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This bit rings true with me. Years ago I used to have a huge turnover in audio equiment, and did lots of AB comparisons: DACS, processors, pre-amps, power amps, and I wrote them all up (sometimes doing myself no favours). There were two occasions when things sounded the same, but in general the differences were usually subtle, but with technique and perseverence* they were readily distinguishable.I can't hear any differences in noise or distortion between them but I definitely hear differences in sound stage between the different DACS and will pass any blind test in my room with tracks I know very well.
Things like noise and distortion were rarely the discriminator, tonally most equipment sounds clean and uncoloured, as it should. What always gave it away was the stereo imaging or soundstage. Some equipment let you think you were looking through a clean window with everything in view and in clear focus, and with full depth of field. Even with 16 bit audio, the soundstage can be deep, wide and tall, with everything laid out with stable and precisely defined locations. Other equipment made it seem like you were viewing a scene through an obscured bathroom window. It really made it quite easy to distinguish equipment.
* technique and perseverence? This means endlessly listening to a very short piece of music over and over again many times. Some people say you have to listen for a long time to judge something. I don't agree with that at all, that just makes everything much more difficult. Movie soundtracks are useless. Short repeated music clips makes it all much easier.
How do you measure stereo imaging, or how do you know what measurements to look for?
I'm not sure, but I presume it boils down to linearity and dynamic range - simply a matter of fidelity, in other words.
Whatever, I'm completely confident that we can measure it. Whatever it is.
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