Could you post a photograph of your room?
Thanks,
Keith
Thanks,
Keith
Sure, I never made any measurement, don't know how to read them and it's not consistent with many ATC measurements + experiences that I had myself and it wasn't you who said "HF lifted slightly in DSP after these measurements", it was me and I was wrong, sorryIf you knew how to read a measurement or how mic placement affects something like that, you wouldn’t care so much about this “big HF drop”. It could litterally be the opposite picture within a few inches up or down - which I account for in the original post. But you choose to ignore it and draw the most misconceived “trendline” i have ever seen.
So much “science” on this thread, and so little knowledge.
Slightly is nothing like what this measurement indicates. As stated in original post.Sure, I never made any measurement, don't know how to read them and it's not consistent with many ATC measurements + experiences that I had myself and it wasn't you who said "HF lifted slightly in DSP after these measurements", it was me and I was wrong, sorry
Slightly is nothing like what this measurement indicates. As stated in original post.
If you want to be serious, don’t draw a ridiculously sloping trendline on top of measurements, clearly made to emphasize a point, that doesn’t hold up. It is just too obvious.
These measurements are from when I was tuning the crossover. Testing some different approaches. There are 2 x 18” subs in the system as well. ATC go comfortably to 25-30hz, below that subs need to take over.Could you post a photograph of your room?
Thanks,
Keith
Oh dear… We’ll let your posts speak for themselves.
It does indeed. But it means you need to dedicate a room to the speakers and nothing else. Something that few can or are willing to do, and hence other less room dependent designs have their merit indeed. But people here tend to focus on spinoramas and klippel measurement, that have nothing to do with real world scenarios. A “predicted in room response” is a weird concept, and looks nothing like a real in room response IME.Thanks T it is a very even response imho, I thought there seemed a lot of bass when specs state -6dB at 30Hz the two 18” subs would explain it.
Soffit mounting has many advantages doesn’t it,
Keith
Seven layer fiber plaster construction. So yes, in practice resonance free, which is the goal.May I ask how is the wall that holds you speakers constructed, my understanding is that there has to be enough mass behind to absorb even the lowest frequencies?
In the transparent Northward designs where the speakers are suspended in glass I suppose the front wall again has to be extremely massy, or the room behind has to be large enough or limp enough not to return bass?
Keith
Are you serious? How can someone judge over a speaker based on inroom-measurements, especially above bass frequenciesThis is how ATC SCM200 measure in this room. I like their headroom but that's it, the rest is as far for neutral as it gets, I started to bring my 8330 there just to know what I'm really recording. I can understand someone liking it, the dip in the midrange and the HF curve in particular makes everything sound like a 8k pultec bump and more like a "record", but this is not how a monitor speaker should sound and a good example how pro studios shouldn't be automatically taken as a reference
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Yeah, this is a joke, and only a testament to terrible room implementation.Are you serious? How can someone judge over a speaker based on inroom-measurements, especially above bass frequencies
Room effects apply mostly below schroeder.Are you serious? How can someone judge over a speaker based on inroom-measurements, especially above bass frequencies
Slope from 10 to 20kHz is real in ATC. But in most cases this is not the issue at all. This makes sound more bearable for long listening. Dip in mid-range can be a sign that listener is too low comparing to mid-range driver level. ATC recommends 0 to -5 degrees from midrange. If speakers are higher - they need to be angled to listener to compensate.both sound the same, the dip is probably because of the reflection from the desk and HF drop is about the same as any ATC I measured or heard, maybe a bit more as the tweeter is rather hight. Month ago I was helping calibrate SCM45 in different room and it was around -5dB at 20k on axis
... oh wow. you refer to modal behaviour, but that's not the only in room issue. there are reflections, cancellations/sbir, and not only direct waves. hopefully frequency windowing was turned on at this measurement, but i doubt it. even then, thats not a measurement to judge about the speaker but the room.Room effects apply mostly below schroeder.
Ok, I’ll just reference ATC’s anechoic measurements…oh wait... oh wow. you refer to modal behaviour, but that's not the only in room issue. there are reflections, cancellations/sbir, and not only direct waves. hopefully frequency windowing was turned on at this measurement, but i doubt it. even then, thats not a measurement to judge about the speaker but the room.
Do you feel that same size of monitor from Genelec/Neumann in the same level of room would sound worst than the ATCs you heard today?So, I have been lucky enough to hear ATCs in a Northward room today - when they're integrated correctly, ATCs are truly world class.
Apparently Thomas stopped using Genelecs because they had issues (this was back in the 103__ days, though). Not sure if there are any rooms he's done with non-ATCs at the moment...Do you feel that same size of monitor from Genelec/Neumann in the same level of room would sound worst than the ATCs you heard today?
I'd be curious too but I can say this much, the ATCs I've used do a thing in the mids that the Dutches don't. They're not mid forward, not really - they're just insanely detailed. The Neumanns do something largely similar, I think it has something to do with an exceptionally low distortion mid driver.