watchnerd
Grand Contributor
A side thought...
At home, for me, it's all about accuracy. Accurate frequency and phase responses and a gentle 1dB/octave downward tilt from 20hz to 20khz. No, I don't artificially tune for that live chest thump, I prefer to let the musicians (and mastering engineer) display their craft as they intended.
In a live gig situation, it's all about the emotion. Producing the 'feels' for all parties the best way I know how.
So I will high-pass, low-pass, manufacture an artificial bass 'thump', EQ the crap out of mics and instruments or into them to get a result that helps both the musicians and fans get into the 'zone' and lose themselves in the performance.
Yes, you read that right! Pro-engineers use 'TONE' controls, oh and DSP effects and correction if available.
Why? Because nothing satisfies more than an event that goes 'off'... where the performers glow with satisfaction and pride at the music they have created and the fans buzzing so much they don't want to leave, oh, and yelling to all and sundry how "Frigging AWESOME" that all was...
Yep, the simple things in life!
PS. I wonder if the purist home audiophile has any idea just how much pro-audio engineers f*_k with their pristine musical source way before it gets to their precious t/t's, DACs, Tubes, crazy-wire, and dinosaur passive cross-over loudspeakers.
I think most know this when they stop to think about it. After all, everyone has seen a mixing console.
But I think they choose to ignore it for reasons of cognitive bias.