HammersRocco
Senior Member
- Joined
- Mar 9, 2018
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To play in our cars and make mix tapes with all our favorites and none of the duds on the LPs.
To play in our cars and make mix tapes with all our favorites and none of the duds on the LPs.
That seems unlikely in the bitrates MP3s are supplied in today.Yes, well it might actually sound better than an MP3 too, that's something we should compare. Bottom line, you can have a vinyl system that sounds great, or a digital system that sounds like crap.
Really? An AT-LP120 and a conical stylus?The main problems with vinyl are absolutely unacceptable distortions due to the mastering, pressing and then playback system. Which also brings us a wide variety of crackles, the improbable background noise, the shortened bandwidth (often mono in the bass) and the weak dynamics.
It is even much worse than magnetic tape r2r or cassettes which only had hiss (and about 1% THD).
In addition, by spending more on the turntable itself (assuming you already own the maximum possble like an AT-LP120), tonarm, cartridge and phono input, you will not have better.
Except that you will possibly have the joy of hearing even more crackling if you opt for a non-conical stylus.
It is lamentable.
So it makes the cardboard sleeve to better read the liner notes (which you will consult once in your life) rather expensive.
I understood this site was about measurements,
<SARCASM>I understood this site was about measurements, not misplaced nostalgia. Records wear out and scratch even more, and the high notes disappear. Do you realize what you are writing? Respect ?! OMG !
Right now, I'm using first rate (albeit cheap) digital gear to listen to some 74-year-old recordings. The point isn't SOTA sound, it's about getting the best results with the recordings that are available. If someone has a large collection of LPs, we can point them in the direction of the best way to play those records. But we're not here to tell them they're wrong to be playing records.I understood this site was about measurements, not misplaced nostalgia. Records wear out and scratch even more, and the high notes disappear. Do you realize what you are writing? Respect ?! OMG !
Almost any Technics DD from the 80s in decent working condition will deliver excellent sound. Mine was $80. You’re probably better off paying a bit more for a good phono pre-amp than you are spending the equivalent on the turntable itself. With the Waxwing, you gan get truly excellent sound for <$600. If you go through a computer, you get excellent sound without the Waxwing. Good vinyl reproduction (as in it takes about 10 blind A/Bs to distinguish from 24/48 streaming) can be had pretty inexpensively.I own a AT-LP120, I feel it about the cheapest you can go to get a good solid workable turntable, but its hardy SOTA
Waxwing doesn't use bluetooth for audio.What I’ve read about the Waxwing, it seems interesting, but I won’t use BT or a computer with my stereos, I’ll have to live with my Schiit Skoll.
Has there ever been a proper bias controlled blind test between a decent basic turntable vs something considered SOTA using the same cartridge? Could be interesting ,I own a AT-LP120, I feel it about the cheapest you can go to get a good solid workable turntable, but its hardy SOTA
BT has been a curse to me, my BT keyboard drive my TV and DVR crazy, drops out my streamer. I shut it off on all of my devicesWaxwing doesn't use bluetooth for audio.
It uses it to connect to your phone for control of the settings from the app - that is all.
Weird.BT has been a curse to me, my BT keyboard drive my TV and DVR crazy, drops out my streamer. I shut it off on all of my devices
Blutooth: "someone found a way to patent and trademark a walkie talkie".Weird.
To have bluetooth interfere with one device would be uncanny. To have 2 devices so impacted - vanishingly improbable. Three? I'd be suspecting a poltergeist before bluetooth. I mean - even airlines allow bluetooth now. Yet even with hundreds of bluetooth devices all operating at once on each flight: all the planes stay up in the sky.
I assume you've also banned wifi from your property. That puts out *way* more rf energy than any bluetooth device. Same with your cell phone. And your microwave oven - forget about it!
To be clear a tape machine might use tape formulated on acetate while an LP mastering lathe would use a lacquer.As @atmasphere points out a direct cut acetate can be objectively better than any analog tape recording machine.
The other big "degradation" happens because it can be decades from when the master / cutting tapes were originally created and the transfer to digital took place. Tapes are perishable to a lesser or greater degree depending on formulation, storage, use, and abuse.
Your anecdote aside, which is meaningless, its very common to cut an LP from a master tape that has no alterations whatsoever. We did it all the time. On top of that if presented with a digital master we also asked the producer if he had a master without all the DSP other than normalization.Rubbish!
The changes needed to make a master stamper for LP are not subtle at all. I don't know that direct cut acetate was better than any analog tape, especially if one considers 15 i.p.s. tape. It might be comparable. OTOH, how many direct to disc recordings are there? Not even 1%.
I recorded many albums off of FM radio when they would play whole albums. They were all things considered better than LP almost always. Broadcast RTR even copied to broadcast tape cartridges was better than the total degradation over an LP format. Revisionist history is a b*tch. Unless someone can provide good data the idea they kept the "most precious" vinyl masters doesn't even make any sense.
Sorry but this doesn't happen! Again, the studio master tape is usually the same as the LP master. Hence 'cut from the master tape' you see on so many high quality LPs. Honestly I don't know how idiotic stories like this get started. Sometimes you gain ride a cutter system but if you have it set up right you don't since the computer takes care of the advance velocity. This is associated with the 'digital preview head'There seem to be two stages of remastering to get from final studio master tape to what is actually in the grooves of an LP:-
- Firstly, create a vinyl master tape from the studio master tape, with whatever changes deemed fit. As well as the changes, this adds one more generation of copy to an already nth-generation tape.
- Secondly, 'ride' the gain and compression controls of the cutting lathe, making on-the-fly adjustments by ear. This is changing dynamic compression among other things, on a moment-by-moment basis. Not good! Plus the RIAA EQ is applied at this point, which has several versions and the owner usually has no clue which version was used, and the record owner's reverse-RIAA circuit often doesn't result in flat output.
So - if I can do it, that means others can't or won't?? Do you realize how silly this sounds? My setup was nothing special other than the fact that I had such a setup while those that talk anecdotal stuff about LP mastering don't and might never have even seen such a machine in person. Sounds a bit ridiculous when you think about it. Hands on still means something.I agree that this is a question that's not easy to answer in a definitive, blanket way.
However, with all respect, atmasphere's posts here are invariably anecdotal in nature. The pattern is quite clear and repeated: the posts start with a blanket factual claim, and the evidence usually turns out to be what he did or saw in this or that situation. More than once his posts have even stated explicitly that what he did was in his opinion a best practice that was not consistently followed by others in the industry.
So to my eyes, most of atmasphere's posts are evidence for what he has done, and what he thinks or wishes would be (or would have been) industry standard practice, but were not.
Was not offended at all, and yes the microwave can also interrupt the Wi-Fi signal at times.Weird.
To have bluetooth interfere with one device would be uncanny. To have 2 devices so impacted - vanishingly improbable. Three? I'd be suspecting a poltergeist before bluetooth. I mean - even airlines allow bluetooth now. Yet even with hundreds of bluetooth devices all operating at once on each flight: all the planes stay up in the sky.
I assume you've also banned wifi from your property. That puts out *way* more rf energy than any bluetooth device. Same with your cell phone. And your microwave oven - forget about it!
EDIT - PS If that comes accross as harsh - I'm sorry. I'm two double whiskeys down by now. I should know better than to post whilst drinking.
PPS and I like your platypus.
IMHO: There is no degree as good as "EMPIRICAL KNOWLEGE". Now, if you have both, will likely be helpful, as "DEGREES" show that you have perseverance and that perseverance MAY get you to attack the problem from a different angle and MAY get you to the correct answer or way of doing something.To be clear a tape machine might use tape formulated on acetate while an LP mastering lathe would use a lacquer.
Your anecdote aside, which is meaningless, its very common to cut an LP from a master tape that has no alterations whatsoever. We did it all the time. On top of that if presented with a digital master we also asked the producer if he had a master without all the DSP other than normalization.
Sorry but this doesn't happen! Again, the studio master tape is usually the same as the LP master. Hence 'cut from the master tape' you see on so many high quality LPs. Honestly I don't know how idiotic stories like this get started. Sometimes you gain ride a cutter system but if you have it set up right you don't since the computer takes care of the advance velocity. This is associated with the 'digital preview head'
So - if I can do it, that means others can't or won't?? Do you realize how silly this sounds? My setup was nothing special other than the fact that I had such a setup while those that talk anecdotal stuff about LP mastering don't and might never have even seen such a machine in person. Sounds a bit ridiculous when you think about it. Hands on still means something.