- Joined
- Dec 12, 2019
- Messages
- 14,524
- Likes
- 32,685
Yes, the AU-517 and AU-717 were the real deal.
I had that tuner.Wow, how did you pick up that gem for $150? If you end up restoring it, would you be willing to sell? At older age, I'm besotted with nostalgia and would love to own the very amp that introduce me to stereophonic music (Bob Dylan, Clancy Bros., Herb Alpert, Roger Miller - my parents collection) and filled my soul with happiness.
Looks pretty good tooView attachment 447516
Kyocera A-710
I'm the 2nd owner. All original, working perfectly still. It had an easy life.
Nice. The brand is a surprise as I only have known it for printers. Maybe a generic product with a Kyocera badge on it?View attachment 447516
Kyocera A-710
I'm the 2nd owner. All original, working perfectly still. It had an easy life.
It's all proprietary Kyocera. It was part of an extensive line showcasing Kyocera's ceramic technologies, including a chassis made of ceramic compound. They have matching turntables, CD players, and additional amps and receivers, all with that nice champagne finish. Very nice equipment, perhaps not as easy to work on with the amount of proprietary parts, and the fact many of the circuits are encapsulated in ceramics.Nice. The brand is a surprise as I only have known it for printers. Maybe a generic product with a Kyocera badge on it?
Yes!My integrated is the circa-2001 UK-built Musical Fidelity A300, with the giant ostentatious but butter-smooth gold-plated volume dial. Still going strong.
View attachment 447648
That was an absolute killer amp. I had one for years. Couldn't kill it. It was a party amp of note.View attachment 313369NAD 3140. My first amp ever. Now have a spare, although never use them. They're like grown children-don't need them around but have sentimental value.
From back in the day when preamps and integrated amps were expected to have features. Two tape loops, two phono inputs including one with selectable input capacitance, a frequency control of the tone controls, a tone defeat, sub and supersonic filters...the only feature I don't see is an external processor loop. It even has the routing map on the top--something nobody needs to do any more because preamps have so few routing features. This looks like a decently featured preamp even if the speaker amp dies and you have to route from a preamp output to an external power amp.What do you think about this one?
Sharp Optonica SM-4646 -all the knobs and switches are solid metal, three transformers.
It's tactile heaven!
Unfortunately, it uses Darlington ICs.
I’ve actually got one sitting on the shelf going into protect mode.
View attachment 447775
View attachment 447776
View attachment 447777
So many of those features were centered around turntables and everything required to bring out the best qualities from them. Even the tape facilities were largely about transferring music from vinyl to preserve the sound quality or other issues dealing with that medium. Now features have to do with the rooms we listen in. Audio has truly progressed into more subtle realms in areas outside the components themselves.From back in the day when preamps and integrated amps were expected to have features.
1. central transformer: Supplies the preamplifier and driver stages, which operate in Class A mode.I am wonderin' about the third transformer...![]()
Sure. But some of us still have lots of archaic sources that we preserve for the fun of it. And I still live in the country and have lousy internet access. And I still want to own my library instead of (or at least in addition to) renting access to someone else's library for as long as they are in business. And I still see tone controls as serving a very different purpose than equalization (hence my remark about the one missing feature--an external processing loop).So many of those features were centered around turntables and everything required to bring out the best qualities from them. Even the tape facilities were largely about transferring music from vinyl to preserve the sound quality or other issues dealing with that medium. Now features have to do with the rooms we listen in. Audio has truly progressed into more subtle realms in areas outside the components themselves.