer - check, ladder volume control - check, best mix of tubes and transistors - check, fancy casework - check, claims of environmental responsibility due to long life if you have us maintain it - check, pictures of planets and fancy yacht’s - check, handmade in limited quantities - check, etc……. The amp is using a digital output stage - earlier versions used hypex, but I did not read a reference to what they are using now. There is a reference to test equipment being used but no detailed specs other than some ratings in the brochure that while likely not audible will fail to impress anyone chasing ultimate numbers. The DAC uses 2 Wolfson WM8741 chips - no idea where that rates in the current environment.The speakers are System Audio Explorer Master. The electronics are Eon Art Quark amp and their DAC.
The issue in that is that any decent DAC uncolored from maybe $100 and up sounds the same as any other decent uncolored DAC.
This is the audible difference I can hear between my processor (IOTA something something) and several other DACs. Only have my NC400's on and I don't hear noise from the tweeters. Turn on the processor without anything playing and I can hear noise through the tweeters. Do the same but with another DAC (like M500, E30 etc) and it stays quiet. I can't hear it at my listening position though, because I have to keep my ear close to the tweeter.I think if you want to find audible differences between DACs your best bet is to find one with a much higher noise floor than another, then do an ABX listening test with an extremely high dynamic range track that's mostly really quiet, but also recorded recently and released in a good digital format (so the recording will have very low noise.) Crank up the gain, and maybe you could pick them apart.
Other than that, I rate the odds of anyone successfully telling DACs apart as extremely low.
If you think about it, if you really think about it, the amplifier takes a signal at a certain (low) voltage from the preamp, and it must AMPLIFY it, that is, it must increase the output voltage in the most linear way possible and without its presence. in between you modify the signal in some way.Blind test was on volume matched. The difference was too obvious to make a mistake. After that I was trying to push up the volume to improve situation and nothing could help. Obviously at that point based on volume one could know which DAC is playing but the difference still was too obvious.
I don't want to spend that much money. Both amps are 200W into 8 Oms, Bryston with 300W into 8 Oms doesn't make things better than Cary (in fact it just makes things more bright). So if you can point me into the right direction for upgrade I would be owing you a big one!Interesting speakers - 70 watt minimum amp indicates they want some current to “come alive”. Looking at the Eon Art web page I get the sense of ”intense” audiophile marketing. All the check boxes are “checked”. High dollar caps - check, tube buffer - check, tube power supply for the tube buffer - check, ladder volume control - check, best mix of tubes and transistors - check, fancy casework - check, claims of environmental responsibility due to long life if you have us maintain it - check, pictures of planets and fancy yacht’s - check, handmade in limited quantities - check, etc……. The amp is using a digital output stage - earlier versions used hypex, but I did not read a reference to what they are using now. There is a reference to test equipment being used but no detailed specs other than some ratings in the brochure that while likely not audible will fail to impress anyone chasing ultimate numbers. The DAC uses 2 Wolfson WM8741 chips - no idea where that rates in the current environment.
Unlikely to impress the “objective” crowd unless backed up by meticulous testing and results. Personally, I would use to money for a truck, but if you like it - it is your choice and money.
I do love idea of measuring things. But are we measuring all the attributes which affect final result? I'm not technical enough to understand all the measurements done on this site and more reading into conclusions; I'm not afraid to admit that.If you think about it, if you really think about it, the amplifier takes a signal at a certain (low) voltage from the preamp, and it must AMPLIFY it, that is, it must increase the output voltage in the most linear way possible and without its presence. in between you modify the signal in some way.
once an amplifier has sufficient power, which does not vary its response as the load varies, and which guarantees a flat frequency response, it has finished its task, stop, no more is asked of it, it does not have to dust our magic with magic music, neither to make it "sweet and sweet" nor "rhythmic and engaging". It just needs to amplify an error-free signal. And now many amplifiers, even inexpensive ones, do it very well.
At this point my question arises spontaneously.
If the two amps clearly sound different, one of them is not doing his job well, there is no getting away from this overwhelming logic. Considering that we have all the tools to evaluate INFINITELY BETTER than the human ear the capabilities of the instrument through measurements and that all high level (technical not economic) amplifiers measure well in the required ranges, how do you explain this EVIDENT to your ear, difference in sound?
A friend of mine just purchased a Benchmark ABH2 stereo amp to use with the matching Benchmark preamp. Speakers are Ref 3A Nefes 2's. That combo does a fantastic job. You may need to use them in bridged mode for 400 watt monoblocks. Total investment for all 3 is $9000 and Benchmark offers a 30 day return window. I use a Schiit Modius $200 DAC and am quite satisfied. If you need to play DSD files then pick something else.I don't want to spend that much money. Both amps are 200W into 8 Oms, Bryston with 300W into 8 Oms doesn't make things better than Cary (in fact it just makes things more bright). So if you can point me into the right direction for upgrade I would be owing you a big one!
What is resolving? Which system audio is resolving? I hear this very often, but nobody can explain me this.In order to be able to reliably hear the difference between DACs your system has to be very resolving.
It's the reason I bought a JDS labs Atom DAC+ for USD $109 plus shipping, plus RCA cable and plus import taxes. I don't see better value anywhere else.This kind of message always makes me pleased I use a Topping E30
I do love idea of measuring things. But are we measuring all the attributes which affect final result?
Because your audio system is not resolving enough. It’s just like pornography. You’ll knowWhat is resolving? Which system audio is resolving? I hear this very often, but nobody can explain me this.
What is resolving? Which system audio is resolving? I hear this very often, but nobody can explain me this.
That's because they don't provide any measurements to back up their claims. It's all just subjective. If they provided measured in-room data like this (my room measured from my listening sweet spot):Because your audio system is not resolving enough. It’s just like pornography. You’ll know